Load of rubbish!!

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Throughout the 30s, the 40s and indeed well into the 50s, M-G-M was the principal mainstay of Saturday nights at the pictures with a ready supply of historical melodramas and spectacles, escapist musicals, friendly knockabout comedies (not too rough or downmarket) and above all high-grade soap operas that no other studio could match.By the early 1960s, M-G-M had lost a great deal of its exhibitor support. No longer was the lion an instant guarantee of entertainment quality, but even the entertainment value of such films as Night of the Quarter Moon, The King's Thief, The Rack, Gaby, I Accuse, The Living Idol, The Seventh Sin, Underwater Warrior, Count Your Blessings, The Beat Generation, Key Witness and All the Fine Young Cannibals was decidedly tatty. The studio did not help relations with its once lapdog exhibitor friends by its brief flirtation with Cinerama. Here was a three- screen, three-projectors, three 35mm films process that could only be shown in theatres expensively re-equipped. So what was the film like? Rather dull actually. All the framing story directed by Henry Levin was a real bore, save for some wonderfully picturesque scenic shots of castles in Bavaria. George Pal's fairy- tale material was certainly more lively, with the process' potential entertainingly explored in a runaway coach sequence. All the same it was hard to enjoy the film because of Cinerama's many technical shortcomings. The three screens were often imperfectly joined, the dividing seams were always visible, and the luminosity of each screen sometimes varied considerably, accentuating a flickering effect that was almost always present, though at times less noticeable than others.But the biggest drawback was that the screen was simply too big to accommodate actors. Scenery, yes, special effects, maybe; but human beings, especially grossly dull humans like Laurence Harvey and Karl Boehm and Claire Bloom — whose deadly lack of charisma seemed inordinately magnified — definitely not. The support players came out of it best, but even the best of them — with the notable exception of Russ Tamblyn — seemed dwarfed and over-awed.

The Grimm brothers, Wilhelm (Laurence Harvey) and Jacob (Karlheinz Böhm), are working on the local Duke (Oscar Homolka)'s history. Wilhelm is more interested in collecting fairy tales from the locals but Jacob is more concerned about the Duke's work. Greta Heinrich (Barbara Eden) is a fan of their writing. The movie does show "The Dancing Princess", "The Cobbler and the Elves" and "The Singing Bone" as the stories are told by characters in the movie.The 3-camera Cinerama looks beautiful and I can only imagine the visuals coming from all sides. I remember watching one of the travelogs in my childhood. The story itself is rather boring. Nothing is particularly memorable except for Buddy Hackett and Terry-Thomas. At least, they are funny. The leads don't stand out especially with the way the movie is shot. It's not the best use of the format. When the movie uses the format effectively, it looks marvelous. The story itself also lacks drama. They are probably better off making a shorter movie with one of the Grimm's tale and try to maximize the visual aspects. It is a cinematic oddity and worthwhile to see.

While it's been encouraging to see a number of George Pal's sci-fi and fantasy classics finally come to DVD, THE WONDERFUL WORLD OF THE BROTHERS GRIMM is one of many still waiting to debut in the digital format (along with HOUDINI, ATLANTIS: THE LOST CONTINENT, a complete PUPPETOONS collection, etc..) With Terry Gilliam's new THE BROTHERS GRIMM film in theaters, it would seem like the timing would be perfect for such a release.Although available on VHS for some time, the tape doesn't do the film justice. GRIMM was shot using the three camera/three projector Cinarama process. With cast and crew members such as Russ Tamblyn (who provided commentary for Pal's TOM THUMB DVD) and stop-motion animator Jim Danforth still around, it would be nice to see Pal's fairy tale film get the deluxe DVD treatment, with the insight of surviving participants giving us a behind the scenes look at the making of the movie.

Maybe it's because I grew up with this movie, and am stuck in that age, but I have always found this to be a special and magical movie experience. It was especially so on the big screen when I was 6 years old. We also had the soundtrack box edition on vinyl. So, I rated this movie highly, because I feel it truly was perfection (especially for its day), and needs to be re-discovered by families, and the young-at-heart everywhere. I hate clichés, but they just do not make them like this anymore. This gem should be restored in its full glory, and preserved and brought back to life. Hope you get to enjoy it someday.