Purely Joyful Movie!

Good start, but then it gets ruined

One of the best movies of the year! Incredible from the beginning to the end.

Blistering performances.

Ken Loach's controversial Cannes entry in 1990, which won him the Jury Prize, HIDDEN AGENDA is a faction political thriller sets in a powder keg Belfast during the Northern Ireland Troubles. An American civil rights lawyer Paul Sullivan (Dourif) is crassly murdered along with a Provisional IRA sympathizer by British security force en route to a covert meeting with his secret source, a mysterious Captain Harris (Roëves). Paul's aggrieved girlfriend and colleague, Ingrid Jessner (McDormand), remains in Belfast to seek out the truth, and soon is assisted by the righteous police detective Peter Kerrigan (Cox), designated by the Great Britain to lead the investigation. Congruent with Loach's rigid, anti-sensational stock-in-trade, HIDDEN AGENDA is, paraphrasing its closing quote from James Miller, a former MI5 agent, "like the layers of an onion, the more you peel them away, the more you feel like crying", a somber police procedural strenuously resorting in verbal sparring to piece together the jigsaw of a conspiracy theory which implicates some insidious maneuvers from UK's Conservative party with regard to Margaret Thatcher's rise to power, then poignantly shades into a hammer blow to those who uphold an idealist view on political subterfuges. At least for once, it is not the usual suspects of IRA who are in the receiving end of the diatribe, but the whole rotten democratic polity of the Great Britain, iniquity operated by the powers that be and they are not ashamed, because they cannot be touched. In Loach's all-fired persistence, the reveal (not so shocking to those who are world-weary or cynical), resounds with a cauldron of self-defeat, angst, exasperation and disillusionment. As a pacy thriller, Loach circumspectly orchestrates a fringe approach to downplay all the suspense usually default in the genre (no bombastic car-chasing, fistfight or firefight). The truth- seeking process is intriguingly hard-hitting and hardly impeded by any red herrings or devious plotting (a secret tape is the McGuffin), the resistance is brazenly from the bureaucratic backscratching among top brass by way of face-to-face hectoring (a bumptious Jim Norton is a standout among the squadron of supporting players as the head of the constabulary Mr. Brodie) and Brian Cox is redoubtable as a stout rock refusing to budge from mounting pressure, which makes his powerlessness and concession all the more telling in the coda. Yet, in a pivotal scene with Harris, one can manifestly sense his contempt for the latter, whom he summarily deems as a traitor seeking refuge from IRA, no one can conduct disinterestedly where hardened bias and congenital patriotism can penetrate through one's head as easy as falling off a log. Kerrigan's astute ambiguity is refracted by Frances McDormand's impassioned performance as Ingrid, who is at once ingenuous and intrepid, and doesn't succumb the disheartening reality check solely because she is an outsider, she has nothing else to lose in the purgatory besides her own life, but the film comes to a halt when Kerrigan retreats back from his mission, Loach doesn't want a feel-good deus ex-machina to sabotage his scrutinizing endeavor (otherwise, in a lesser hand, it would be very possible to deploy a secret-recording from Kerrigan of his confab with two high-rank accomplices to turn the table in the eleventh hour), because he doesn't need his films to please everyone, HIDDEN AGENDA is a provocation, but an intelligent one, Mr. Loach masterfully forces us to face a most inconvenient truth with his highly matter-of-fact modality, and its repercussions are here to stay.

One one level, this is a good movie, with excellent acting by McDormand and Brian Cox. Cox reminds me sometimes of Brando and other times Richard Burton. In this, he is more Burton-esquire and very believable as a fair minded investigator who gets into something very deep.It's that "something" that bothers me. Loach is a socialist who throws in a lot of leftie-conspiracy stuff as fact. Here he takes shots at Thatcher, Kissinger, the US, etc., and the documentary style of the film might let these opinions pass as fact.Made in '90, it is a relevant look at how a democratic government should deal with terrorism. The British then were dealing with many of the issues we face now in the US.

Just great political drama. It takes place in 1987 Belfast. A human rights activist (Frances McDormand) investigating British brutality against the Irish, and a police inspector (Brian Cox) are investigating the murder of one of her colleagues. They find a huge conspiracy that leads to the highest people in government.I know only the basics of the conflict in Northern Ireland, but I was able to follow the story. They shot on location and the accents are, at times, incomprehensible, but it actually adds to the movie. The movie looks grimy and bleak...as it should. The movie is VERY critical of England. McDormand and Cox are superb and the movie is very realistic...especially the ending.Sadly, this movie bombed big in America. It came out before McDormand hit it big with "Fargo" and Cox before "In the Name of the Father". Still, this is well worth seeing. Don't miss it!

"Hidden Agenda" - another in a long list of films about the conflict in Northern Ireland - focuses on the investigation by British detective Kerrigan (Cox) of the assassination of an American civil liberties investigator. The film gets down to business quickly as it shows the pervasive and deeply rooted divisive sentiments of Ireland with a straight forward, no frills approach and a whodunnit type plot. A well made location shoot with no frills, "HA" will most likely be appreciated by those with some understanding of the Irish conflict.