Who payed the critics

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

One of those films that has a lot of impressive things and other things that could have been done better. One of the things that Cargo has in its favour is that it looks great, the scenery is beautiful, the ship is like a character of its own, the lighting has a haunting effect and the photography and editing have a tautness and eeriness about them. The music also has an eerie quality while not making things too obvious, the first half of the story at least is very engaging and suspenseful as well as tightly paced, the dialogue is smart and intense at this point too and Peter Mullen and Daniel Bruhl are very well-cast, very brooding. In fact the cast is solid with nobody really disgracing themselves. The second half is not quite so good, it has its intense, suspenseful moments and the film is still well made and acted sure. But it also does come rather confused and even for a thriller things felt under-explained, granted thrillers can leave things open for interpretations and leave a lot of questions but for some reason Cargo didn't feel very complete at the end of the day. The dialogue becomes stilted by this point, the pacing loses its tightness and becomes plodding and Cargo does end on a banal note. The characters are relatively interesting in the first half and mostly for the second half but the viewer's frustration at Chris' actions increase more and more until reaching boiling point towards the end. Overall, a well-made film with some impressive things but a lot of the second half leaves one short-changed. Not plain-sailing but not a ship-wreck. 5/10 Bethany Cox

You don't often see gems like this. I saw it at the Raindance Film Festival. Having no idea what it was about, I just needed to fill a gap between two films that I did want to see. I was so gripped that I missed the following film. Dare I say this film is faultless? Dark, moody and understated. Acting brilliant, lighting superb etc etc. There are some unusual, non standard plot twists that I like to have in a film. This is not the usual Hollywood script and treatment and so much the better for that. The suspense is held wonderfully well and there is no padding, and no overlong reaction shots dragging on the narrative. And I almost forgot the Music/Sound effect work, I have never, ever heard that done so well, Oscar? On an independent? Not a hope. Beautifully merged to jar your senses, this is great.

Daniel Brühl stars as Chris, a plucky German traveler in Africa who stands up to pretty much everyone. In trouble with the local law and having lost his passport, he stows away on a cargo ship headed for Spain. Peter Mullan is brilliantly cast as the captain, Brookes, whose throaty drawl and demeanor are perfectly cast as a captain.Once Chris is exposed as a stowaway on the ship, he becomes a part of the crew, but slowly starts to realize that the law and morality have no meaning on the high seas.The film is moody, well shot, and the acting is exceptional. While many scenes are high intensity and very suspenseful, there is no excessive gore or any "boo" horror therein. The mood and the unanswered (and answered) questions leave the viewer questioning reality and what severe isolation must do to a crew of men such as these.Daniel Bruhl is perfectly cast as Chris; his charisma turns on and off at will, and he transforms his character from complacent to annoyed in a second.Peter Mullan accompanies Bruhl with his stolid, cryptic, and persistent mood, yet comes across as a character you have to like because he demands to be in charge.For a moody, tense thriller with an intelligent back story, see this movie.

Very strong film. I just viewed it at the Sundance Film Fest. Top-notch cast, especially Peter Mullan as the Captain. His voice is like a limestone quarry. Great cinematography (and in the tight quarters of a cargo ship) executed by a crew that comes from documentaries. It is the director's debut fiction feature. Apparently all of his previous work has been in the documentary genre. I say a very good first outing.Others felt it dragged at times, but I disagree. Very well-paced. It begins as a young man's desperate journey home to Europe and becomes a study of a depraved Captain. The subtext is a comment on government's tendency to outsource dirty work (in this case dealing with stowaways).