Slow pace in the most part of the movie.

Save your money for something good and enjoyable

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This film is so real. It treats its characters with so much care and sensitivity.

Middling Warner Bros. costumer has James Cagney playing a sailor who narrowly escapes being shanghaied. He gets revenge fairly quickly. Then we have a typical "small-time hood climbs the ranks of the criminal underworld" plot that was used in so many WB gangster pictures, quite a few of which starred Cagney. Cagney's fine in an unchallenging role. George E. Stone is good as Cagney's Jewish tailor friend. Ricardo Cortez is the criminal saloon owner who gives Cagney his start. Margaret Lindsay is pretty and likable enough in a bland part as the good girl corrupt Cagney wants to go straight for. Her father was a crusading newspaper editor killed for standing up to the bad guys. Like I said, this feels like WB took a script from one of their gangster movies, changed the setting, and passed it off as a period drama. The problem with that is those gangster pictures weren't good because of their formulaic plots. They were good because of the snappy dialogue, fun characters, and urban flavor of the 1930s. That's missing here, which makes for a rather dull movie. The last quarter of the movie, including the lynching stuff, is the most exciting part. The tacked-on happy ending stinks.

It seems odd this drama from Cagney's main star period would be obscure until you watch it.Cagney is dynamic as ever but those two cinematic black holes Margaret Lindsay and Donald Woods stop the film dead in its tracks whenever they appear in a scene.Lindsay, who Warners tried their damnedest to make into a star, is stiff and affected in the female lead. Her scenes with Cagney become more an interesting example of star quality and naturalism versus posturing for the camera than believable love scenes. In their close-ups he is animated and alive and she seems to be waiting for him to finish talking so she can flatly deliver her lines. Woods is even worse but his role is smaller so he is less irksome but when he's not on screen you don't miss him. As far as the film's storyline it's standard stuff about the clash between the Barbary Coast and Nob Hill society. If you're a Cagney fan it's worth checking out but one viewing will probably be enough.

Mediocre Warner Bros. period piece which goes off to a good start, but is hampered by a predictable narrative, an unfocused storyline and a lack of exciting moments, not to mention Jimmy's terrible hairdo in the later stages.The picturesque Barbary Coast setting is a plus, though, and this one's the first movie I've seen, that features a lynch mob whose anger you actually understand (though the people are portrayed just as sheepishly dumb as always.) Not Cagney's best hour, to be sure.5 out of 10 hooked hands

Frisco Kid (1935) ** 1/2 (out of 4) The Barbary Coast in San Francisco is the setting in this story of Bat Morgan (James Cagney), the man who would become the countries first racketeer. This is a decent little film but there's not enough energy to keep things moving as well as it should. Cagney, with a funky little haircut, is in good form but this is certainly not one of his greatest roles. The supporting cast is in good form and includes Margaret Lindsay, Ricardo Cortez, Donald Woods and George E. Stone. Cortez steals the show as the top guy in town but Stone adds some very good comic relief as Cagney's buddy. The highlight of the film is a terrific fight sequence between Cagney and a large man with a hook for a hand. The final twenty minutes deal with the city getting tired of the thugs and deciding to take the law into its own hands. We get another mob scene where they want to hang the bad men and this here is where the film should have taken off but things stay pretty bland and never get too exciting.