Simply Perfect

Powerful

To all those who have watched it: I hope you enjoyed it as much as I do.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Though "Black Day Blue Night" is not on a par with "Breakdown" or "Red Rock West", it does have another fine performance by J.T. Walsh, so for his admirers, this is a must see. Like "Red Rock West", "Black Day Blue Night" is a twisted modern noir, with plenty of guitar strums further enhancing some similarity between the two films. There is ample nudity, gorgeous desert locations, and a story that under close scrutiny, doesn't always make a whole lot of sense. Scenes move rapidly, then stand motionless for gratuitous nudity, finally starting up again. Character development of the four main players is quite good, and if you can overlook some minor faults, you will not be disappointed. - MERK

Black Day Blue Night was actually good modern noir. Three young nomads on the run from their own lives team up on something of a road trip through a desert in the middle of nowhere (as most modern noir does). One woman finds that her husband is cheating on her, and after finding him in a hotel room, decides to head off and start anew. Strangely enough, she travels with her husband's mistress, who is forgiveable given that the sleazebag never told her he was married. And together, while driving in the pouring rain, they meet a third, very mysterious young man with a suitcase full of secrets. While they're giddy and free and all suspicious of one another, the cops back at town have them marked as suspects in the death of a policeman. Black Day Blue Night starts out with immediate confrontation, and throws in a pretty good story with all it's twists meant to mislead your suspicions of one character after another, leading to a very unusual ending. That is, the movie starts with immediate action confrontation, and once you think the story is solved, you are immediately thrust into yet another turn in the plot, revealing just a little more than you expected before the movie is over. But, as some viewers have written, the ending is slightly confusing and a bit of a let down. The killer is not who you would immediately expect and, once revealed, becomes somewhat confusing due to a rather thinly explained flashback which reveals all of the necessary motive to solve the mystery. But actually, there is a finale beyond that, which I would think is the most interesting of the film. Because modern noir always involves a circle of criminal suspects, almost always all of them guilty of something, it is also a genre that always involves money. And thus the question in these movies always becomes --how far are the characters willing to go for money?If you like this rendition of modern film noir, I would suggest watching Red Rock West (it's also got J.T. Walsh and some going-ons in the blasted desert)!

This is another road-movie style thriller. The story is not exactly gripping as it slowly moves through the desert. J.T. Walsh 's investigation into the robbery is good but the body of the film is dull. The twists at the end are quite good but the conclusion lacks a punch due to poor character development.Gil Bellows is OK in the lead but is too laid back for a role in a thriller like this - he doesn't have any mystery around him. Forbes and Sara are both quite dull and could have been played by anyone. Walsh adds undeserved class to the film but he really isn't good as he has nothing to do here.Overall, a disappointing road movie come thriller that moves slowly along before ending in a good, if unmoving, conclusion.

I saw this movie on video recently, and was often reminded of Red Rock West. Most notably J.T. Walsh as the sheriff, and many of the desert settings recalled the earlier movie. I will not give any spoilers, but will say the movie has enough differences to make it worth seeing.