I like the storyline of this show,it attract me so much

You won't be disappointed!

Lack of good storyline.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Another enjoyable entry into the Italian giallo genre, although this veers more towards 'solid' than spectacular. The locations are less arresting than usual in these films, but there is a fine conveyance of squalor and run-down industrial landscapes which, when located within the rolling landscapes, provides a particularly stark backdrop to the gloomy events.I think the word 'gloomy' covers things really. There are no real standout characters; no Edwidge Fenechs of Rosalba Neris, or even a stubbornly chauvinistic male hero to hiss at. We have instead, nice Lukas, played by Corrado Pani, who attempts to investigate the dark goings on.Paola Tedesco plays Mara, a young dancer, who witnesses the murder of a local pharmacist. A string of killings then take place, all nicely staged. 'Watch me When I Kill' is a decent rather than engrossing giallo that only occasionally captures the sinister atmosphere of others of its type.

Those familiar with Antonio Bido anyway, the director of WHO SAW HER DIE? & THE BLOOD STAINED SHADOW, understand that his giallo thrillers are always leisurely paced(..to say the least)with LOTS of plot. And, there's always a sense of real sadness behind the plot, real tragedy often motivates the story with characters uncovering horrible truths. And, WATCH ME WHEN I KILL is no different, it is insanely convoluted yielding such a melancholy conclusion when our detective hero finally figures out the painful reasons behind a series of murders in(..and outside of) Rome. Three characters share a secret involving the Nazis and a family they betray and this fuels the killer who hunts each down, waiting for the right time, when they are most vulnerable, slaying them from behind. The first is a pharmacist stabbed in the back, the killer slicing his throat. The second, a female character named Esmeralda(Bianca Toccafaondi), who is friends with Giovanni Bozzi(Fernando Cerulli), a businessman with corrupt lending practices, she has a history with. Bozzi seeks aid from neighbor, Lukas(Corrado Pani) regarding disturbing phone calls featuring a collage of loud, random sounds which mean little to him, yet are enough to cause concern. Lukas is also assigned to protect his actress girlfriend, Mara(Paola Tedesco)who came across a crime in progress(..the pharmacy as the killer escaped quickly)and has been targeted for possibly seeing too much. Lukas begins his own investigation into the murders, and soon realizes that his girlfriend's pursuer and the killer behind the others are related. Soon, a judge(Giuseppe Addobbati), a wrongfully accused escaped con(Franco Citti), and a screenplay writer(Paolo Malco)all have their own part within the convoluted story.I will admit that I labored through WATCH ME WHEN I KILL, even though I respect director Bido for the ambitious story and it's chilling finale when we get all the facts after a lot exposition. I thought the score, supplied to us by Trans Europa Express was fabulous, good mixture of styles which often provide the film with a texture complimenting the shifts in tone(..while also making the long haul a little more bearable). I wasn't as critical of the acting and think the important characters were handled reasonably well. I agree with others that the dubbing and dialogue effects the impact of the film because characters are often saddled with cringe-worthy words that were perhaps more articulate in the Italian language. I for one liked Pani as the lead detective..he had the look down, and the cigar was a nice touch, and he never, to me anyway, ever committed a dopey characterization which would make him unsympathetic or unworthy of interest.The trademark giallo POV shot for the killer is often relied upon, and there's really nothing particularly stylish or fresh..that could be looked at as perhaps a positive for Bido, his conscious decision to bare more emphasis on the story, not dependent upon certain camera angles or imaginative methods at keeping our attention. The murders themselves are vicious affairs(..especially the final strangulation using a shower head's extension cord)which correspond with what their past mistake resulted in..the savagery with which the killer conducts his work(..such as the grisly sequence where Esmeralda's face is buried in a beef stew she was preparing on a skillet)correlates with how certain family members fell to the Nazis. Also important is a family photo with faces cut representing lost lives.

Not the most shocking, nor the most bloody, nor the most stylish of giallo, but it's likable enough and is just that little bit different. Much helped by a very decent performance from Corrado Pani as the cigar chomping guy who seeks to unravel one of the most complicated of tales. Far too many characters and just a few too many red herrings and yet it does keep going and if Paola Tedesco as the female lead does not match the performance of Pani, this may be the fault of the dubbers. Not awash with killings, what there are, are very good. The first one is a bit pedestrian but the fantastic bath scene killing and the one backstage with all the costume are worth the admission price and if the ending is a bit abrupt, it is conclusive and brought a smile to my face. Effective score.

(aka: WATCH ME WHEN I KILL) Much better than Antonio Bido's other giallo, SOLAMENTE NERO (THE BLOOD STAINED SHADOW) Pharmacist in Rome is murdered. A woman who saw the killer leave is then stalked by the killer. Her boyfriend tries to find out why, and stop him. Three more murders follow. They are murdered because they are all tied to the betrayal of a Jewish family to the nazis during WWII.The killings are gruesome but not particularly bloody. In fact Bido goes out of his way to tone down the blood and not look too Argento-ish, imo. This is an excellent non-Argento giallo, one of the best of the 1970s. The plot flows pretty smoothly and it has an element of mystery and surprise at who the killer is. That's a nice touch considering that many Italian giallos reveal too many clues ahead of time, making the killer's identity a foregone conclusion. The music's ok, too. The only big negative is at the very end where the film wraps itself up way too fast, not leaving much for the viewer after the climax takes place. The VCI DVD print is kinda grainy and scratchy, not up to the usual standards Anchor Bay and Synapse have with their releases. Not many extras other than a bio of Bido along with some trailers to some other VCI DVD releases. I'll give it a 6 out of 10 for being better than a lot of the other films of the giallo genre...