Overrated

Exactly the movie you think it is, but not the movie you want it to be.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Worth seeing just to witness how winsome it is.

Nice cinematography. Weak script, Weak special effects. some dark scenes that didn't have to be.The music, oh my horror, what can I say about the music. The swelling crescendos,everywhere, the loud volume, drowning out the dialog, and the most inappropriate music at the most inappropriate times, oh my horror, the most horrible music. After a half hour, I was left to myself to watch the thing, the music chased all the others away. Did I mention the music, oh my horror, the miserable horrible music, wrecking what could have been.In the last half of the movie, I could see the actors were all tired of this, their efforts were drawn and tired, they had succumbed, they had had enough, long before the audience collapsed.I'm sure the cutting room floor was littered with performances that were absolutely horrible, the actors were sick of this project and just wanted, no needed, to run away.In Blu-Ray, at a cost of $2.99, cheaper than a bad movie at the theatre and I could at least drown myself in beer.

As far as I could see in the written user reviews I could not find a single one trying to be objective. They are all completely based on the religious fact underlying the movie than in the movie itself. For what I have seen I believe the movie is actually slow, and the actors, except for Wes Bentley and Charlie Cox, play a very poor role, accompanied with unsustainable and improbable dialogs. The casting director has the bigger fault on it. I would also criticize the inaccuracy in this Spain's History episode (civil war) and the abusive distortion of Escriva's character. It is well known from the only filmed materials of Escriva's life that he was quite temperamental, all the contrary that is shown in the movie. The character has not even a defect. It is hard to belief given the debate around such a personage. On the other hand is to remark the well displayed war scenes and both the costume design and the excellent adaptation to the 30's and 80's in Spain. The plot is also awesome, but it could have been much more exploited if Opus Dei had been apart from such a nice story of love, friendship, war and sins. It looks like, effectively, the first steps of this Catholic institution have been so forcedly introduced to a movie which could have excellently worked without them.

Spanish/US co-production developing dramatic deeds during Spanish Civil War and the historic figure about Jose Maria Escriba De Balaguer . Enjoyable biographic movie well written and played , being compellingly directed by Roland Joffé . Arising out of the terror of the Spanish Civil War, a candidate for canonization is investigated by a reporter (Dougray Scott) who aware his own estranged father (Wes Bentley) had a deep, dark and devastating connection to the saint's (Charlie Cox) life .This interesting film is full of compelling drama with love , passion and subsequent betrayal , touching scenes , historical events and good feeling . It is a simple , dramatic and intelligent portrait of a time when the Spanish people live taking on among them . This is an agreeable account of the survival of the human spirit against difficulties ; an epic portrayal of Faith, Forgiveness and Redemption . The movie is plenty of graphic , striking and memorable moments about timeless power of forgiveness and dictating a strong emotional response from the spectator , though some moments is unrealistic . Interesting and thought-provoking movie with evident excitement that can sometimes be undercut by inadequacies in the screenplay , being written and adapted by the same Roland Joffé . This moving picture results to be a breathtaking spectacle about dramatic consequences of Spanish civil war , including strong emotions , brooding dialog and a heartbreaking final . ¨There be dragons¨ or ¨Encontrarás Dragones¨ results to be other of the innumerable stories to deal with dramatic deeds regarding the Civil War background , a familiar theme about the global horrors of a fratricide war , impossible to forget to Spanish cinema . However the story needs a vibration more real than the one offered in this slow-moving and sometimes dull film . But anyway, its is compensated with the great performances from main cast as Charlie Cox as Josemaría Escrivá , Wes Bentley as Manolo Torres as Dougray Scott as Roberto Torres as Rodrigo Santoro as Oriol , Olga Kurylenko as Ildiko and sensational support cast , mostly Spanish , such as Unax Ugalde , Ana Torrent and Jordi Molla , interpreters who provided a considerable boost to the result . Furthermore , a spotless pictorial cinematography by Gabriel Beristain and a willingness , almost perfect of the elements of each shot , every sequence, every space .The film develops an intrigue by means of flashbacks and dealing with Jose Maria Escriba De Balaguer's life . The events were the following : during the Spanish Civil War , Escrivá was hidden in a psychiatric sanatorium and fled from Madrid, which was under republican control, via Andorra and France, to the city of Burgos, held by the nationalist forces of General Francisco Franco. After the war ended in 1939 with Franco's victory, Escrivá was able to resume his studies in Madrid and complete a doctorate in law. His principal work was the foundation, government and expansion of Opus Dei.The motion picture was well directed by the British Roland Joffé , being realized in academic style and general coldness , filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . He is a good filmmaker mainly of epic subjects . After a long career filming for television , he made his movie debut in a big way with ¨The killing fields¨ winner of three Oscar and dealing with madness and atrocities committed by humans , Joffe's usual theme. ¨The mission¨, one of his greatest hits , had Palme d'or at Cannes , a graphic monument to Portuguese oppression in South-America , but Joffe has not quite held his place at the top level . He subsequently directed ¨Fat Man and Little Boy¨ referring to two atomic bombs dropped by America on Japan . Joffe's meagre output for the cinema makes it all the more surprising that he has turned out three splendid films and several others near-disasters such as ¨The scarlet letter¨, ¨Captivity¨, and ¨You and me¨. Rating ¨Encontraras Dragones¨ : Better than average , worthwhile watching .

I have read many terrible reviews of this film and expected something bland and convoluted, but after a few minutes, the visuals and storytelling really drew me in. Yes, some parts of the dialog are quite cheesy or too obvious, and the combination of the stories of Manolo and Josemaria is far from perfect. But Joffé is a very visual filmmaker, and so he was able to achieve with his beautiful images (kudos to Gabriel Beristain for his stunning visuals!) what he wasn't perfectly able to do with his dialog: to impress and inspire.It was especially interesting how delicately and plausibly Joffé handled many real-life events from St Josemaria's life - scenes that could have gone terribly wrong in less expert hands. He also payed a lot of attention to visual detail - for example, in the end titles, the photos of the actors that portrayed real-life people are combined with real photos of these people.The less interesting storyline was that of Manolo, though the final revelations were nevertheless disturbing enough. (At the same time, the movie has an astonishing lack of both gore and even the slightest touch of sensuality in it - surprising for a film about war and a destructive passion... They probably didn't want to lose the PG-13 rating, did they? ;-))I guess, it's a movie for open-minded people with a taste for old-school movie-making, grand drama and big moral questions.