I'll tell you why so serious

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

This movie is good for watching while folding the laundry or doing some other mind-numbing monotonous task.Other reviewers have pointed out lapses in logic which I won't repeat here ... except the part that really gets me is ... why does the barista/cashier write "Dela"'s name on the cup if she hands it right to her? Things like this drive me crazy. Though obviously this detail was pivotal to the plot line of DelLa becoming increasingly irritated to the point at which she becomes a raving homicidal maniac.I did enjoy the various dispatchings of the ethnically diverse gang members via the Magic Red Toolbox. Would've been better if they were even bloodier! And I kind of feel disgusted at myself for thinking that the quasi-sex scene at the end was HOTTTTTTTTT. Poor Chuckie! Ending scene was pretty rad though predictable. This movie probably should have stayed as a story, short and sweetly bloody.Among "bad" horror movies (which deserve their own rating system), I'd rate this a 4/10. Among all films ever made, bad-mediocre-good, I'd rate this a 2/10.

While there are many who look upon the movie as a hackneyed thriller with a poor ending, I see it as a strong statement on domestic violence, specifically, Intimate Partner Violence (IPV). The flick is rife with symbolism but I think that the most emphasized one is the parallel drawn between the meaningless violence Della (the central character) is subjected to by some mindless, psychopathic, freakish strangers on the streets while she was out and the meaningless abuse that Della's own husband subjects her to while she is at home. The few hours that she is out fighting against the freaks to save her life, to get back to her home, help build up the attitude in her to not submit to a similar situation at home. And, we see that in the end, Della brings her life back into her control, by putting an end to the criminals...both outside her home and inside. So, I liked the script for this symbolism. Kim Basinger's performance is awesome as usual.

In all my 60 years of age, I have learned that when we watch a movie there is an identification (whether we want it or not) implicit with an specific character.Sometimes because the character executes certain gesture, sometimes because the character speaks determinate word, or sentence – that we use or that we would like to use – in determinate situation.The movie in question, should be seen by this point of view. Who now find a parking space – in a mall,downtown, or in the street - taken by a car whose driver can't remember to think that he is not the only driver in the world?Who hasn't the urge to "rubber out" the ill mannered spat?Haven said that I ask: - Did you identify with DELLA (played by Kim Bassinger)? If your answer is: YES!, then try not to find absurd details – comparatively with life's reality – in the movie, because you'll certainly find the movie ridiculous.Abstractions made, you will see that the movie has moments of surprise, such as: 1- In the sequence in which Della grabs the box of tools in the trunk (does that box contains a gun, and does she haves the guts to use it?); 2- In the sequence in which Terry dies whilst falling; 3- In the sequence in which Della gets attracted by Chuckie's "mermaid's call".If you have already seen the movie, or if are planning seeing, keep in mind that there are "realistic" movies, "fiction" movies, "political" movies, and movies in which you can "wash your soul"… To exemplify the last one, we can quote: "Tropa de Elite".According to newspaper's , there was unanimous applause when BOPE officials take certain attitudes. (As I have seen the movie in DVD, I could not ascertain the audience's reaction)…As for the direction part (Susan Monford), interpretations (Kim Bassinger, Lukas Haas, Craig Scheffer, etc. Edition (William M. Anderson – 'Dead Poets Society', 'Green Card' – exceptional edition, 'Robocop 2', etc. It is well situated in context. In a scale of 1(Awful) to 10(Master Piece), I rate "When She Was Out" a 7(Regular).

I don't often give one star reviews, but the computer won't let me do negative numbers.The opening titles tell us we're in deep water already. Although this is a low budget exploitation film, there are 17 producers credited. No. No.At the beginning of the story abusive husband Kenneth comes home to his family in an upscale gated community. The house is a pigsty. His wife, Della (Kim Basinger) has let the children run amok all day.OK. We're already in deep water. Ms. Basinger was 55 years old when the film came out. Uh, are these her children or grandchildren? It's Christmas Eve. Della drives to the mall, a lengthy scene that could have been cut. To bludgeon home the idea of eeeeeeevil male aggression rampant in the universe she drives past football players in full uniform playing in pouring rain on Christmas Eve. Sure. For a bonus she sees a vehicle with a slaughtered deer tied to it.We get some actual suspense in the driving scenes, though. It's raining and traffic is bad. First we see Della try to drive and smoke at the same time. Then later Della tries to drive and talk on her cell phone at the same time, at one point turning completely around to check the cluttered back seat for the charger for the phone.She wanders the mall, sees an old friend from college, tries to buy stuff but her credit card is declined- gosh, maybe her husband is grumpy because he's going broke, but that's too complicated for the script to follow.In the parking lot she runs afoul of the most ludicrous gang in the history of films. One White boy (Lukas Hass watching his career go down the toilet), one Black, one Asian, and one Hispanic. Imagine a company of Up with People gone to the bad and you'll have the idea.Although they have a gun she gives them attitude. A mall cop comes to investigate the ruckus and they shoot him in the head, firing more than once. The parking lot is crowded as can be, people everywhere, and nobody notices.Della escapes in her car and rather than choosing a police station or well lighted safe area, she drives to a construction site, where she kills all four bad boys one at a time with simply the tools (literally) at hand.MAJOR spoiler ahead.She drives back home. The car poops out so she walks through the pouring rain. Checks on the children, goes downstairs, and when her husband petulantly asks what she got him at the mall shows him the gun and shoots him at point blank range.The experience with the four punks was supposed to result in personal empowerment for Della. Instead we know that her children will probably spend Christmas in foster care or a group home, because the State will collect them while she answers to murder one charges. The four punks can be classified as justifiable homicide in self defense. The husband, different story.I'm so glad I saw this on cable. If I'd seen it in a theater (did it get any release?) I'd have been furious. As is, I'm just sad seeing talents like Ms. Basinger and Mr. Haas waste themselves on garbage like this.One very good thing, though. This was written and directed by Susan Montford. Ms. Montford has not gotten another writing or directing credit since passing this turd. There is justice in the world.