This Movie Can Only Be Described With One Word.

SERIOUSLY. This is what the crap Hollywood still puts out?

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

The best films of this genre always show a path and provide a takeaway for being a better person.

I can say, without exaggerating, that this is the best miniseries I have ever seen.And I was really surprised. Traffic, has the one ingredient I have found to be common to all excellent movies: it starts quite simple, and then, gradually, gets better and better and better and better.Third part has such a suspense and thrill, that I might not be able to recall five other films that even it.Resuming:A must see. It's the first time I comment on a miniseries, and this one has the height of great films.

This three-night mini-series, which is derivative of the Steven Soderbergh movie Traffic, which in turn was adapted from a British mini-series Traffik, is entertaining, although it left a lot of loose ends fluttering in the wind, unless there is a Part II in production. While not a remake, the mini-series does use the same multi-character multi-plot structure as the Oscar winning film, but it lacks the star wattage of the theatrical movie. However, the less familiar faces actually work for the film and add to its gritty realistic quality. Also, while the theatrical film focused on drugs and Mexico, the mini-series is focused on drugs, illegals, terrorism, and Afghanistan. The first part sets up a series of seemingly unconnected story lines that grab the interest and carry the viewer into part two. The core of the plot emerges in part two and carries the multiple stories to resolution in part three, although several characters and their plot-lines seemed to fade away or drift off without a clear idea of their fates. Time should not have been a problem since there appeared to be some padding here and there as scenes were repeated unnecessarily to remind the viewer of what they had already seen. Tighter editing would have provided some additional running time to wrap up the plot and provide a more satisfying conclusion without cutting into advertising revenues. But, basically, Traffic: the Mini-Series is a good entertaining film, with some nice vistas of Canada standing in for Afghanistan, and some decent performances, although ultimately it will not result in a parade to the podium at the Emmys.

First, let me start off by saying that Traffic (the movie) w/Michael Douglas, Benecio del Toro, etc. is one of my favorite movies of all time. It truely captures the seedy underworld that IS drug trafficing.This mini-series is NOTHING like the movie. The plot is VERY weak, the character development is almost non-existant, and I'm left with no feelings whatsoever for any of the characters. I caught myself falling asleep at least a half-dozen times on the first night...not due to lack of action, but due to the fact that I just don't CARE about any of the characters and their situations.Secondly, the locations for parts of the story are supposed to take place in Seattle and 'Northwest Washington'. I *LIVE* in Seattle, and I can't for the life of me picture any of the areas depicted there as actually being in Washington State. The scene on the first night in the convienence store had an RBC (Royal Bank of Canada) ATM machine, and the lottery sign at the counter is consistent with the B.C. Lottery, not Washington State lottery. It is quite obvious to me that it was filmed in British Columbia, Canada. For goodness sake....if they're going to make a convincing story that takes place in a well-known urban area, they might as well film at least a few scenes there to convince the locals!!Do yourself a favor and rent the movie instead.

In short, good stories; and their presentations never die. And in acceptance of this, despite the "sure deals" and "assumed audience" that USA had working for them, they have managed to develop a brilliant scheme that played out. "Traffic", in it's own right, is a beautifuly executed miniseries of it's own. And should be allowed to stand on those legs, despite it's legacy. For this is an issue that man has left unfounded,; and to be so humanistlicly illustrated, quite possibly more than it's predecesor. For this is a story about our own legacy's, our own weaknesses - which has managed to play it self out in of all places: Our Televisions.