This movie is the proof that the world is becoming a sick and dumb place

The Worst Film Ever

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

By the time the dramatic fireworks start popping off, each one feels earned.

When the narrator/director of the film begins with praising a neighborhood peeping tom for "getting away with it" you can pretty much guess what this is all about. Ostensibly an attempt to uncover the world of proto-snuff and other depraved 'underground film making', it becomes a numbing vehicle for it- tarting itself up with intellectual deconstructions and interviews with the participants of these movies and and ultimately revealing itself as another sad exercise of the... form.Bitter, sociopathic white males acting out their inner rage by staging graphically detailed depictions of the murder of one woman after another may be a lot of things, but one thing it will never be is *art*. Gaspar Noe's movies are better-produced versions of the same thing, and just as unworthy of your time. Proceed accordingly.2 Stars for genre fans' ability to harvest anecdotes/background information on these movies and that's about it.

I first saw this a year or so ago while browsing the Movie/Free Movie section of Comcast's On Demand. Scrolling through the pages of films, I saw Fred Vogel's name appear in the cast listing and became fascinated quickly. I took a look at the trailer of the strangely titled feature and was engulfed with curiosity. The film had a look of a documentary with directors and actors in films from horror's "underground scene".While we meet different celebs talking about movies like "Peeping Tom", "Texas Chainsaw Massacre" and "Henry" to name a few, we meet with a fellow behind a line of videos called S&Man, a voyeur and stalker who films people.I enjoyed this as a filmmaker who would casually look for grand terrors in said "underground scene". I would recommend for anyone who has an interest in film, horror movies and the weird.

From J.T. Petty (director of the halfway decent direct-to-video "Mimic 3: Sentinel") comes the bizarre, pseudo-documentary, pseudo-mockumentary, pseudo-scripted feature "S&Man" (pronounced "Sandman", not "S and M Man").The film is presented and introduced as a "documentary" about how, after his original intent to make a film about a convicted voyeur from his hometown failed, J.T. Petty decides to interview underground horror filmmakers who make simulated snuff films and B-movies. These subjects include real filmmakers Fred Vogul (director of the famed and nauseating "August Underground" series, and several other extreme films), Bill Zebub (another real underground director I am not familiar with) and a fictional character, Eric Rost (played by Erik Marcisak), whom is the creator and director of the "S&Man" video series. A series similar to Vogul's "found-footage" work, in which Rost plays an evil character who stalks women and murders them.Petty and his crew interview the three men (Vogul in particular giving some great insight into horror, underground film and extreme cinema, and why people are into these sorts of films), "Debbie D", an underground film actress, and several psychologists and therapists, talking about horror and its impact on society.And the first half of the film does come off as a rather compelling analysis of extreme horror and underground cinema, the reasons why it is made and has a popularity, and how/why it impacts people. Some of it is very troubling, some of it is insightful, and some of it is disgusting.However, the problem lies in the fact that this isn't a true documentary. The first half of the film is essentially an excuse Petty uses to make the second half, which is 90% a scripted story (though still in documentary style) feel more real. In the scripted storyline, Petty begins to question if Rost's "S&Man" series is real or fake, and Rost begins to exhibit evil, disturbing and dangerous tendencies, climaxing in an interesting ending.However, it felt very unneeded and unnatural. The scripted storyline is phoned in and obvious, and Rost (though compellingly and wonderfully played by Marcisak) just comes off as too much of a "character" in comparison to the real cast like Vogul and Zebub.So much insight and thought is placed into the real, documentary segments (as I said, Vogul has some very interesting things to say, and Zebub is a fascinating and seemingly troubled person), and they are so informative, that the scripted segments felt like too much of a betrayal. It would have been more compelling if Petty had either made a straight documentary, without the "Is Rost really a killer?" scripted storyline, or just made a full-on mockumentary about Rost. Combining the real and the fake is an interesting concept, and could work, but it just quite doesn't gel here.As it stands, it's not a bad film, but sadly "meh." An average 5 out of 10.

A tricky film examining the underground horror film scene, this "documentary" examines the lines between reality and fantasy, the voyeurism of horror and the desensitizing of modern culture. With modern special effects and camera trickery, how do we determine what is really real? In a world where gore and horror films show us the most gruesome deaths, does this cause us to see a real death as looking fake? Could we identify it, or would we pass it off as fake? And with low-budget horror striving for reality, where does the line get drawn? The film interviews horror experts, "scream queens" and several filmmakers, including Eric Rost, creator of voyeuristic stalker/killer films called the "S&Man" series. In this shocking documentary from JT Petty, we delve into these issues with real life examples, but when the documentary makers begin to probe the maker of the S&MAN series deeper, a shocking conclusion will cause you to ask: Did that just really happen?A really great movie and sure to be a cult hit, S&Man (had its Canadian) premiered at the 2006 Toronto International Film Festival.