Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

This movie was so-so. It had it's moments, but wasn't the greatest.

This is a must-see and one of the best documentaries - and films - of this year.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

This movie could have been enjoyable if the title were changed to "A Very Fake Bear" and voice-over were added by Some Comedian/enne. It made me ask very deep questions, such as, "What did they use for hairspray back then?" and "When did we stop aging at arbitrary rates and begin experiencing time together?" Just another reminder why I don't watch movies made in the 70s. In all seriousness, though, that bear is the best part.

This is certainly the least popular of Hammer's prehistoric series, the unloved child from a litter of four. The irony is that Creatures The World Forgot makes more effort than any of the others to be vaguely accurate. After all the criticism levelled at the preceding films for their phony history, their laughable depictions of tribal life, along comes a film which tries to present a truer representation of the past… and what happens? It is showered with derision, ignored at the box office and mercilessly ridiculed for failing to provide any dinosaurs! Studios take note - audiences want the fantastic, the sensational… not the mundane. With Don Chaffey back as director (he also did One Million Years B.C.), and the emphasis shifted onto the daily struggles of a Stone Age tribe, one hopes the film might offer a fascinating look at a subject largely underused in cinema. The titular 'Creatures' are not really creatures at all, merely people: primitive, struggling human beings trying to survive against the elements and each other. Sadly, the film is poorly handled – its characters lack development and presence; the music, a jumble of rattles and thudded drum beats, becomes relentless and annoying; and the narrative is tedious for much of the time.As already noted, the plot is basically just concerned with the day-to- day existence and struggles of primitive man. The Dark Tribe, led by Mak (Brian O'Shaughnessy), traverse the wilderness in search of a new home and eventually come across a fair-haired tribe. As a peace offering, the fair-heads present Mak with one of their women, Noo (Sue Wilson), to take as his wife. Later, Noo gives birth to twin boys – one dark-haired, the other fair. On the same day, another woman in the tribe gives birth to a mute girl. The tribe contemplate sacrificing the disabled child but change their mind when a lightning strike seems to warn against it. Many years later, the twins – blonde Toomak (Ian Bonner) and dark Rool (Robert John) – have grown up, but thoroughly despise each other. In a battle with marauders, Toomak saves the mute girl (Marcia Fox) who shares his birthday, and takes one of the enemy's women, Nala (Julie Ege), as his wife. His father is mortally wounded in the skirmish and elects Toomak to replace him as leader, but Rool opposes this decision and spends the rest of his life attempting to overthrow his brother.The only department where Creatures The World Forgot has the edge over the other films is the cinematography. As captured by Vincent Cox, the Namibian and South African backdrops are breathtakingly beautiful, every inch the undisturbed playground of prehistoric man. Even the film's harshest critic would admit it has a very accomplished look about it, especially in the long shots which incorporate these spectacular backgrounds. The problem is that much of the action in front of these lovely backdrops isn't up to scratch. Very little in the film actually works – it's all very plodding, desperately short of excitement. Sure, the costumes have somehow become even skimpier than in earlier entries, yet still the film fails to generate the requisite sex appeal. Even the lovely Julie Ege, formerly a Miss Norway and Miss Universe contestant, looks drab here beneath a mop of scraggly black hair. Her co-stars, both male and female, are similarly painful on the eye. All in all, Creatures The World Forgot marks a dispiriting end to Hammer's prehistoric cycle. Its status as the least loved of the series is, I think, fairly justified.

"Creatures the World Forgot" is the third and final entry in the Hammer caveman films. It differs from "One Million Years BC" and "When Dinosaurs Ruled the Earth" in that it is an attempt at realism. There are no dinosaurs in this movie. The setting is firmly grounded in North Africa. Some of the opening shots show rock paintings which appear to be from the Tassili area, circa 4,500 BC. An attempt to portray a functioning caveman culture is presented. Gone are the bikinis and beach girls of the other two movies...well, almost. For the most part, the costumes seem fairly realistic. Don't get me wrong, there are plenty of pretty women to look at, and their costumes seem to fall away frequently. Gone also is the made up language of 'akeeta' and 'necro.' In this movie, its all about grunts and gestures, which work quite well. Instead of dinosaurs, indigenous North African animals are present. We see oryx, wildebeest, warthog, brown hyena, crested porcupine, ostrich egg canteens, a couple of snakes and a scorpion. At first it might seem strange that no big cats or other top predators are included in the assortment. I think it's because the antelopes have killed off all the lions and leopards. Hey, this is one tough bunch of antelopes! They lurk deep in the brush and charge out at frightening speed to stab and gore and kill. They are truly vicious creatures. And is it just me, or was an oryx actually killed and skinned for the movie? The plot is unnecessarily convoluted. Two tribes (dark hair and blond hair) meet and exchange brides. The woman from the blond tribe gives birth to twin boys (one blond, one dark). These two brothers hate each other and are constant rivals throughout the movie. At the same time, lightning strikes a tree and a woman gives birth to a girl. The tribe wants to kill this bit of bad luck, but the shaman woman takes her for her own. There is an interesting sub plot as this young girl grows up with a crush on the blond-guy, gets rejected, and finally accepts her destiny as the next shaman of the tribe. It is one of the coolest stories in this movie. After too many plot convolutions, the brothers end up fighting to the death over the blond-guy's leopard skin bikini mate in a scene involving a large snake and cliffs. The young shaman girl decides the outcome...This movie has a more compelling story compared to "When Dinosaurs Ruled the Earth," with less emphasis on bikini beach culture and more emphasis on caveman survival culture. As of this date, it is not available on DVD, which is a shame. I like this movie a lot and would buy it on DVD faster than you can say - "killer antelope!"

CREATURES is a blast! It eschews the stop-motion dinosaurs of ONE MILLION YEARS BC and WHEN DINOSAURS RULED THE EARTH and concentrates on the struggles of primitive men in a bleak, prehistoric world. Despite the smirking ad campaign and much-ballyhooed adult rating, CREATURES spends far less time than its predecessors showcasing the anatomical blessings of its female cast members and places more emphasis on the brutality of early man's daily life. The girls are certainly an eyeful, but they are nowhere near as groomed or glamorous as Raquel Welch or Victoria Vetri. The film stands out in many ways. There is no opening narration and no dialogue to speak of. Instead of using the gibberish language of the earlier films, the "Creatures" say very little, grunting and gesturing to communicate with one another. The solid performances make this surprisingly effective. The movie also inverts the formula established by its predecessors, moving the requisite cataclysmic volcanic eruption to the beginning and letting the human drama dominate the climax. This unusual structure lends extra weight to the finale.I went in wondering how grunting cavemen(even the curvy kind like Julie Ege!) could hold my attention for 90 minutes without dinosaurs to fight. To my joy, the film is actually quite entertaining. The birth, life and struggle of two brothers vying for leadership of the tribe has an almost Biblical quality, and director Chaffey gives us plenty of fighting and conflict with nature to keep the film moving. Though much of the story consists of the tribe traveling from one fight to another, I found myself caught up in their journey and never once got bored. I don't know any of Don Chaffey's other work, but ONE MILLION YEARS BC and CREATURES THE WORLD FORGOT have convinced me that the man knows how to tell a story.Bottom line? It's a caveman movie. If that ain't your bag, you probably won't like it. But if you can watch the other two Hammer prehistoric movies without fast-forwarding to the dinosaur scenes, you'll probably find CREATURES THE WORLD FORGOT a very pleasant surprise!