Thanks for the memories!

Purely Joyful Movie!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

These Inner Sanctum stories that Lon Chaney, Jr. starred in over at Universal Pictures are the only ones out there where he actually gets the girl. He usually didn't star in parts that called for him getting the girl. But not only does he get the girl in this case Anne Gwynne, but he's got women falling all over the place for him including Evelyn Ankers, Elizabeth Russell, and even the Dean of Women in the college where Chaney plays an archeology professor Elizabeth Risdon gives him the old fish eye.Chaney tells this one in flashback as he describes bringing home a bride from the South Seas. It's Gwynne who is the daughter of a colleague, but was raised by the witch practitioner on the island and taught all the voodoo tricks of the trade. Not exactly material to be in the faculty wives club.Anyway Chaney gives the air to Evelyn Ankers and Evelyn ain't about to take being dumped lying down.No use in going through the rest of the film as bad things start happening to folks around the campus. It's pretty obvious who's responsible. In a camp sort of way Weird Woman is a whole lot of fun.

"Weird Woman" is the second in the "Inner Sanctum" film series, an adaptation of the Fritz Leiber, Jr. story "Conjure Wife". It's good fun in the tradition of the Universal black & white thrillers, taking a psychological approach to its story of college campus politics. Lon Chaney, Jr. is likable as always in the role of Professor Norman Reed, who meets a lovely young woman, Paula (Anne Gwynne), in an exotic setting. The young woman is extremely superstitious, and it's suspected later that she could be using black magic to help Norman, whom she marries, to get ahead. It turns out that somebody else is scheming, and scheming, to make life Hell for both Norman and Paula. Now, anybody watching can easily figure out Whodunit, but as directed by Reginald Le Borg, this entertaining little movie moves right along, with some amusing plot twists and supporting characters. Evelyn Ankers, who'd been Chaney's co-star in the horror classic "The Wolf Man", does well here in a change of pace role as a colleague with whom Norman had been involved. It's particularly interesting to note all of the attention Chaney gets from the opposite sex here, as no less than three females, including Lois Collier as adoring student Margaret Mercer, fixate on him. The theme is a pretty good one, of superstition vs. reason; Paula takes the former so seriously that it's devastating for her when Norman forces her to destroy her totems. She and Norman eventually have to work to clear his good name when he's implicated in both a suicide and a murder. The movie overall is no great shakes, but it's still an agreeable diversion, and like many of the genre films of the era, it has a reasonably short running time, telling and wrapping up its story in a trim 64 minutes. The same story would again be filmed as "Burn, Witch, Burn" in the 1960s and "Witches' Brew" in the 1980s. Seven out of 10.

Well, Lon Chaney Jr. that is. After being cast as various monsters, most famously The Wolfman, and a moron in Of Mice And Men, Chaney must have found temporary relief the Inner Sanctum series of second feature mystery potboilers, in which he was the sophisticated leading man, nattily dressed and sporting a pencil-line mustache like Errol Flynn. And he's surprisingly believable in this mode. Just goes to show you how those 1940's pinstriped, double-breasted suits with padded shoulders could spruce up any mug. Considering Chaney's bulk, just picture what an unbelievable sex symbol he would have made dressed like the average young to middle age guy now -- with a goofy tee shirt, knobby knees showing beneath baggy shorts, with a ball cap on backwards like the dumbest of the Bowery Boys! Thank God for the old black and white movies when men dressed like men instead of overgrown Beaver Cleavers! But I digress...In Weird Woman, Chaney is a suave college professor, the love idol of not just one, but three beautiful babes -- Anne Gwynne, Evelyn Ankers, and Lois Collier. Gwynne is his wife, a pretty, young half-savage he has brought back from a sociology study in the South Seas. The orphan of another professor, she was brought up by the savages, unfortunately with all their heathen superstitions, something of a problem for the logic-minded prof. Even more of a problem is the bimbo co-ed Collier, who has a serious crush on him. Biggest problem of all is Ankers, the librarian he had been using before he brought the little brown babe home, now as the bimbo describes her, "a jealous old cat." Ankers, scheming for revenge, is behind all the mischief that occurs -- not a spoiler, this is known all along. How all this unfolds, how it affects the professor, his superstitious wife, and the rest of the campus, and the way the villainess gets her comeuppance is all very suspenseful and entertaining.Even more entertaining is how well the authors of this story (Fritz Leiber Jr novel, Scott Darling adaptation) understand and reveal the cut-throat inner dynamic of a college faculty. Real life professors and administrators and their spouses may find their portrayal as snippy, catty, licentious, insecure, and overly competitive uncomfortably close to home! If this movie were remade today, no doubt the much adored professor would be a woman, still with the pin-stripe suit -- but the spurned librarian would still be one, too! Changing times, changing times! But it wouldn't be such good a movie in any way, even with a zillion-dollar budget and the top "talent" available today.Weird Woman, along with the other 5 low-budget pictures in the Inner Sanctum series, is a good example of how the big studios of Old Hollywood without halfway trying could turn out entertaining, good-looking movies. All well-acted by Chaney and the other second tier actors involved, artistically filmed with lots of spooky night scenes, well directed with an intense psychological angle, scored with appropriately eerie music by Roy Web, all maintaining a fun creepy atmosphere throughout. Great little filler movies, the longest only 67 minutes. If you like the first one you watch, have a double feature!

College professor brings back native voodoo woman as wife, causing problems with romantic rivals and academic colleagues.Best way to take this disappointing second entry in Inner Sanctum series is as occasional camp. Those jungle voodoo scenes are laughable with their mumbo-jumbo ramblings and back yard staging. Then too, I'm still wondering just which one of the movie's genuine lovelies is supposed to be the weird woman. Can't be sweet-faced Paula (Gwynne) since she's about as weird as Shirley Temple. But then there's cat woman Elizabeth Russell (Evelyn), who's apparently wandered over from the great Val Lewton horror series, with a hard-eyed stare and piercing manner that's enough to send Clint Eastwood running for cover. Too bad they couldn't make her the weird woman.The real problem is with Chaney. He's hardly the intellectual or romantic type, while putting a Clark Gable moustache on him doesn't compensate. That might be okay if he really tried. But he comes across as generally bored with the part. Too bad, because he's capable of good work, as in Of Mice and Men (1940), that is, when he's motivated. On the plus side are all the good-looking girls for the guys, and I like the way the screenplay works in the academic intrigues. Ironically if you take out the silly voodoo angle and Chaney, there're the makings of a pretty good dramatic plot and cast in what's left. However, as things stand, there's nothing much in the way of either imagination or surprise in this disappointing second entry.