Wonderful character development!

Redundant and unnecessary.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Liza Johnson's film is a beautifully etched drama about a soldier's return from a tour of duty. The opening scenes of delight to be reunited with her husband and family are soon forgotten as the story concentrates on how Kelli, the returning soldier, must readjust to her role as mother and wife.One notable gift Ms Johnson has is her ability to hold a quiet contemplative interlude where Kelli is thoughtful and we are too. Pretty soon we get close to Kelli's mindset and how she works, and through this we get closer to all the other characters in her life. There is a lot of hard work put into many of the scenes in which Linda Cardellini (as Kelli) has to look at herself and others in what has fast become an alien environment. A driving under influence complicates things but then do so many of the events which unfold before us.The acting of Ms Cardellini is superb throughout playing a flawed character alongside so many others but trying to show her love of her children. Ways of changing her circumstances come and go and we see all sides of Kelli as they do. Michael Shannon is as good as he was in Shelter too.Not everyone will enjoy this film or even rate it, which is a pity. It is not obviously a film pitched at women, or anyone in particular, but it is a story loaded with emotion, profound arguments, prisms of perspectives, and a lot of thoughtful direction.I rate it very highly because we can see the hard work the artist has put into this work as we see it hanging in the gallery. One day perhaps it'll get the recognition it deserves. I recommend it.

A more or less unreleased little indie that, for the most part, is as generic as its forgettable title. However, it has one big thing going for it and that is the lead performance, from Freaks and Geeks star Linda Cardellini. While many of her co-stars on that one-season-wonder went on to become big stars, Cardellini has done so little. She was Velma in the Scooby Doo movies, for God's sake. She really knocks it out of the part here as a returning Iraq War veteran who can't re-adjust to normal life. Michael Shannon and John Slattery (of Mad Men fame) co-star, but neither has much to do. Cardellini owns every frame of the movie. The script is nothing special, but she makes it worthwhile. Certainly worth a look, especially if you loved Cardellini on Freaks and Geeks and want to see her shine.

Let me start by saying that I love Linda Cardellini, after watching Freaks and Geeks recently I thought I would watch this to see what she was up to. As I expected, Linda did a fantastic job acting and stole the show, unfortunately, the character who Linda plays is about as inspirational as a dead horse. This movie is painfully and relentlessly depressing, there's no feel good movie here, there's no optimism behind the horizon. Quite frankly, the only reason i would recommend this movie is for a parent to scare their child out of joining the military. All the acting is quite good, in fact, it's chillingly realistic, but the slow pace, depressing theme with no reward, and them turning Linda Cardellini into a monster don't fly in my book.

Careful, subtle, artistic portrait of the inner conflicts and turmoil experienced by a woman soldier on her return home from war. From the beginning of her return to her family we see how there are things seriously troubling her that she herself can't put into words. We watch the external, behavioral effects of these psychological conflicts as she interacts with her husband and children who themselves have also been affected. Which war she returns from is not stated, clearly intentionally to show the viewer that this is not important. There is little external drama in this quiet, sensitive demonstration of the powerful psychological forces stimulated by military service in war, both in the service member and in her family. Liza Johnson gives us a movie that shows us a fictional character and her life yet has in every scene a ring of truth. This is an artistic achievement.