We Need to Talk About Kevin
We Need to Talk About Kevin
R | 09 December 2011 (USA)
We Need to Talk About Kevin Trailers

After her son Kevin commits a horrific act, troubled mother Eva reflects on her complicated relationship with her disturbed son as he grew from a toddler into a teenager.

Reviews
Claysaba

Excellent, Without a doubt!!

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Hayden Kane

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Adeel Hail

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Matho

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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montage-69288

This is one that I would rather stare at a pencil than finish. This movie is weird and not in a good way.

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Pjtaylor-96-138044

'We Need To Talk About Kevin (2011)' is almost like a puzzle, one that doesn't have a definitive solution but is an enigma nonetheless. It unravels itself in a loose, dynamic way in which the very fabric of the film is used as a canvas for the central character's trauma to be splashed across the screen, explored in a volatile and vibrant way that gives a real sense of some sort of post-traumatic stress. This is not a film that holds your hand, nor is it even interested in answering any of the questions it asks, not directly anyway. Instead, it portrays its perhaps controversial events in a dream-like fashion, exuding a sense of an inescapable past that might as well be happening now. It's like our protagonist is wading through a waking nightmare, unable to move on from the events that shape the film both in her head and on the streets. It's a fantastic decision, then, to put us directly in that mindset, to force us to face her fears as she does the same. We are never outside of this story, never above its characters. Instead, we are right there with them, behind their eyes, seeing exactly what they see and still just as powerless to stop it. Not only is the direction, and the decision to edit it non-linearly, perfect, but so are the performances. The eponymous kid is quite creepy, though only in the most mundane of senses, and we simultaneously feel sorry for him, want to empathise with him and truly fear him. It's only natural to be afraid of what you can't understand and the central debate, of nature vs nurture, is expertly told almost exclusively through visuals. Until, that is, the feature's only misstep, which is still a minor one, that sees the final scene dip deeper into dialogue than ever before and almost over-explain it all. Thankfully, restraint takes hold before this sequence reaches its tipping point, so it just sticks out as its most unsuccessful moment as opposed to a totally tone-deaf and destructive one. In the end, we are perhaps no closer to understanding why the events of the film happened the way they did. Certainly, there are theories you can come up with, little hints here and there that could suggest motive. That's perhaps its most realistic aspect, though. The lack of a proper, and inherently cinematic, resolution that ties everything up in a little bow. Real life isn't like that. It's messy and sometimes it doesn't make sense. People do things without good reasons, regardless of their mentalities. The lack of a definitive answer is the best full-stop the feature could have provided. Because if we want to understand the character, and prevent things like this from continuing to happen in real-life, we need to talk about Kevin. 7/10

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sergelamarche

The story is simply not making any sense. Evil does not look like this at all. The relationships do not match anything sensical in real life. Nothing that the kid does would really lead to murder. We need a real story of mass killer but this is not it.

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mistoppi

I've been hearing a lot about this movie. Apparently it's excellent, but also very intense and agonising. But all that hype made me kind of disappointed. I expected something more cathartic, something more.The biggest problem lies in the combination of non-chronological story telling and the auditory side of the movie. It makes the whole movie feel like several dream sequences. It made me think what part of this is happening for real and what isn't. That doesn't seem like the right feeling this movie should give out to the viewer. Non-chronological story telling can be tricky, but on the other hand it's one of the best things about this movie. There were several scenes that made no sense, when you tried to understand when it was happening, until the very end, when it all clicks into place. Of course I could've just paid attention to Eva's hairstyle, but that's not always the first thing in my mind. This is a dark, intense movie, but in my opinion something was missing. Also it may just require viewing it another time. Still I kept expecting something different and something better.

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