Captivating movie !

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

The Black Moses, The Hammer, and The Preacher Man. They've got their own kind of mean game.This film is directed by Duccio Tessari, assisted by a staff of other unknown Italians. What else has he done? A whole lot of things you never saw, including a film called "Sundance Cassidy and Butch the Kid".The opening theme sounds like a take on the "Shaft" theme, which is no surprise as it is sung by Isaac Hayes, who stars alongside Fred Williamson. Mysteriously, the song is about "two tough guys" (not three, as the title claims) and seems to be the inspiration for Hayes' later song about Beavis and Butt-Head.The picture quality, at least on the Fortune 5 DVD, is incredibly blurry or fuzzy at times, especially when light saturation is involved. Aside from that, it is pretty standard for the time, and almost good considering the notoriously awful quality Italian productions have.Seems to be set in America, but the priest has a thick accent. What is this?

Tough, two-fisted Italian Catholic priest Father Charlie (well played with steely conviction by Lino Ventura) and rugged ex-cop Lee Stevens (a solid and charismatic performance by Isaac Hayes) join forces to find out who's responsible for a recent bank robbery in which one million dollars got stolen. Naturally, these guys find themselves neck deep in all kinds of trouble. Director Duccio Tessari relates the fun story at a constant snappy pace, makes fine use out of the gritty urban Chicago locations, adds a few amusingly quirky touches (for example, Father Charlie performs last rites on recently killed criminals!), and sprinkles plenty of rousing shoot-outs and rough'n'ready fisticuffs throughout. Fred Williamson has a welcome change-of-pace bad guy role as the nasty Joe Snake, plus there are sound supporting turns by Paula Kelly as scared hooker Fay, Vittorio Sanipoli as smooth businessman Mike Petralia, William Berger as the hard-nosed Captain Ryan, and Luciano Salce as a disapproving bishop. Hayes' funky, throbbing, soul-deep score hits the groovy spot. Aldo Tonti's slick cinematography likewise does the trick. While this movie is pretty tame and inoffensive compared to most 70's blaxploitation grindhouse fare (there's no nudity, only mild profanity, and the violence isn't that graphic), the breezy tone and engaging chemistry between the well-matched leads make this picture an enjoyable enough diversion.

A film like this never gets any respect from the industry it bankrolls. Someone tacked the title "Three Tough Guys" onto the film when it obviously should have been "Two Tough Guys" (as the title sequence song by Isaac Hayes accurately reflects). But someone wanted to the public to think that the film featured as much of Fred Williamson as it did the actual "two tough guys", when in fact, Williamson is barely involved. I would be surprised if analysis revealed that he was on-screen for more than 10 or 12 actual minutes. So if you want to see this film just for Williamson, you probably will be disappointed. But the film has a lot going for it - at least for a genre exploitation film. I could listen to Hayes read the phone book and enjoy it.He's not really an actor, but he's relaxed and comfortable on camera and he's fun to watch. It's a shame that his film career didn't go further. I've never seen the Italian guy before, but he is pretty convincing here as the world's toughest crime-fighting priest; he has a forceful presence that lets him pull off what is essentially a ridiculous role. A lot of actors couldn't make this part work (even some pretty good ones), but he mixes piety and punching in a way that carries the movie quite well.There isn't a lot of chemistry between the two leads, but the dialog is spare and unsentimental and it hardly ever seems forced. The screenwriter (and the Italian film industry) didn't indulge in their normal practice of having everyone talk way too much (especially in the English dub) for once, and the results are pretty good for American sensibilities. There's lots of punching, lots of gun-play, a bit of actual suspense, and some fairly good characterization (for an Italian exploitation flick) even for the minor parts. (One exception is the "bishop", who is forced to play the exasperated part usually reserved for the rogue cop's chief in standard cop thrillers. He sucks on toast, but it's not really his fault - it's the weakest and most contrived role in the movie and there isn't much he can do with it.) The DVD conversion in the "Grindhouse Experience" collection is pretty bad - lots of blurring, some scenes so dark you can hardly tell what's going on, some muffled sound here and there,etc. But I've seen worse conversions - even in this collection - and for once the English dub is pretty good. If you can't find this movie, don't fret - you aren't missing all that much. But as a representative choice for a "Grindhouse Experience", this is actually a very strong entry in the collection, easily in the top 5.

I was kind of baffled what Lino Venutra was doing in an Issac Hayes/Fred Williamson film, only to find out this was a Italian film! Lino toplines as a priest who doesn't want to carry a guy, but he is very two fisted, teams up with Isaac Hayes to solve a mystery that all leads to Williamson. Wiliamson doesn't play the good guy, so this is not really three guys fighting for good, it's more like two. Seeing familar character actor Romano Puppo as a thug makes me wonder if all the interior was shot in Rome? Good music by Hayes as numerous Kung-fu films stole it after this film. It's not a bad film, but it's no SHAFT. Check it out if you want to see a standard action film.