I like the storyline of this show,it attract me so much

This Movie Can Only Be Described With One Word.

good back-story, and good acting

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

With the family friendly dinosaurs and story, it is hard to not see the connection between this film and the classic film, "The Land Before Time". The difference between the two is that this film has no good qualities, the characters are stupid and boring, and the premise that lacks all logic--and I'm not talking about the cereal that makes the dinosaurs smart, the fact that there is time travel, or the fact that there is a circus dedicated to scaring people.The film opens up with a bird who is being picked on by his siblings and decides to leave the nest. As he flies away, he is picked up by Rex, a Tyrannosaurus Rex that was one of four dinosaurs brought from the past to the present. The bird tells Rex his plans to join the circus, leaving Rex to tell the bird the story of a boy he knew who joined the circus. We flashback to when Rex was a monster and is given the cereal that makes him smart. With that, he is brought aboard a space ship where he meets a Triceratops, a Pterodactyl, and a Parasaurolophus, three other dinosaurs who have been given the cereal and become smart. They learn that Professor New Eyes has chosen them to go to the future so they can make children's wishes come true.With this, the film starts it decline. The first thing to go in the movie are the logistics. There are herbivores eating hot dogs and when we get to New York, it just gets worse. The dinosaurs are in a parade and to show the children that they are real, Rex breaks into song and dance, singing one of the worst and most awkward songs I have ever heard. So, instead of this making everyone believe that they are fake, suddenly everyone realizes they are real and run away. What...? Later on, Professor New Eye's brother, Professor Screweyes, is eaten by his crows somehow. Now, I know in films you need to push your imagination but the film should still be logical in its own universe.Next, every character in this film is either stupid, unlikable, or both. In fact, the only character who is even remotely likable is the main antagonist, Dr. Screweyes. This is bad as the writers have spent tons of time basically throwing at the audience that you should like the dinosaurs and the kids and hate Screweyes and the complete opposite sort of happens.The film has two elements to it, dumb and awkward. Everything dealing with Cecilia is awkward, complete with terrible acting (a real shame as she is played by Yeardley Smith (Lisa Simpson)). Then, everything else is dumb from the characters, to the premise, to the story, to the minor elements of the story.This family film is awful. Completely awful. Boring characters, a dumb story and premise, character motivations that are cliché, awkward dialog, and it forces the audience to have to throw away all logic to enjoy this film. That is, to me, one of the worst things a film can do and I find it no surprise I find the film to be this bad.

I do try not to take IMDb ratings to heart, but I was flabbergasted when I saw the 5.4 rating to one of my childhood favourites. It doesn't wow me as much at 17, but as a family film this is a sweet and well meaning movie. Kids will definitely love it and won't mind the flaws, and the adults can guess the actor behind each character and admire the subliminal messaging of the film. None of the film was preachy in any way, in fact it has a great message that added to its sweetness. I will admit though that the story is on the thin side, and some scenes like Screweyes's death(which still freaks me out) may be a tad on the scary side. But the animation is well above average with nice colours and good character animation. The music by James Horner is very beautiful, and the song featured is memorable, catchy and amusing. I really liked the characters, Louie is probably the most in-depth of them all, but the dinosaurs were at least engaging. Martin Short's clown was both hilarious and emphatic, the part when he tells Screweyes "I quit!" had me in stitches. My favourite is Screweyes though, an effective villain who is crafty and I suppose intelligent. If anything though, I wish the film kept in the part when he explains how he lost his eye and why he is scared of crows because that way he could've been more developed in terms of depth. The script, while not Oscar-worthy, has its funny and heart-warming parts, and should keep kids and adults entertained. The voice acting for me was what made the movie. John Goodman, Martin Short, Rhea Perlman, Felicity Kendall and Yeardley Smith all gave solid performances, but special mention has to go to Kenneth Mars for he was absolutely superb as Screweyes and almost unrecognisable. All in all, this is a good movie. I don't get the rating, honestly I don't. Sure this film isn't perfect, and it is not as good as a dinosaur movie such as Land Before Time, but it is good fun. 7.5/10 Bethany Cox

I saw this when it first came to video, my little sister got it as a gift and I was probably 12 at the time... What stood out for me was the lack of mid-movie conflict that so many movies have, where the main characters get mad at each other because when it comes time to explain themselves they just don't say the one thing that you're shouting at the screen that would make sense of the whole deal, that any person of reasonable intellect would know to say. This is what I like the most about the movie I guess, that the main characters don't do mean things to each other halfway through... they don't break up and make up, they just grow to like each other more as the movie goes on.These two kids team up and though they seem at first to be from opposite sides of the track, they're not that different. Loui is actually just some middle class kid that needed to realize how lucky he was to have a loving family, and Cecelia was an upper class kid that just needed to prove to her family that she existed and they would miss her if she was gone. Anyway, I saw this movie posted on Hulu and had to watch it again... sure there's plot holes if you analyze the script and no, Woog and Dweeb shouldn't be eating hot dogs since they would have been herbivores in reality.Now, what detracts from the film is it's unexpected scariness. Little kids under the age of 5 would probably be frightened by the scenes with Dr. Screweyes. And, the addition of him halfway through the movie (though it's blatantly obvious in the first scene that he will make an appearance) is too abrupt... there should be a glimpse of him doing his show earlier in the movie, perhaps to show that it's not that scary without the the dinosaurs. I guess it just lacked any real present danger for the entire first half of the movie, so that it lacks a little continuity when he appears for the second half.Considering the target audience, who I'm sure can overlook the not so mind blowing animation and dialog issues... I think I'll give it a pass on those factors too, and just enjoy the story. It's a great flick for kid and it does stick in your mind... makes you kinda think about how you treat people and it should be revisited every 10 years I think.

How ironic it is that in 1993, two dinosaur pictures courtesy of Steven Spielberg would hit the theaters. One of them was a runaway box-office hit, the live-action spectacular JURASSIC PARK; the other was WE'RE BACK! A DINOSAUR'S STORY, which came and went without much fanfare. An animated film from Spielberg's London-based Amblimation Studios (AN American TAIL: FIEVEL GOES WEST and the underrated BALTO), WE'RE BACK has been dubbed as a sort of "Jurassic Park, Jr." Actually, that might be a bit inaccurate, for while there is one not so subtle reference to the Spielberg monster hit (a marquee theater advertising the movie), this film has none of the visceral, nail-biting scares of JURASSIC PARK. As it is a kid's movie, one shouldn't expect too much.Even so, this "dinosaur's story" is a bit of a curious creation. Based on a children's book by author Hudson Talbott, the movie involves a quartet of prehistoric giants who are taken aboard the spaceship of an elderly time-traveler, Captain NewEyes. The foursome is treated to some sort of cereal that transforms them from vicious but dumb monsters into talking creatures with human qualities (think Barney and his friends). Before long, the four dinosaurs--with the names of Rex, Elsa, Dweeb, and Woog--are whisked to modern day New York City where they meet two children: tough-talking (but secretly soft-hearted) Louie and a neglected cutie named Cecilia, both of who are running away from home. Together with their new pals, the dinosaurs crash the Thanksgiving Parade (which involves a very silly song-and-dance number), escape the police, and get sidetracked by the evil owner of a fright-show circus (NewEyes' brother ScrewEyes)... all before arriving at their destination, the Museum of Natural History, where the dinosaurs are to become real-life talking exhibits for many children.The plot, such as it is, is pretty wishy-washy, and the routine execution barely elevates WE'RE BACK above anything but your typical, average kids animated fare. The animation itself is mostly serviceable and includes some interesting computer-generated effects, but it's not up to Disney quality... and at times I felt that there were some frames stolen from a more superior animated film about dinosaurs, Don Bluth's THE LAND BEFORE TIME. John Patrick Shanley's screenplay has few lines to appeal to older viewers, much less a plethora of characters one are likely to remember. The four dinosaurs, for instance, are your typical talking animals that, while cuddly and likable, never develop into fully realized personalities, and their supporting co-stars don't get much to do either.Probably the only character who does show any depth is Louie, the freckle-faced street kid. When we first meet Louie he acts pretty fresh and self-centered; but as the movie develops, his more soft qualities shine through, whether he saves Rex from drowning or befriending Cecilia to cheer her up. He even admits, in a tearful sequence, how he uses his tough demeanor to hide his own fear. If anything, it's really Louie who steals the movie and makes it worthwhile. His relationship with Cecilia (who is less well-defined than Louie, but that's irrelevant) although more romantic than it has to be, is very nicely handled and is the highest point of the film. (The moments where Cecilia flirts with Louie are quite funny.) Equally pleasing is the characterization of Professor ScrewEyes, the villain of the piece. He only shows up in the second half of the picture, but commands his screen-time with devious manipulation and pure nastiness. In addition, his demeanor of tapping into people's nightmares and a hypnotic stare render him a menace to be feared. ScrewEyes may be a bizarre baddie, but he works all the same.That leads to another problem of WE'RE BACK. The first half is lighthearted (and outrageously unbelievable) silliness, but midway through the picture becomes dark--particularly the scenes involving ScrewEyes' fright-show circus, which are executed in a way that may be too intense for small fry. This unbalanced shift in tone calls the film's target audience into question. Kids in the 5-12 age group should be fine, but older viewers expecting more may find it to be too silly and uninspired. And the very young, too, could be traumatized by the aforementioned scary scenes.And yet, in spite of saying all this, there is something rather likable about WE'RE BACK--A DINOSAUR'S STORY. Its plot is outrageous, sure, and the movie is little more than just a cute, forgettable time-passer. But it has its heart in the right place, and there are some tender moments--one sequence, in which Rex and company make the ultimate sacrifice to save Louie and Cecilia from eternal life as chimps in ScrewEyes' circus, is genuinely moving, especially when Rex's gentle touch reverts the kids to normal. This is done in a very subtle, effective way that stayed with me for a long while. The voice cast includes some solid performances, too, notably John Goodman as the gruff yet gentle Rex, Walter Cronkite as Captain NewEyes (and yes, he says his trademark "that's the way it is" toward the end), and Martin Short in a cameo as a comic clown. The standouts are Joey Shea, who sizzles with attitude and likability as Louie, and Kenneth Mars (Triton in THE LITTLE MERMAID and Grandpa Longneck in the LAND BEFORE TIME sequels), chewing the scenery as the fearsome ScrewEyes. Yeardley Smith's Cecilia is the one voice I take issue with--she doesn't exactly sound like a young girl, and most of the other voices--Jay Leno, Rhea Perlman, Charles Fleischer, and Julia Child--all seem to be just in the movie for the sake of, well, being there. The musical score by James Horner is beautiful, although at times it does sound like a rehash of many of his other scores (a trait not uncommon with most of the composer's work, it seems).In short, WE'RE BACK is passable fare as a family animated film; it's cute and funny, but that's about it.