Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Not sure if I missed this movie back in the 90s or if it wasn't memorable. But here I am in 2014 watching a 90s movie that looks more like an 80s movie.Something happened in a house. Bodies are being dragged away. A guy named Howard survived and now he has visions of a creature. A guy named Carter was standing nearby so he's a witness. But he investigates into the house and discovers a scary past, involving the Necronomicon. He enlists another professor and of they go into a cave beneath the house. Howard is also with them but he stays outside.Inside the cave they find a creature, that's a pairing of a woman--the daughter of the former house owner--and a demon. They manage to separate the two. Carter takes the girl with him to the university. The scholar stays behind researching the demon, which ends up killing him. But the girl feels that the demon is going to come after her. And sure enough the demon appears and Carter, the girl, some friends, the cops all have to face the demon.This movie can be credited with one achievement, a very questionable one though: it stars Maria Ford and Julie Strain in 1992 and yet shows no nudity. Ford is not wearing clothes for a good part of the movie, but a huge wig covers up her body. It would have been even a greater annoyance in the 90s when the two ladies where in their soft-core heyday.Aside from that major weakness, the movie is of course slow, 15 minutes longer than it needs to be. It feature some good acting and some poor acting. It has good physical gore and prosthetic effects, and some cheesy visual effects. The story is alright but more could have been made of it. And of course a lot more could have been done with such a cast.

The Unnameable 2 is loosely based on Lovecraft's "Unnameable" and the "Statement of Randolph Carter". The film strays from the two stories quite a bit, but it has tons of Cthulhu Mythos elements. Mark Kinsey-Stevenson and John Rhys-Davies really propel this film. I think their acting is top notch. The blood quotient is very high in this film. And the gore effects are the good old fashioned kind! The film is fast paced unlike other horror movies that can put you out (such as the first Unnameable that had a slow middle). If you enjoy Lovecraft, gore, and good acting, this movie is right up your alley.

This may be one of the greatest (and when I say the greatest,I mean THE GREATEST) horror film I've seen since SHOWGIRLS! The lead actor, Mark Kinsey Stephensen, channels the Mr. Tamborine man-size cajones of William Shatner with the acting range of a toaster oven not plugged in and with no muffins in it. The presence of veteran actors David Warner and John Rhys-Sallah-Gimli-Davies only heightens the cheese factor to Limburger-sized heights. This film contains AT LEAST 12 rewindable moments, including the gratuitous butt-shots of ham-sandwich sporting actress Maria Ford, the attack in a library by the Unameable on a bunch of mullet-coiffed cops, and an Obi-Wan Kenobi moment in which the LA Gear wearing sidekick is visited by the ghost of the Gorton's fisherman. Kudos to the supporting cast as well, from obviously gay George Takei wannabe pal to the hairy-kneed college student who looks like bastard love child of Fabio and Corey Feldman. Stack 'em high and dig in.

I accidentally rented Unnamable II tonight, thinking I was renting the original for the first time in a few years. (The original was one of my favorite Gothic horror films.) I was disappointed that I had grabbed the wrong movie, but still enjoyed seeing this one.With the possible exception of The Godfather II, sequels never match the originals & this one is no exception. Still, Oulette does a good job in leading us through this dash through campus, with the hideous she-demon behind us. The idea of the split demon-normal girl is intriguing and the lovely Maria Ford is convincing as the 300-year-old coed. Mark Kinsey Stephenson is again solid as the scholarly and fearless Randolph Carter. (Doesn't every college English Department have a senior bookworm like this?)My only complaint-and this is one I might not have even thought of before returning to grad school-is that the professors are all Scooby Dooish `all-knowing' doctors. Professor Warren (John Rhys-Davies) apparently is an oral folklore specialist within the English Department…unless he is possibly in sociology or some similar field. For him to have a passing knowledge of quantum physics is not unthinkable. For him to look at a mutilated body and tell claw marks from incisor marks is stretching it considerably. For a literature professor to be running around with a portable microbiology lab in his little black pouch, though, and setting up a microscope, etc., in a dank, dark cave and making glib pronouncements about the blood, however, is akin to no one suspecting `Old Hank' or whoever as being the Scooby Doo villain. Folks, as one who is around professors every day (and who hopes to BE a college history professor in a couple of years,) I can attest that the average English or history professor barely understands how to connect to the Internet or operate PowerPoint, let alone set up a mini-science lab in a dark cave in five minutes!This one is okay, but I need to see the original again. Part of the reason I wanted to see the original tonight was so I COULD do an updated review. But that will come. People aren't exactly standing in line to do these two movies. Still, this one is definitely worth watching. Give it a chance!