A lot more amusing than I thought it would be.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Jeremiah has an overall interesting plot and instead of doing what most other TV-shows in this genre would do by following a direct plot or story each episode generally focuses on a side story or a smaller story which ends up being developed later throughout the series. And most side-stories entwine with the main plot or at least they get developed later throughout the series. The acting is what you would call average at most with the protagonists being decent actors, but most of the stand in actors for episodes can sometimes seem odd and out of character. But the director seems to rely on the abundance of sex scenes to keep the show what he believes to be interesting. And they take the scenes far further than needed, and unlike other shows which imply things such as rape or sexual intercourse Jeremiah has a tendency to actually show the scenes happening and you can even sometimes see the tension between the actors. Overall it would of been far better without the constant reliance on sex or the pretentious script at times. FINAL SCORE: 5 OUT OF 10

Far better than the half-dozen network TV shows that try to show a post- apocalyptic world, this is still not perfectly imagined.Here's the central premise: a plague has wiped out everyone over the age of puberty, all at once, leaving children 0-12 to find their own way. 15 years later, they've done amazingly well. I suspect there'd be a little more Lord of the Flies behaviors in such a situation, but here, not only are the people reasonably happy and well-adjusted, everything in this world looks organized, only mildly dirty, and fairly well engineered.Moreover, the casting and the stories keep forgetting the central premise. Luke Perry looks 40-something (he wasn't quite that at filming but looks older), yet the oldest person alive should be 27, and no way can he pass for that. One can imagine that almost none of the infants alive at the time of the plague would have survived (having only traumatized orphans to find and mince food for them), so people from the old times should be 17-27 and their post-plague children 0-12. But clearly older actors abound and you'll get a plot where a stated 16- year-old has a father. Huh?Plot-wise, good (if damaged) guy Perry and his sidekick (whose personality shifts about in season 1) meander around in a surviving automobile, never running out of gas, and which they seem to know how to drive at once without any chance for training at that skill, and they have episodic adventures that reminded me of the old Incredible Hulk and Fugitive series. (Guy arrives at new town each week, meets someone with a problem, helps him or her solve it in 45 minutes of screen time, drives off into sunset at end of show.) There's an overarching narrative, too, involving various groups trying to set themselves up to rule a greater number of people, but mostly this episodic plot, developing an emotional connection for the leads to a girl or child, and after someone has made the Big Speech, the leads drive off into the sunset. While that's not original, it is an appropriate choice for a P-A series, as it gives us a chance to look at how various dystopic groups that may have formed. It would have been interesting had they occasionally driven into town, mis-assessed the situation, and hurt more than helped, but the show's writers played it safe and kept to the formula.For a world in which technology is dying and the knowledge needed to keep it going mostly forgotten, it sure keeps popping up a lot. Cars, gasoline, bullets, helicopters, running water, short-wave radios, whatever a plot needs, the tech is there, but precious little time is spent suggesting that there are people working at figuring these things out and keeping tech working. Admittedly, that's not very exciting stuff to show, but an occasional added reference would make the wider world more believable, as would more awe from the natives at their arriving in a working car. Nor do you see a lot of farming, which would be what 99% of people do 99% of the time. Still, it is far less cloying and unrealistic than the networks' attempts at PA stories, and it's pleasant to hear cursing, frank talk about sex, and even some atheism (without growing up with religious training, surely most people wouldn't be). And the leads are almost always wearing the same clothes and don't look overly well-scrubbed, for which I give points.I got bored so didn't watch the second season; this is a review of the first season only.

The concept sounded interesting and appealing to me, so I decided to watch "Jeremiah". Sadly, everything that could have been good about the show, was ruined by terrible writing. I could have forgiven the show for all those clichés it included, the over-the-top characters and the stupid story lines, but it was the dialogue that really killed it for me. There is absolutely no subtlety here. Characters say things they would never say, just to get something across to the audience that the writers had no idea how to communicate otherwise. Just watch the first two episodes and you will see for yourselves. The acting isn't good, and the pacing is not well-done, either, but the writing is really frustratingly bad. There are multiple scenes in every single episode, which left me feeling embarrassed to watch it. I heard the second season is even worse, but I honestly couldn't make it that far. This show is cringe-worthy, mainly so because of horrible writing.

Wow. For anyone out there who is a die-hard sociological and/or post-Apocolyptic scifi fan, this series is for you. An excellent rendering of what, sadly, everyone calls a 'comic book,' this translation of a 'graphic novel' is captivating. The characters are believable, which makes the scenarios believable. Most importantly, we are drawn into the times, and we have heroes to root for. Jeremiah is intelligent and thought provoking, which will no doubt be unappealing to many. No, there are no fancy special effects, so that will disappoint many also, and every now and then we run into continuity questions, but the story-lines well make up for that. Luke Perry and Malcom-Jamal Warner deserve kudos for their acting skills (and made me forget their origins), as does anyone who plays a major or minor part in this series. For anyone who likes a good, intelligent story, a good drama that keeps you on the edge of your seat and rooting for good to best evil, you will relish this series. Yes, I gave it a 9 out of 10, as that is well-deserved.