Who payed the critics

The greatest movie ever made..!

To all those who have watched it: I hope you enjoyed it as much as I do.

One of the most extraordinary films you will see this year. Take that as you want.

Road To Paloma reminded me very much of Easy Rider and although the central plot for both films is different this film seemed to use a similar approach to drive the narrative forward; random introduction of a 'new' stranger to the road trip, cruising around everywhere on motorbikes, lots of nonsensical hippy-dialogue and stoner type talk. For me these things were the root problem with Easy Rider and to be honest I wasn't impressed with having large portions of it rehashed 40 odd years later.Although it establishes its story early on it seems to get largely forgotten about for large portions of the film (the first hour in particular). The film generally moves from scene to scene fairly well, but many of the scenes are rather stupid and seem rather pointless. I suppose the idea is that these scenes exist for the 2 men to 'discover' themselves so to speak, but there's no commentary or insight into anything that happens meaning that a lot of what you're seeing here seems to serve very little purpose.Character development is rather weak and I felt that Momoa could have fleshed out Wolf a little bit more (the idea that Wolf and his father were fugitive and police officer respectively could potentially have created an interesting dynamic, but again this is swept under the carpet). The same could be said for Cash (whose name has an irony in itself) - we learn that he has money problems, but never get to grips with how he got into debt? Any film that spends a lot of its time with just 2 characters needs to afford them some development and provide the characters with some rapport/chemistry otherwise the film will become dull and boring and sadly that's exactly what happens here.Even though the narrative sees 2 FBI agents pursuing Wolf this aspect of the film never really has any intensity or tension. This isn't helped by the clichéd approach that the 'cops' are always 1 step behind the fugitive ( in this case almost literally at every single stage of the film).There are moments where Momoa gets things right; the attempted rape scene that Wolf witnesses affects him badly and the aftermath of this sees him confiding more in Cash - this essentially is where a bond starts to develop between the two men. The film also has quite a moving ending even though ultimately its an ending that can be seen coming.Road To Paloma has one or two strong elements, but sadly I didn't find the majority of the journey from A to B particularly compelling and found a lot of it to be rather boring. If Momoa had played this film as more of a character study then it probably would have worked better. However, for the most part, it's just a 21st century version of Easy Rider with nearly all of its negative trappings included.

There's more to Conan than one might think. Well the Conan that did not succeed that is and you might not even have seen. Jason Mamoa is more than a little bit involved in this movie. Apart from being lead, he also directed this. Which means he really stands behind this story and wanted to tell it the way it is shown.For someone multitasking, he's doing a pretty decent job. His character might have some flaws (and a lead character needs those), but the story itself does not really have them. It flows along nicely and is as spiritual a ride as you can get. Much better than another movie that came out recently, which was supposed to be a sort of sequel to "Easy Rider". I'm not a biker, but you can see what the quality of it is, with some very beautiful shots and the freedom it obviously gives you. If that is you cup of tea -> enjoy

This movie has a Great cast and acting, stunning scenery and backdrops, and a cool soundtrack that got my feet tapping many a time. The story will make you ask yourself if taking the law into your own hands is the only option sometimes. You will fall in love with characters and hate others with very subtle acting. I like how they let the motorcycle riding tell a story too! Most films these days skip those moments out and just jump to a scene of a guy getting off a motorcycle, yet in this movie they let us see the actors riding with beautiful scenery all around them. Those scenes reminded me of Easy Rider and that is a great thing in my opinion. Good choice on the bikes too! This is more than just a road movie, you don't need to like Motorcycles to enjoy it. The foundation of the storyline can grab anybody and it simple to understand. That Cash guy would be a blast to hangout with, how much trouble could you get into with that guy, hey? :) Good job!

This movie celebrates good hearted people molding their life around a moral code which, at difference from the Law, would never allow a murder (and raper) to run free after serving a ridiculous amount of time. The consequences of that could be easily imagined.Noticeably, the moral value of the film is flimsy, to say the least, whereas its aesthetic value is not: images are not only spectacular but very expressive too. Maybe the author (Jason Momoa) felt more at ease with pictures than with anything else: surely he seems to have something to say and he does it in an interesting and pleasant way.I can't help but comparing him with Stallone: just like Sly, he seems good at making movies.