The Last Supper
The Last Supper
R | 04 April 1996 (USA)
The Last Supper Trailers

A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.

Reviews
Laikals

The greatest movie ever made..!

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Pluskylang

Great Film overall

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Dana

An old-fashioned movie made with new-fashioned finesse.

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Francene Odetta

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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marieltrokan

The spectacle of location, is the non-spectacle of non-location. The non-spectacle of non-location is the non-spectacle of nowhere.Non-spectacle is the ordinary. The ordinariness of nowhere is the ordinariness of the opposite of somewhere.Somewhere is precision. The opposite of precision is general. General is the ordinary.The ordinary of the ordinary is the spectacle of spectacle. The spectacle of spectacle is a pure spectacle.A pure spectacle is a pure explosion. An explosion is violence. A pure violence is an impure peace.An impure peace is a violent peace. A violent peace is the illusion of violence and the illusion of peace.The illusion of violence is the reality of peace. The illusion of peace is the reality of violence. The reality of peace is a history of peace. A history of peace is a non-history of violence. A non-history of violence is a non- experience of violence.The reality of violence is a history of violence. A history of violence is a non-history of peace. A non-history of peace is a non- experience of peace.The experience of non-violence is the experience of violence - in order to suppress violence, the illusion of experience has to be a history.Equal knowledge creates violence - equal talent creates violence.To avoid violence, it helps if different talents are part of a hierarchy of presentation, as opposed to an equality of presentation.To avoid violence, it helps if different physical actions take place in different physical locations

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Mohammad Mamunur rashid

"You're a time traveler. It's 1909 in Austria. You're in a pub having a schnapps with a stranger, a young art student with one testicle. Let's say his name is Adolf. Adolf at this point in his life has done no wrong. He's not bitter. He's not angry. He's committed no crime. He does not bring knives to dinner. He has not killed anybody. He certainly hasn't started a world war. Your point being? Do you kill him? Do you poison his schnapps to save all those millions of innocent people?"This movie tackles one of the most challenging questions of philosophy in the most entertaining way. Hollywood never stops surprising me. What an excellent piece of art!

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Nooshin Navidi

Takes the proverbial "eye for an eye" to a whole new level, with an ending both unexpected and... well... perfect.This film is dark but delicious albeit a bit (or very!) morbid. I actually found myself getting too angry listening to the first dinner guest and almost stopped watching, but hung in there and soon perked up once his fate became known (terrible, I know, but hey, this was only 2 years after the Bush II era and I was still reeling from the endless atrocities...) Disturbing plot? Very. But hell, it was therapeutic!A guilty pleasure for sure (but only for the obvious half of the population. ;)

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fierstein

This movie would've been a hoot amongst some of the pseudo-intellectual Arts students when first released. But it was rubbish, the politically incorrect dinner guests were all crude stereotypes, and the ethical 'discussions' at the dinner parties would have been better left as an msn conversation rather than turning it into a script and subjecting viewers to sit through it.So in short, this is a movie about a group of lefties, who despite the lefty catchcry of tolerance, murder a bunch of people who hold differing opinions to them. Now dark humour can be funny, if accompanied with some humour to begin with. But this wasn't funny. Unless one finds the murders in themselves to be funny? It came across as being nothing more than the scriptwriters deepest fantasy, that he tried to turn into a lighthearted romp. Perhaps someone from the other end of the political spectrum should rewrite 'The Turner Diaries' as a dark and witty comedy. I wonder if there will be the same lack of outrage that accompanies the release of these kind of movies. Perhaps Mel Gibson might direct it? I hope you dear readers perceive that I'm being sarcastic...

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