Surprisingly incoherent and boring

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

It’s sentimental, ridiculously long and only occasionally funny

When one considers the extraordinary acting career of Jack Nicholson, the performances that immediately spring to mind are the likes of One Flew Over the Cuckoo's Nest, The Shining and even Tim Burton's Batman. They were roles seemingly tailor-made for Nicholson's manic arched eyebrows and devilish grin, but he was capable of so much more when, ironically, doing far less. Arguably, he has never been better than as Charlie Smith, the middle-aged and weary border agent working within a corrupt organisation in El Paso. When we first meet him, he is discussing with the owner of a factory which of his illegal immigrant employees to arrest so he can meet his quota of deportations. He reads the Mexican youths their rights like reading from a shopping list, but they'll be back in a few days. Charlie's job is ineffective and he knows it, and it takes a special actor to pull off indifference and boredom without appearing disinterested.Every night he returns to his nondescript trailer to eat a TV dinner cooked by his stay-at-home wife Marcy (Valerie Perrine). It is Marcy who convinces Charlie to quit his job as an immigration enforcement officer and move to El Paso, where property is cheaper and a job as a border agent awaits him. To please the wife he has fallen out of love with but nevertheless tolerates, Charlie agrees, and falls in with fellow border agent Cat (Harvey Keitel). Along with his supervisor Red (Warren Oates), Cat runs a human trafficking operation across the border, and wants Charlie to join the payroll. Meanwhile, young Mexican mother Maria (Elpidia Carrillo) attempts to flee into the U.S. with her baby and younger brother after an earthquake decimates her town. When she frequently comes up against the border patrols, Charlie start to sympathise with her situation, as well as growing increasingly weary of his wife's wild spending and his colleagues' abuse of power.The Border didn't do particularly well on its release and its memory has somewhat faded since, but director Tony Richardson's film packs enough of a punch to warrant a reevaluation. It perhaps arrived too late in a decade when cinema had moved away from the character-driven 70s and more towards visual decadence. Yet The Border could also be released today, and its subject matter would be just as relevant, if not more so. It highlights the problems on both sides, with corruption rife and those caught in the middle treated like dogs, and what little progress has been made in the decades since. Recent films like Sin Nombre and Cartel Land have explored and highlighted the same issues, and the result is always violence upon violence. Richardson, who is better known for his exceptional British works Look Back in Anger, A Taste of Honey, The Loneliness of the Long Distance Runnier and Tom Jones (amongst others), directs with little flair but trusts the story to pack enough power on its own. Although it descends into a generic, action-packed climax (which was forced in after test audiences reacted badly to the original ending), The Border deserves another shot, and features a Jack Nicholson at the very top of his game.

Jack Nicholson does solid work in the role of Charlie Smith, a border patrol officer who moves from California to Texas. Saddled with a well meaning but materialistic wife, Marcy (Valerie Perrine), he realizes that his pocketbook can't keep up with her dreams, so he yields to corruption. This is also encouraged by his new neighbor / partner "Cat" (Harvey Keitel). Soon Charlie is taking pity on young mother Maria (Elpidia Carrillo). When her baby is stolen for the purpose of being sold on the black market, he gets involved in her plight.All of the actors here deliver rather under rated performances. With Nicholson, there's no theatricality, no eccentricity, just a good, straightforward, impassioned portrayal. Perrine plays the wife in such a way that you can't really hate her. Keitel is great as always as the shady partner, as is the sadly short lived Warren Oates, near the end of his life and career, as Charlies' new boss. Carrillo is lovely and extremely engaging, and one might wish that she'd had more opportunities in American film over the years. (Most people likely know her as the sole female character in "Predator".) There's a fair bunch of recognizable actors in supporting and bit parts: Shannon Wilcox, Jeff Morris, Dirk Blocker, Lonny Chapman, William Russ, Gary Grubbs, etc.The story, written by Deric Washburn, Walon Green, and David Freeman, is not a great one, but it is entertaining and involving enough to keep ones' attention. Vivid on location shooting is one asset, the sad depiction of the reality of dirt poor Mexicans is another. You can understand why some of these people want to see if their fortunes in the U.S. will be any better. It also benefits from having a main character who's not a squeaky clean, Dudley Do Right type, but is still a basically decent person who will NOT cross certain lines. Viewers will love the expansive widescreen photography and the lovely score by Ry Cooder.At a time when the issues of border policing and illegal aliens are very much on peoples' minds, this film does remain relevant.Seven out of 10.

To appreciate Jack Nicholson's work in "The Border" you have to take into account the time it was made. Nicholson was just coming off "The Shining" where his performance was universally mocked by the elites as ham boned. His turn here is the polar opposite of Jack Torrance. Nicholson plays a passive border guard submissively going along with a corrupt system until events force him to take a stand for what is right. The transformation of his character is subtle with few broad gestures or demonstratives.The story-line takes place in El Paso, Texas and Juarez, Mexico, in which there is the border between the two places (the Rio Grande river, more specifically). It deals a lot with the illegal immigration problem, and other issues that occurred at that time. The immigration issue still with us after all these years, but its hard to imagine a movie dealing with that issue in as thoughtful or morally complex a way as this one does being made today.I think the striking contrast between Charlie's air-headed Mary and the desperate and needy Maria needed to be further explored. As it was played Charlie is just a good Joe doing a good deed or two when in fact we know he is much more involved than that. I think the movie would have been improved by making him choose between the two women as he had to make the moral choice between going with the Cat's corruption or going against him. You gotta see this for Jack Nicholson, one of the great actors of our time, who brings subtlety and veracity to a role that could have been ordinary, while giving us only a hint of the commanding and irreverent style that he would adopt in later years.Overall rating: 8 out of 10.

"The Border" has a powerhouse cast in it's favor. Jack Nicholson, Harvey Keitel, Warren Oates, are uniformly good. What is not so good is the script, and editing. The script seems somewhat redundant, and the editing is seasickness inducing choppy. Despite these flaws, the film is watchable, but I doubt repeat viewings would be necessary. The corruption that is shown, certainly portrays the United States Border Patrol in a most negative way. The plight of the Mexicans is not a very pretty picture, and is exploited throughout the movie. Is it a political statement or entertainment, I am not certain? As a movie I would call it marginally successful at best. - MERK