Milk Money
Milk Money
PG-13 | 31 August 1994 (USA)
Milk Money Trailers

Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.

Reviews
Gutsycurene

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Arianna Moses

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Tayyab Torres

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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ironhorse_iv

This film was trying too hard to be like the 1990's romantic comedy film, 'Pretty Woman', with its hooker with the heart of gold premise. It had some really awful delivery. This so called family movie was just uncomfortable to watch with your mom, dad, sibling, and grandparents. I felt dirty for just watching this film with them in the 1990s. Amazingly enough for the time, this script sold for over $1 million (which was at the time a record for a first-time screenwriter for John Mattson). Directed by Richard Benjamin, the movie partake in the lowest of lows stories, by having bunch of prepubescent boys lead by Frank Wheeler (Michael Patrick Carter) wanting to see a prostitute, V AKA Eve (Melanie Griffith) naked. Only for them, to later, want to convince V to date Frank's father, Tom (Ed Harris). Yes, that is the sleazy premise of this romantic comedy film! What an awkward watch! Not only, was the movie, very disturbing to watch, as a kid, but it wasn't funny at all. The jokes were a little too dark, or made little to no sense. Lots of inappropriate pedophile overtones jokes. Lots of jokes about young boys & girls, wanting to grow up, to be pimp & hookers. Yes, that's a great message for children. It was too disgustingly than funny. Also, the movie had some very painful badly written dialogue, delivered by some really poor acting. For me, this particularly comes from Melanie Griffith, who personally, for me, doesn't show, much range. I also never found her to be, really attractive, due to the effects of her drug and alcohol abuse, during the early and mid-1980s. Even in the early 1990s, you can tell, by her limited facial movements, that she got some really bad plastic surgery as well. She also a bit annoying with her soft nearly squeaky voice. Plus, I don't like how this movie didn't do any research in V's profession. I hate, how the film is saying that all prostitutes are working for the mob. A lot of them, are working for themselves, nor are they, sex slaves. Some of them, just do it, for kicks. I really don't like that clichés that every hooker is a trouble person. If anything save the movie for me; it's Ed Harris's performance. He was great as the clueless father. It's rare to see him, in a funny role. Ed Harris really needs to be, in more comedies. However, his character was bit, underdeveloped. The whole, saving the wetlands sub-plot really needed to be fresh out, more. It comes and disappears, as soon as that part is mention. Another character, in the film that was fun to see here is Waltzer (Malcolm McDowell). I know, a lot of people didn't like McDowell's Englishman accent performance here, but I found his short scenes to be one of the film highlights. He really seem somewhat wasted, by being limited. I wish, they just eliminated the Cash character (Casey Siemaszko) and gave it to Waltzer. He was fun as the villain for V and the children to face. The kid actors was also alright, despite their character not acting their age level. Like really, how can they be that clueless about sex education? It's weirder when the subplot about Frank failing Sex Ed is suddenly dropped once he brings V to his class room for show and tell. How on earth, did they get away with doing that? Why would V, even agree to something like that, if she's in hiding from the mob. Wouldn't she be arrest for trespassing on school grounds, label as a registered sex offender, or by now, murder by the mob that she's trying to run away? This film doesn't make any sense, because of things like that. I hate these stupid annoying children getting away with very unrealistic scheme clichés. If I did that, at his age, during school hours, I would find myself in juvenile prison for sure. Overall: While, this PG-13 movie has a lot of sexual innuendos, talks about private body parts, and others sexual things. The movie doesn't have any nudity. It's not like, I wanted to see Melanie Griffith naked, anyways. Overall: I don't mind, films for children trying to understand, their bodies and sex. However, this isn't the film for them. It's not mature enough to teach kids, nor funny enough to pass as a romantic comedy. I can't recommended watching it at all.

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The_Film_Cricket

'Milk Money' gets its title from the idea that a group of prepubescent boys pool together their money to pay a hooker for a peek at her breasts. If this sounds like a smutty and degrading idea, then it pains me remind you that this is a family picture.First, let's start with that basic idea. In the days of 537 cable channels as well as the internet as well as old reliable – dad's porn stash - why would a group of prepubescent boys want to waste their time looking for a hooker. Because they are all dimwits and because the movie needs an idea from a better movie to reside over it's languid plot. The better movie being Pretty Woman which somehow managed to sidestep every cliché and empty-headed idea that this movie has.The hooker, named V (Melanie Griffith) has a heart of gold. Why a heart of gold? Because it would explain why she doesn't seem to worry about social diseases or AIDS, it explains one of the reasons that she is so willing to leave the trade, it allows for the fact that she never has to explain how she got on the streets in the first place and it makes her a suitable mate for the kid's widowed father – that's why! As if trying to weld those ideas together isn't bad enough then we have to contend with V's evasion from the Mafia who think V stole money from them. Then we get the father (Ed Harris) who is so hapless and stupid as to not notice that his kid is hiding a hooker in his treehouse and when he finally meets her is the last to figure out what her profession is. Then we have to throw in a subplot alluding to the fact that he wants to save some wetlands from being turned into a parking lot leading to one of those scenes where he is chained to a his car to keep the bulldozer from wrecking the place 'Milk Money' can't exist as a tease because there is a kid in the way. We know that since it's a family picture that the presence of a prostitute means that the movie will exclude any of the expected 'exposure'. So instead it has to throw in all these hackneyed cutesy clichés in order to attract and audience whose attention span is as long as your hand.Rating: * (of four)

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lkmpullum

I liked the movie. There were really excellently staged scenes in the movie with the child actors and they provide a great way to keep the plot moving and giving the audience information that we might not pick up on. The kids in this movie also become more aware of the world around them than the adults, whom seem too naive to realize that Melanie Griffith is a hooker. There are also some great tongue in check moments between Griffith and Ed Harris before everything hits the fan about Griffith being a hooker. Though many may feel that there are too many plot twists involved in this movie the writer and director do an excellent job of weaving them all together in a way that makes the audience want to believe that this could happen. I like to think of this movie as Pretty Woman meets the suburbs, but I realize that some Julia Roberts fanatics may strongly disagree.

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Andreas Niedermayer

To be honest, this is one of the movies I thoroughly enjoyed when I first watched it. Of course it is a simple and predictable story, but the actual transformation did it for me. The three boys are awesome. The way Melanie Griffith and Ed Harris fall in love with each other and how they find together despite unfavorable circumstances is nicely staged. Michael Patrick Carter is able to assert his character's emotional condition, his expectations and dreams, which puts this movie above the average family story, despite the hackneyed elements it may have. The happy end is indeed rather corny, but hey, the movie has a message, it is entertaining and funny. Thus you may watch this movie with your entire family.

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