Memorable, crazy movie
... View MoreAm I Missing Something?
... View MoreInstead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
... View MoreIt's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
... View MoreThe Whispering Shadow (1933) ** (out of 4)A mysterious figure known as The Whispering Shadow uses his gang to try and track down some famous and priceless jewels. The Shadow's power comes from being able to communicate through rays created by radio and television. Soon a number of suspects are believed to be The Whispering Shadow.This 1933 film was the first serial that Bela Lugosi ever appeared in but my review is for the feature version. Back in the day a lot of serials were turned into feature movies and some like Lugosi's THE RETURN OF CHANDU had two feature versions. Obviously, by watching this version you're going to be missing out on a lot of the fun including all of the cliffhangers. Whereas the original version ran 225 minutes this one here clocks in at just 60.As far as the feature goes, it's simply okay. Again, you can't judge the serial because I personally don't know what is missing from it but this feature really lacks much action. It seems that the majority of the running time here is just introducing the various red herrings and this leaves very little time for the action. There's a nice action sequence at the very start but that's about it. The ending, which I won't spoil here, is somewhat of a letdown.Lugosi is in fine form here as he was able to pick up the biggest paycheck of his career. I thought he was believable whenever the spotlight was on him as the guilty party and he also manages to bring some fun to the part. The supporting cast also includes D.W. Griffith regular Henry B. Walthall in a supporting part.
... View MoreAll fingers point to Bela Lugosi as the mastermind behind a series of truck robberies where the perpetrator is only known through their voice, nicknamed the whispering shadow for the way they identify themselves to the people only intend to rob. Obviously, the voice sounds nothing like Lugosi but that has not stopped him before or after this. In most of those cases, the films were much better than this one which other than the slapstick fight scenes is painfully dull.Lugosi overacts, showing that at times, he deserved the wretched reviews that he got. However, he really is the only thing of interest in this which can be seen in several variations. I don't recommend the entire 12-part serial, as it comes out to be over 4 hours in length. The much edited feature version that I saw was just painful to get through, so I can't imagine the full length serial being any easier with all of its repetition.
... View MoreHere is another wonderful movie serial from the factory that perfected the genre at the dawn of sound... MASCOT PICTURES. There is such a superb story yet to be told in the life of both this studio and its young founder Nat Levine. It only existed from 1927 until 1935 but was the template for REPUBLIC PICTURES, both as a studio and as a serial factory. It was closed by ruthless Republic Founder Herbert J Yates when he foreclosed on them via his film lab Consolidated Film Laboratories to which MASCOT owed big film processing debts..... along with other small studios like MONOGRAM and LIBERTY. However in those early 30s, MASCOT created a genre .. the talkie action serial with sci fi effects and incredible miniatures by Howard and Theodore Lydecker. Yates lusted after it all to become a mini-Mayer type mogul and won the day by financial default to lump all his debtees together to make his studio in 1935. As a result REPUBLIC PICTURES was created and lasted until 1960 but clever little MASCOT was steamrolled, its talent poached and its style and film library stolen. Nat Levine was discarded in 1937 and bankrupt in 1939. Nobody from these other studios could work under Yates and even Monogram management escaped to GRAND NATIONAL and UNIVERSAL before re-forming in 1937. Levine was not yet 40 years old. He then went to manage cinemas... showing Monogram and Republic Pictures. How awful for him... and what a great biopic there is in this man's exciting young life. (Spielberg? Scorscese? HBO, hello?).....THE WHISPERING SHADOW is one of many spooky and elaborate labyrinth serials now turning up on Alpha Video DVD, a poverty row specialist that is releasing dvds made from old TV prints filmed directly off TV monitors and onto a DVD master. It seems to work well enough but I do believe there is a market for genuinely releasing these great 30s films properly from existing negs. Sometimes the movie version is available and this one is seen as MURDER BY TELEVISION. In the mean time, we can savor what is possible this way. As with HURRICANE EXPRESS or THE THREE MUSKETEERS especially the underworld sci fi cowboy movie serial epic (!) .....THE PHANTOM EMPIRE......... remade in 1936 as Republic's first serial UNDERSEA KINGDOM.THE WHISPERING SHADOW is a convoluted chase with eerie visuals and wonderful atmosphere. It also interestingly uses Television as a title and as a device which shows us in 2008 how advanced and aware the movie-going public was of TV itself, because to include it in a film so prominently in 1933 as realistic and exciting possibility is a surprise to most viewers today. From the same period is THE RETURN OF CHANDU and in 1937 THE SECRET OF TREASURE ISLAND (Columbia)... but the most absurd obscene and fully wacky is THE LOST CITY (1935). Enjoy! These ancient sci fi serials make great TV wallpaper at your next party.
... View MoreIn my youth (1980 or thereabouts), I was a projectionist at an art-movie cinema (remember those?). Anyway, one summer we showed an episode of "The Whispering Shadow" before each week's feature, and all can say is that it was great cheesy fun. My favorite episode was the one that ended with our hero and heroine trapped in a room--AND THE WALLS START MOVING IN TO CRUSH THEM TO DEATH! And as the walls move in, they wibble and wobble, because they are obviously just two muslin-covered stage flats being pushed in by a couple of stagehands, and all the while the hero and heroine roll their eyes and cling to each other and scream and scream and scream! Too funny for words. All joshing aside, the final episode does have an interesting twist that made my twelve weeks in the projection booth worth the while.
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