Very very predictable, including the post credit scene !!!

Pretty Good

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I worked as a wrangler during the old west parts of this production wrangling up to four horses. Aldo Ray was difficult as he was always drunk and production was always waiting for him to show up. The western scenes were filmed at the old Apacheland Movie Studio east of Apache Junction Arizona. Working the set I felt like a high school drama class could have done a better job.

Gloriously goofy low budget shocker from writer / co-producer / director Michael De Gaetano; it's so laughable so often that one has to believe he basically had his tongue in his cheek the entire time. They also know that when the opening text / exposition makes them laugh, that can be a direct indicator of what's to come. 100 years ago, a proud young Indian woman is framed for theft and sentenced to ride her horse - topless - throughout the desert until she dies. Well, that's somewhat novel, at the least. Then a century later, a lost British lass comes upon an Arizona community where a dysfunctional family resides in a run down old movie studio - a lass who just might be the reincarnation of that long ago Indian woman. Another thing that sets this little movie up quite well right away is the uproarious, overwrought disco theme song "Indian Woman" sung by Billy Vera of "At This Moment" fame. This itself is indicative of the melodrama to come as thuggish Andrew (Aldo Ray) and blind Michelle (Virginia Mayo) reminisce. The two veterans are a total hoot what with their histrionics; Ray completely turns on the intensity and nuttiness as Andrew becomes more and more unhinged - and homicidal - as the story progresses. Meanwhile, Michelle's son Patrick (likable enough Jim Negele) becomes fond of the stranger in town, played by lovely Ann Michelle ("House of Whipcord"). She actually comes off the best, even if her character(s) are very thinly written; she's quite easy to watch (and shows off her breasts for the appreciation of all those watching); Brad Rearden ("Hi- Riders", "The Silent Scream") is stuck with an annoying role as the bratty younger brother Russell. On location filming in Arizona *is* one appreciable asset, as well as a decent music score by Lor Crane, and a pretty enjoyable final act that culminates in an intense full body burn. "Haunted" does work fairly well as an amusing bit of wild 'n' wacky nonsense; De Gaetano does have a good feel for the bizarre, starting with the perfectly silly idea of having a phone booth installed in a cemetery in order to set up one of his most surreal touches. If all of this sounds right up your alley, then by all means dive right in. The movie is absurd but not without some charms. Six out of 10.

In 1865, a young Indian girl (Ann Michelle) is sentenced to death in a small Arizona town after a soldier (Aldo Ray) falsely accuses her of stealing. Fast forward a hundred and eleven years and the town is now a ramshackle old movie studio inhabited solely by two brothers (Jim Negele & Brad Rearden), their blind mother (Virginia Mayo) and crabby Uncle (Ray again). Trouble arrives when Brit actress Jennifer (Michelle again) shows up and she is the Indian girl reincarnated. Is it possible to title your movie HAUNTED and not have any ghosts in it? This is more boredom beyond than anything else. It really says something for your film when the scariest thing in it is Aldo Ray's hairy back during a lovemaking scene (my eyes!!!). Director Michael DeGaetano previously made the amusingly titled UFO: TARGET EARTH and shows a real fine hand at the nonsensical. There are some bizarre subplots like Ray searching for gold and Ray being the boys real father, both of which are dropped cold. DeGaetano also sets up a senseless bit with a phone booth being installed by a graveyard next to a house so the Indian girl can call Ray from beyond the grave. Huh? Why not just have her call the home phone? The mind numbing finale has our female lead trapped in the phone booth with Ray outside, trying to find a way to get at her. He finally figures out to break the glass. Meanwhile, our hero brothers hang out at a burger joint and don't even show up to save the chick. For Aldo Ray fans (my condolences) only!

OK, the movie. Way back in the olden days some cowboys and a priest decided that an Indian woman needed to die. The reason is completely unmemorable. They put her on a horse, take her shirt off and send her packing to die in the desert of Arizona. Before they set her off, she says something to the extent of her haunting this land. Off she goes. Enter present day. A family living in a ghost town witness a telephone booth going up in the middle of a grave yard. The mother of the two boys is blind after an accident involving a naked horse woman. The accident killed her husband. She believes that they are being haunted.This movie gets cheese points because of the laughable scripting, acting, dialog, and the original songs that appear in the movie. There was even a soundtrack released to accompany the movie. In a terrible amusing scene, we see the Uncle chasing the woman into the phone booth with a sharp stick he wittled with a knife (where the hell is the knife?). The only blood in this movie is where Uncle Collage Grad stabs him self with his wittled stick. I'd also like to know who let them use the set from Wild Wild West.