Waste of time

Nice effects though.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Cagney sings and swings in this enjoyable musical comedy about a bandleader who goes to Hollywood and winds up brawling with stuntmen. It's lightweight fluff done on an obviously low budget, one of two movies James Cagney did for Poverty Row studio Grand National. It has a nice turn from Jimmy, who gets to show off his dancing skills in the movie's best scenes. Lovely Evelyn Daw plays his singing fiancée and has some adorable dimples. The rest of the cast is fine, including William Frawley and Gene Lockhart. Some of the behind-the-scenes movie bits are fun but the songs are nothing to write home about and the musical numbers aren't as flashy or impressive as what was going on at the bigger studios at the time. Still, as I mentioned before, Cagney is a great dancer so it's worth seeing the picture just to watch him hoof it.

Dancing "Big Apple" band leader James Cagney (as Terry Rooney) heads for Hollywood to make his "Galore Pictures" debut. After his down-to-earth attitude is mistaken for arrogance, Mr. Cagney leaves tinsel-town thinking he's a failed actor, and marries singing sweetheart Evelyn Daw (as Rita Wyatt). Meanwhile, Cagney's debut makes him the country's newest movie star. Publicist William Frawley (as Hank Meyers) and studio chief Gene Lockhart (as B.O. Regan) hope to cash in, but with the now married Cagney as a more appealing single man.Mr. Frawley demonstrates some "Fred Mertz" mannerisms, and Mr. Lockhart apes a certain studio mogul.On "leave" from Warner Bros., and with multi-"talent to burn," Cagney more than proves his worth. Jack Warner wisely made him "an offer he couldn't refuse," and Cagney re-signed before another studio - MGM, the references to Gable, Montgomery, and Taylor would suggest - got too interested. His hoofer role reached its fruition with Cagney's magnificent "Yankee Doodle Dandy" (1942). "Something to Sing About" is a tuneful title; of the songs written by director Victor Schertzinger, "Right or Wrong" was the biggest minor hit, for swing singer Mildred Bailey.****** Something to Sing About (9/30/37) Victor Schertzinger ~ James Cagney, Evelyn Daw, William Frawley, Gene Lockhart

On paper - it was made by Grand National, a Poverty Row outfit, the female lead made only two movies before calling it a day - this doesn't have too much going for it, unless you throw in Jimmy Cagney as leading man and hyphenate Victor Schertzinger as director/composer. It was made in 1937 which makes it roughly contemporaneous with both Stand-In and A Star Is Born, two other films that took swipes at Hollywood. Cagney is reasonably effective as a band-leader in the East who is tapped by Hollywood and goes to the coast to make a movie. Evelyn Daw, who made only one other picture the following year, is the singer with the band albeit not too convincing as she was an opera singer rather than a band vocalist. Nevertheless Cagney marries her and then finds out that a clause in his contract prevents him from marrying. YEAH, that old chestnut. It is, on the whole, reasonably entertaining and Schertzinger's score is pleasant if not exactly the stuff that Standards are made of.

The plot of this film is very simple: a provincial band leader goes to Hollywood, in spite of his success, he returns to his old band. But we do not watch this film for its intricate subplots. It's song and dance time, which was director Victor Schertzinger's forte.In one of Cagney's dance sequences, there is stepping on a keyboard which reminds me of the Penny Marshall directed toy department scene in "Big." Some excellent performances here. Cagney of course. William Frawley is excellent too. I remember him as Bub in the TV series "My Three Sons". Schertzinger directed Damita in a couple of films, so he has Mona Barrie play a Damita-type leading lady with a foreign accent, Damita's vocal flourishes and arm-throwing. It's an utter disaster. Otherwise Schertzinger's direction is much improved compared with his earlier RKO work.