Lady Macbeth
Lady Macbeth
R | 14 July 2017 (USA)
Lady Macbeth Trailers

Rural England, 1865. Katherine, suffocated by her loveless marriage to a bitter man and restrained by his father's tyranny, unleashes an irresistible force within her, so powerful that she will stop at nothing to get what she wants.

Reviews
Cathardincu

Surprisingly incoherent and boring

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Smartorhypo

Highly Overrated But Still Good

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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TxMike

I watched this at home on DVD from our public library.The characters in thre movie aren't really Lady Macbeth and her family, it is used as a reference for the type of behavior, namely needing to kill off an heir to keep things for herself. There has been much written about the details of the actual story, I won't try to repeat that.I want to comment on the lead actress, Florence Pugh, who probably wasn't much older than 19 during filming, as Katherine. She was secured in wedlock to an older man seemingly only as a means to provide an heir to the country estate. Ms. Pugh is new to feature roles as this and she really carries it well. I look for better parts for her in the near future.Otherwise the movie is a sad tale of tragedy in a Shakespearean manner. Well made with almost no background music which, when you focus on that, makes it just a bit dull.

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The Movie Diorama

Well, I wasn't expecting that! A period drama I was told, a classy thriller I got. I can see why this deserves all the acclaim it received, it's absolutely stunning. A young lady lives a lifeless marriage, lacking a sexual spark. She embarks on a passionate affair with one of her husband's workers to which unleashes an unstoppable force for lust and power. I say unstoppable, I use that word lightly. My word, this woman is one manipulative puppeteer. Her ability to create deceit with ease, her authoritative power to control her workers allows her to get away with murder (quite literally...) and then her passionate affair paints a powerful portrait of a woman who gets what she wants. An utterly fierce narrative seizing female independence in a world dominated by men. What makes this film particularly more special, are Florence Pugh and William Oldroyd. The latter makes his directorial debut feature, exceptional might I add. Incredibly stunning segments showcasing the gorgeous landscapes of rural England and several static camera shots to allow some highly skilled one take scenes, particularly one moment involving a child on the sofa (extremely captivating and shocking...). Pugh commanded every scene, in fact the whole film was played through her fingertips. A tour-de-force performance, no doubt. Costumes and production were accurate and beautiful to look at, really captured the period age. The story itself takes a good third of the film to get going, but once one twist is revealed it just keeps spiralling out of control. By the end, I was hooked. My eyes were glued to the screen as we watch the lady of the house sit in silence. The silence really was piercing, very effective method I must say. Period settings may not for everyone, but I highly recommend you give this slow thriller a watch. Mesmerising and sensational.

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adonis98-743-186503

In 19th-century rural England, a young bride who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate. Lady Macbeth is an overrated porn with way to many sex scenes and racism against black people rather than a good and well made film. The acting is terrible, the plot is terrible and the sex scenes are boring go and see something better. (0/10)

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Horst in Translation (filmreviews@web.de)

"Lady Macbeth" is a British 1.5-hour film from 2016 and this is the first full feature film by director William Oldroyd. It is based on a novel from the 19th century and for writer Nikolai Leskov it is probably at this point the most known adaptation of one of his works. Said adaptation comes from Alice Birch and for her it is the first career effort too, so really a great deal of rookieism to this work and for that the outcome is surprisingly positive. A lot of that has to do with lead actress Florence Pugh who was apparently only 20 when this was made and from her great portrayal here, I am genuinely curious what the future brings. I am positive we can expect a lot of quality from her in the coming years, probably decades. Her looks aren't hurting either. She really gives a defining performance when it comes to period piece femme fatale characters. I am glad to see this movie already received a great deal of awards recognition since its release. Looking at the first showings abroad at film festivals, it took far too long for this film to finally reach Germany.A lot of what made this film so good is what happens below the surface: the subtlety, the hidden and the characters' shades make it a strong watch. It's tough for me to believe that neither the director nor the writer have come up with a full feature movie yet. Extremely positively surprised as a consequence. Now I want to talk a bit about the title of my review as this stroke me as one of the film's most important aspects and biggest strengths. Of course we don't know much about the character of Katherine early on, but the way she was thrown into this world that was entirely new to her speaks for itself. Discrimination, sexism and physical violence against weaker people are nothing out of the ordinary. And the more Katherine is confronted with all this abysmal stuff the more she turns evil herself. Her first killing is already not an act of self-defense at all, it is far more intentional than the second in fact, even if you can justify both to some extent from a psychological perspective, probably not a legal perspective. The second then is probably more gruesome, but also more of the moment and not really 100% planned. And well.. the infanticide? It shows pure evil as the victim is really 100% innocent, but I'll get to that later in detail. As for the contagion of evil, there always is a personal component to it and with the protagonist's love interest, that limit is reached when it comes to killing the kid as the guilt overwhelms him eventually and he has to let it all out, even if I somehow expected a suicide too. But he is the one who can be blamed the least. He may be boastful, but he is not rotten.And finally, another reference to the infanticide. It is the most shocking moment, but also perhaps the best moment because it shows how evil totally conquered her. Graphically. And with that I don't mean the face, but I mean the fact that the camera position is in a way where we basically see her black clothes only and almost nothing of her head and it looks like a black spirit creature kills the boy, the personification of evil. Sure that's free to interpretation too, but it is what I thought of that very moment. I also somewhat like films with realistic happy endings and I think from that perspective the film is a winner too because it did feel pretty authentic. Pay attention to how absolutely everybody is a loser here. Some died, some lost their privileges, some went to jail and the central character ends up alone, at least for a while and she said at one point she hates being/eating alone, so the cat may be the only company to stay for her at this instant. All in all, a good film with occasional moments of greatness. Yes it is sometimes tough to stomach, but without having read the book this is based on I would say here we have the prime example of a film that proves that there are actually strong novel adaptations out there if you just approach the matter open-minded instead of whining no no all films based on books suck. This one you really wanna see, a definite thumbs-up from me.

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