People are voting emotionally.

After playing with our expectations, this turns out to be a very different sort of film.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

On paper this sounds pretty uninspiring, but 'Bells' turns out to be an ingenious idea well-executed (a bit like Didier Grousset's 'Kamikaze' [1986] in reverse), that reunites the director and composer of 'The Quiller Memorandum'.The script vaguely recalls 'Quatermass 2', is lively, quite witty in places and generous to the supporting characters (Gary Reineke, in particular, is visibly enjoying himself as the police lieutenant, who gets to develop as the film progresses), the Toronto locations are well used, and it all builds up to a satisfyingly explosive climax. One can nit-pick - Richard Chamberlain gets a lot of lucky breaks looking for information - but it certainly makes you pay attention every time yet another 'phone rings; did every single phone in Toronto - even the Mickey Mouse ones - have exactly the same ring tone in 1980, by the way?

Much more of a gap between the invention of the telephone and this movie, and the invention of the television and the movie Murder By Television, for some reason.....I saw the cut version of this, which was still rated R surprisingly, despite there being no nudity, just a couple of not-too-bad cuss words, and some deaths that weren't too terribly horrific. This could hardly get anything worse than a PG-13 rating today. I'd be curious what was cut from the movie.Anyway, a young woman answers a phone ringing in a subway station. Strange sounds come from the phone, and she begins having a seizure of sorts, blood drips from her eyes, and then she is forcefully blown away from the phone, while the receiver ignites in flames.The young woman was a former student of Richard Chamberlain's character, anenvironmental science professor, I think. Her father asks him to investigate her death, which he was told was a heart attack. Chamberlain learns about the phone from a bag lady, and gets some help from a woman painting a mural at the phone company's headquarters. Meanwhile, other people keep dying the same way.One of the most amusing moments for me was when John Houseman's character drawled "I've earned it." Houseman had done some famous commercials for Smith-Barney saying "They earned money the old-fashioned way: they earned it" - with that same pronunciation. I don't know which came first, the commercials or this movie (I'd guess the former).

Canadian horror film starring Richard Chamberlain as a professor out to prove a conspiracy exists in a huge phone company as they cover up a mad killer that uses high-pitch frequencies on the phone to kill people. The movie resembles Coma with its thriller-like atmosphere and its one person against the world protagonist. As thrillers go, the film is pretty enjoyable, although it is definitely short on logic. You really will need to suspend some disbelief here. Michael Anderson directs(quite a ways down from directing Around the World in Eighty Days if you ask me...which you didn't) with some polish and flair, using the materials he is given to their best. John Houseman is somewhat wasted in the film, but his verbal reparte with Chamberlain is quite amusing. Chamberlain is adequate in the lead. The special effects are...well, not too impressive. Some of the death scenes are over-acted and over-directed, and unintentionally amusing.

This movie is known under the title "Bells" in my country. Bells is a exciting and unusual thriller about a killer who kills people with the help of the phone (he sends some deadly sounds through the phone). The movie is made with skill and have great & convincing actors who really takes the job serious. The plot is good and makes you feel the tension in the film. RecommendedI give it 8 out of 10