SERIOUSLY. This is what the crap Hollywood still puts out?
... View MoreAn absolute waste of money
... View MoreIf the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
... View MoreThe storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
... View MoreThe name of D.W Griffith holds a special significance in cinema. Some of the greatest motion picture legends have paid tribute to his pioneering film-making, including John Ford and Orson Welles. Notably, Charles Chaplin once described Griffith as "The Teacher Of Us All." The director's unending praise is certainly not undeserved, his most revered films including the controversial 'The Birth of a Nation (1915),' 'Intolerance (1916),' 'Broken Blossoms (1919),' 'Way Down East (1920)' and 'Orphans of the Storm (1921),' many of which I have yet to have the pleasure of seeing. Surprisingly, Griffith didn't start his movie career in directing at all. After he failed in his bid to become a playwright, the young man became an actor, finally discovering his niche in film directing.However, before he started producing his spectacular feature-length epics, Griffith was a very prolific director of short films. Between 1908 and 1913, Griffith worked for the Biograph Company, producing a mammoth 450 films in the space of only six years, sometimes averaging a rate of two or three in a week. These Biographs allowed the young director to polish his film-making skills, experimenting with revolutionary techniques such as cross-cutting, camera movement and close-ups that would later become commonplace in practically every movie that followed. As we move through Griffith's early works, we watch as his short films slowly become more and more elaborate and ambitious. 'Those Awful Hats (1909)' is one of early shorts, and was really meant as nothing more than an amusing three-minute comedic skit to precede a film screening and remind the women in the audience to remove their head-wear.The film is basically played out in a single take, with an audience of attentive cinema-goers seated comfortably in a movie theatre. Using a process known as the Dunning-Pomeroy Matte process, Griffith was able to split the frame into two sections, splicing the film-within-a-film onto the same screen. With the audience members seated peacefully, their film enjoyment is suddenly disrupted when a lady wearing an elaborate hat seats herself in the front row, blocking everybody else's view of the screen. There are gestures of protest, but the women is evidently completely oblivious, and the male audience members become further exasperated as several more women take their places at the front of the theatre, each wearing a more sophisticated piece of head-wear than the last. The scene turns into an enjoyable farce when a large steel contraption lowers from the ceiling to confiscate the troublesome hats, the machine inadvertently taking one of the women to the ceiling with it.Aside from the historical significance of its being an early Griffith Biograph, there is nothing particularly phenomenal about 'Those Awful Hats.' However, it does effectively display the director's unique creative vision, proving if his later films left you in any doubt that the genius' mind does house a healthy sense of humour.
... View MoreWhile often considered as one of the most (if not "THE" most) influential filmmakers of all time, American director D.W. Griffith started his career on film in 1908 in a very humble way: as an actor in short films under the orders of Edwin S. Porter, head of Edison's Film Studio. His luck would change soon, as that very same year he was offered the chance to direct shorts for the American Mutoscope and Biograph Company, and it was there where he truly fell in love with cinema. In less than a year, Griffith learned the job, and soon became a master of the medium's many tricks and techniques. It wouldn't take him too long to start directing short films of excellent quality, a path that would culminate with the making of his first masterpiece, 1915's movie "The Birth of a Nation".One of the movies where the young Griffith began to show that mastery he had acquired so quickly was the short film "Those Awful Hats", a 2 and a half minutes movie done with the purpose of being a theatrical public service announcement (probably the first of its kind). In "Those Awful Hats", the action takes place in a typical screening in the nickelodeons of cinema's early years. The audience is enjoying a movie when suddenly, a gentleman (Mack Sennett) with a top hat enters the room and tries to find a seat for him and her companion. Loud and impolite, the man bothers the public constantly, however, this is not the audiences' main problem, as a group of ladies takes a seat and refuses to remove their big and ludicrous hats, an action that alienates even more the audience. Fortunately, the theater has an interesting and effective device to remove such undesirable persons: a giant steel bucket.Told by the heads of Biograph to conceive a short movie to tell the females among the audience to remove their bothersome hats when attending a screening, D.W. Griffith wrote and directed this very creative announcement that was both funny and informative at the same time. Making fun of the big hats that were fashionable in those years, as well as of the lack of courtesy that existed (and sadly still exists today) during screenings, Griffith certainly puts on film what many audiences through the history of cinema have desired to have at least once, a machine created to remove the troublesome persons among the audience. The gag is simple, but very effective, and it constituted one of the earliest examples of a public announcement devised to be shown before the feature films (a concept still used today in most theaters).Using a mixture of special effects techniques (mainly the Dunning-Pomeroy Matte process), Griffith created a film that shows a very early use of the technique that decades later would evolve into the blue-screen technique. Not only he managed to put a film within a film, but also created an extremely good effect of a steel bucket pulling out stuff (and persons!) from the audience. While this movie was done only a year after his debut ("The Adventures of Dollie", 1908), it already shows that Griffith is comfortable at the director's seat and that he truly knows what he is doing. This is specially notorious not only in his use of special effects, but also in the very natural performances he gets from his cast (which includes many members of his stock company, including his wife, Linda Arvidson), as their reactions are believable and the use of slapstick very appropriate.While not exactly on the level of many of his better known masterpieces, "Those Awful Hats" is a very funny and historically important short movie that can give us an idea of how was cinema in the past, and how it seems that we as audience haven't changed that much in more than a century of film-making. It is also a testament of the how Griffith was always willing to experiment as all as of the mastery he had achieved in only a year making movies. Despite its short length, "Those Awful Hats" is definitely one of the most enjoyable Griffith shorts, as it shows that the director of Biograph's many drama and adventure films was also able to laugh. 7/10
... View MoreA very amusing D. W. Griffith short featuring an appearance by future producer/director Mack Sennett. The entire 3-minute short, Those Awful Hats, takes place in a nickelodeon as we see an audience watching a movie up on the screen (one of the earliest depictions of a film-within-a-film scene). Most of the action concerns ladies who won't take off their hats. There is one particular lady who gets so obnoxious about it a steel bucket takes it from her! After the other ladies take theirs off, another lady keeps making a scene by keeping hers on, so that bucket then takes her up! The end. Well worth seeing for fans of Griffith, Sennett, and anyone interested in early movie history. I managed to see this one on YouTube.
... View MoreWhile I have enjoyed some of D. W. Griffith's full-length films, he did have a tendency to drag some of these movies out way too long as well as over-dramatize them from time to time. It's because of this that this short film is so unique! At only three minutes, it's a short and tidy little tale constructed in order to combat the growing size and complexity of women's hats in 1909. While the print from Kino Films was a bit poor in places, the movie was still worth seeing and quite entertaining. Many ladies crowd the tiny theater and the men are beside themselves trying to see the movie with all the huge hats. And, since the ladies WON'T take them off, someone at the theater has created a VERY unique way to combat the problem! See this film--it's funny and only takes up three minutes in your busy lifestyle!
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