Who Killed Atlanta's Children?
Who Killed Atlanta's Children?
| 16 July 2000 (USA)
Who Killed Atlanta's Children? Trailers

From 1979 to 1981, 29 African-American males, mostly children, were either missing or found murdered in metro Atlanta. The cases plagued the city until 1982, when Wayne Wiiliams was convicted of the murders of two adult men. Authorities then considered the other cases closed. Some of the parents of the slain children were critical of the way the cases were handled and believed there was some sort of cover up. Nearly four years after the conviction of Williams, "Spin" magazine editor Ron Larson and reporter Pat Laughlin come to Atlanta in search of the truth.

Reviews
Smartorhypo

Highly Overrated But Still Good

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CommentsXp

Best movie ever!

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Solidrariol

Am I Missing Something?

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Francene Odetta

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Robert J. Maxwell

In the early 80s, black children began disappearing from the streets of Atlanta, only to turn up dead later, often floating in a river. The city was outraged and the rest of the country transfixed. Wayne Williams, a young African-American oddball, was caught under suspicious circumstances, convicted and put away for life.The problem, as this production has it, is that he didn't kill any of the victims, except maybe two or three who were already fully grown. Who did it? Well, there are the usual suspects -- the KKK and a child-pornography ring comprised of "the higher ups" -- who grabbed the first plausible black guy and "railroaded" him. The pornography ring abused the kids sexually and then murdered them and any witnesses to keep them from talking.If there's a cliché missing, let me know. If I hit an original thought in this movie, send up a flare.Two investigators, Hines and Belushi, are prompted by an angry black politician to look into the case four years after its close. They turn up every suspicious incident, every skulking witness, every redacted document, every despairing mother, every redneck peckerwood calling them "Boy", every bureaucratic bungle imaginable.There's an unpleasant racist element in the movie too, made explicit by one of the relatives of a victim: "You think this would have happened if the boy was white?" I believe someone said it. I vaguely remember the case, and I recall some anger and discomfort in the black community when the perp turned out to be a black man rather than a racist white guy. I recall a similar sense of sentimental perturbation when the notorious Son of Sam in New York turned out to be named "David Berkowitze" and the sigh of relief that followed among some Jews, some of whom I number among my best friends, when it developed that David Berkowitz was his adopted name, and that he was born to an Italian couple. I ought to stop here and make it clear that I'm not going to answer accusations of racism because it's infra dig.It's a movie that should appeal to today's audiences because of the prevailing paranoia. Is the bureaucracy sloppy and inept? You bet. They were equally inept in every investigation they undertook, from Hoover's denial that the Mafia ever existed, through the assassination of John F. Kennedy. Any paper trail will uncover as many bungles as you like. I strongly doubt that, should anyone examine your own official documents, you would turn out to be the same age, height, and appearance on all of them. Your name is probably misspelled. Some anonymous clerk somewhere must have been coming down from battery acid at one time and copied the wrong data.Of course Williams may have been innocent of some, or even all, of the murders. The law assumes that one is either guilty or innocent, but scientists know that life is a matter of probabilities. Will the sun rise tomorrow? The only correct answer is "probably." "All The President's Men" is a sterling example of a film about a real instance of investigative journalism, classy in all its aspects. Oliver Stone's "JFK" is a jumbled mess -- and so is this.Skip it unless you enjoy feeling enraged.

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Mark Bowen

I happened to catch this on TV, and wanted to watch because I remembered the Spin magazine article upon which the movie is based. I was very disappointed. First, if James Belushi is the lead actor in a movie, it should be a sign that it's not exactly an A-list production. Gregory Hines was a world class dancer, but sadly not a great actor.In fact, all of the acting in this film is either flat or hammy, which can only be blamed on the director, who is this film's weakest link. Charles Carner seemed to be trying to ape Oliver Stone's "JFK" in portraying the alleged conspiracy to cover up the "real" child murderer(s), but without the benefit of a good script, an A-list cast or, it must be said, the talent. It just doesn't work.It's a shame that such a worthy topic for a film did not get better treatment.

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jgtoms

This Showtime original is definitely worth a look. I couldn't help but be reminded of "JFK" and a weekly show on The Learning Channel called "Medical Detectives". Much of the film is told in flashback and with second hand information ("Mrs. X reported seeing a green car near the railroad tracks, etc., etc. etc.). The performances are good and it brings angles to the story that I never knew existed. I won't reveal anything as that would spoil it. It also reminded me of "All the President's Men" a little with the two stars doing their best to uncover the facts. Check it out.

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sweeti9285

This movie is incredible. It tells the true story of two reporters as they try to uncover a conspiracy concerning the murders of young African American children from poverty-stricken areas of Atlanta. As they bring the truth into the open, their lives and the lives of their "allies" are put in danger as corrupt officials try to keep the story under wraps. The actors are superb but yet manage to keep you focused on the heart-wrenching story of innocence lost without letting you stray from the point at hand.

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