I love this movie so much

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The film never slows down or bores, plunging from one harrowing sequence to the next.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

In a time when T.V programmes are either shoddy new ideas or made-over remakes of old classics it's nice to see something fresh, controversial and brilliant. The `Tribe' is probably the finest, original and engaging T.V film drama to make it's way on to our T.V screens in years. Written and directed by one masterful Stephen Poliakoff, the man behind such classics as, among others, the T.V series `Shooting the Past' and the excellent film ` Close my eyes', here comes the greatest, and sadly winner of no awards, T.V film of 1998. The `tribe' has one rare thing most T.V films now lack, a decent script. It's with this script he helps paint his vivid image of an underworld of modern suburbia in which a bizarre cult live, oblivious to the decaying and messed up world around them. They create their own world with their own rules to which Jamie has to learn to accept before he can even begin to understand them and their ways. It is also through Poliakoff's beautifully handled direction which he helps to create his dream like world where fantasy and fiction more often than not collide and slowly merge in to one. It is also in Poliakoff's use of a `Lock, Stock' style yellow filter which helps enforce the films dream like narrative and gives the film a feel which can only be compared to Stanly Kubricks final master work `Eyes Wide Shut'. But it is really down to the acting which really bring Stephen Poliakoff's film to life. Jeremy Northam and Anna Friel turn in excellent performances as usual as the property developer and the girl who seduces him. But it's Joely Richardson's `tour de force' performance which really steals the show. Her character is complex, powerful yet physically naked as we see what her real life is like outside of the one she created. She lives with her mother and father who couldn't really care less about her. It is for this reason she has created her own world where the troubles of everyday life are non-existent. The whole cult live in the centre of a big city yet are so detached from the other people who in-habit the city they feel truly free.This can be seen in the hippie symbolism at the beginning of the film. It is because of these such deep and complex story lines that I feel Stephen Poliakoff is the second greatest person working on T.V today, the first being Chris Morris. As this film was never released on tape means it is hard to find. But it is worth checking out if you can get hold of a copy as you will be in for a real treat.

Normally I'd regard the critical mindset that a film is crap, but at least actress XYZ gets naked in it, as prehistoric, sexist bilge. But, for this one, I'll make an exception. Talented people (Eve, Costigan, Richardson) ambling about like zombies for two wasted hours. The BBC sat on this for about two years, then marketed it in a cold, calculating manner with tantalizing shots of Ms Friel about to disrobe. And disrobe she does. Pert, firm, frisky, if a little skinny for my tastes. Sorry, but if the script and/or direction was any better, we might not have had to go down this alley... Was Jeremy Northam actually PAID for his performance?

I'm slightly more in favour of summing this film up as stylish art than I am of condemning it as pretentious crap. There is some good camera work, good editing, and occasionally an evocative mood. There are some good performances, but film does have its limitations - it's a TV movie, but a good one.If the central theme of the film is the tension surrounding those who dare to be different and their rejection by society then it is hardly surprising that by siding with them the film attracts negative comments. Or it may be that it is just crap. Except the BBC don't make crap films. We may not like what they do, but the production quality, scripts, etc. are always excellent.So I'll come out in favour. It may not be high art, but at least it's got style and something to say.

Personally, I think a vote of 1 for this film is generous. The acting was poor and the story was absolutely crap. As a bloke the only part of it worth watching was seeing Anna Friel starkers.The film was set in some dystopian present yet was full of eighties bilge about computers taking over the office, the working-class being a load of car stealing thugs etc. I can't say any more as the programme was so bad it is impossible to find any of its content worth commenting on, except for Anna Friel's gorgeous body. How on earth did this garbage get an average vote of 4.9? Well I suppose the film will be forgotten in the dustbin of TV history.