Overrated and overhyped

Highly Overrated But Still Good

The film may be flawed, but its message is not.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This film definitely deserves a 9/10 review but as im only seeing this as 6.9 i feel like it deserves to be higher. So im hoping people will realise how good thos filn is to bring the average up. This film was brilliantly done for the script it had so dont read unless you want spoilers although ive kept them to a minimum. So if you have seen the film just think how stupid the original script must of sounded. Basically zombies manage to invade the world and even take over every countries military with ease and have a group of survivors build a wall to protect themselves (maybe this is what trump is trying to prepare for). Then a group of teenagers who cant even shoot a gun straight, seriously when you watch this film dave franco had the perfect shot to take them out with a semi automatic but still f$&#s it up and gets himself killed. But in some weird sort off karma this then contributes to the survival of everything (dont want to say to much as it is spoilers). But with both Nicholas Hoult and Teresa Palmer's acting and not to forget john Malkovich's co starring they manage to turn what sounds a stupid as s%#t film into something brilliant that just grabs your attention from the start and wont let go till the film ends. Its even one of them films you can happily watch over again with your loved one without getting bored off it.

It was awful. Hell, the word "awful" doesn't even begins to describe how I felt watching the movie.It's like "what if deadheads wasn't funny and it's ending was stretched to the whole movie".Cheesy, uninteresting, bad special effects & action scenes, idiotic solution to the whole mess. "Make zombies feel emotions and they'll turn human yeehh" NO. Know what? I would have accepted the solution if the movie would have executed it well. But it didn't. God awful movie.You'll like this movie if you're a 13yo girl with "pale guys" fetish, or something of the sort.

When it comes to zombies, everybody pretty much shares the same opinion. If you were to come in contact with one, either run as fast as possible or shoot it in the head. Although this situation has never occurred, it's at least some kind of solution to an extremely difficult problem. The zombie itself has changed numerous times over the past several years. Initially with its introduction in George A. Romero's Night of the Living (1968), the zombie has been portrayed as a mindless eating machine. An empty vessel looking only to gorge itself in its crave for human flesh and to do nothing else. Or at least, this is what we uninfected humans believe. What if under all the decaying exterior and faded color was a functioning brain that was aware of its current condition but could not control the system that carried it? What if there was an actual cure for the plaque that made everyone so lifeless? Well that's what Isaac Marion's novel explored in the book of the same name Warm Bodies. This adaptation of it is well done too.Written and directed by Jonathan Levine (50/50 (2011)), the story follows a zombie named R (Nicholas Hoult) who is indifferent on his current state. He only eats when threatened but on the off chance of finding him, he'd rather try to communicate. As far as R knows, he's the only one who started out with this thought process. One day when hunger gets the better of him, he manages to come in contact with a female human named Julie (Teresa Palmer) and brings her back to his home (which is an abandoned airplane). As they stay with each other, they begin to bond. Meanwhile on the sides, both protagonists' parties don't catch on. Marcus (Rob Corddry) one of R's zombie pals almost mistakes Julie for food, while Julie's father Grigio (John Malkovich) looks to annihilate all zombies in his way. Considering the director who also acted as the writer handled this production, it's impressive. There's quite a bit of development that goes on among characters and that's for both factions. To help the viewer understand R better, much of the reasoning and motivational decisions made by him are explained through voice-over by Hoult in order to know what he's thinking. There's also explanations given as to how R understands other people and as to why he eats aside from being threatened. However, the one aspect that Levine did not cover is how R became self-aware. How did it happen? When did it happen? Of all the zombies around him, nobody felt the same way he did anywhere else? It's possible but highly unlikely. The only other issue this horror comedy has is its rating. In the past there have been horror films released by the MPAA with a PG-13 rating. Yet for this movie, the violence isn't super gory but there are a number of bloody scenes. Even one of the characters drops an F bomb, so why not just go all the way? It's obvious this could have been rated R too because all the "blood" that's on screen has mainly been coated in a black ooze color. This is what keeps the MPAA from giving it the restricted label. Seriously though?Nonetheless, the acting is great in this picture. Nicholas Hoult as R has quite the charm going for him being undead and all. There are some real moments that show that there's something ticking inside his head. Teresa Palmer although representing the female strong head trope in horror films, her character's courage is noted and her chemistry with Hoult is amiable. Plus as both develop, the audience will see the struggles both need to accept. Rob Corddry as Marcus plays a funny counter to R in his mannerisms and actions. The same can be said for Analeigh Tipton who plays Julie's friend Nora. Both actors act as the protagonists' backup in a comical manner. John Malkovich as Julie's father has a much smaller role to play and although he's not around for long, his motivations are clearly defined and explain why he acts the way he does. There's even an appearance by Dave Franco playing Julie's ex; he probably has the least amount of development among the rest of his cast members. The antagonists are called bonies, walking skeleton zombies.For the bonies, they have no conscience whatsoever. Special effects wise, they seem to be the weakest aspect because of just how rigid they move. They have a look that resembles very close to Stephen Sommers' The Mummy (1999) CGI. However, the cinematography Javier Aguirresarobe was handled well. Even for the chase scenes, the camera felt very steady. All scenes captured the right amount of landscape, whether being in R's airport or in the humans' bunker. Aguirresarobe also filmed for the Fright Night (2011) remake, Goosebumps (2015) and The Finest Hours (2016). For music, Marco Beltrami and Buck Sanders (a Beltrami collaborator) composed the score. Surprisingly, this is the second score (the other being The Sessions (2012)) produced by Beltrami that rarely sounds like his previous horror scores. There are moments that involve blaring horns, but much of the score is comprised of bells, harps and piano that represent themes for R and Julie. They are simply one the most beautiful themes ever composed by him and it is by far one of his most recognizable and its quite pleasing.Writer/director Levine forgets a few areas in the script to elaborate on when it comes to logic, but a lot of the time, it will wholesomely immerse the audience into the mind of R. It also could've been rated R, but aside from that, the comedy between the leads work, the camera-work is good and the music is the heart tugging centerpiece.

Warm Bodies was, without question, one of those infuriating "zombie-turned-love-story" movies that only excelled in earning my complete contempt for it and all of its utter preposterousness.If you ask me - Warm Bodies was so brain-dead and moronic (on all counts) that it only ended up completely disgracing the movie sub-genre of zombies like no other picture I've ever seen before, or since.And, as far as zombie movies go - Warm Bodies contained so many glaring flaws and equally cringe-worthy moments that, at this point, I don't know where the heck to start voicing and venting my total disgust for this reeking heap of idiotic asininity.So, in conclusion - I will bring my angry commentary to its abrupt end by simply saying that I sure hope that this sort of "zombie-turned-love-story" movie isn't going to become the latest trend.Sheesh! Spare me that ultimate torture!