Good concept, poorly executed.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

an ambitious but ultimately ineffective debut endeavor.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

First hour of Plot, expansion of story line at Amazon US.This is a Taiwanese film with English subtitles. The film initially centers on Ho Chih Wei, a young man who lives with his grandma and sells real estate. He has a number of issues. His girlfriend of 5 years doesn't want to marry him. Aunt Shui has gone missing. Grandma has wandered off. A girl in a red dress from the mountains has been coming to the city and taking souls. And oh yes, he develops that possession thing and goes missing as the film now shifts gears into a real horror film and centers on the girlfriend Shen Yi-Chen. She gathers up a posse to go to the mountains. At an hour into the film it gets good as she strolls through the woods.This was an okay horror film similar to Japanese horror films. There is an anti-abortion theme, perhaps aimed at the mainland. Not a good film for any woman who has recently had an abortion.Guide: F-word (I can now swear in Mandarin, should prove interesting next time I order Chinese.) . No sex or nudity.

It's been a while since I've seen a good horror movie. It's been a while since I've seen a good Chinese movie.I can't even remember a Chinese horror movie I'd rate as high as 9 out of 10.This was a great movie, lot's of jumping scares.Only downside is I wish the CGI was a little CGIish, maybe a if they had it little obscured or out of the corner. This is only really a slight blemish on a great movie.I'd recommend this a watch. This goes into my Horror movie Favorite list.

I don't watch a lot of Asian horror films, mainly because I have never really been much of a fan of paranormal movies, and for the most part Asian horror films tend to focus on paranormal type things (mostly scary little kid ghosts). But the other night I was bored and in the mood for a horror film, I decided to not be picky at all and basically just randomly pick one of the newer releases from the genre. I stumbled onto a Taiwanese film called "The Tag Along" and honestly I am glad I did.The film follows Zhi-wei He, a young adult who lives a fairly busy life trying to juggle his job, his girlfriend, and spending time with his grandmother who lives with him. Zhi-wei He's life is turned upside down when a little ghost girl in a red dress shows up and takes his grandmother away. From there things get pretty wild as the little ghost girl makes multiple appearances to terrorize Zhi-wei and the other people in his life.Early on "The Tag Along" does a lot of things right, the characters are interesting and the story is set up well, plus there are a lot of very well done subtle scare scenes that did a good job of catching me off guard. Unfortunately as the film progresses it becomes more and more dependent on CGI and less on practical scares. At this point it was still entertaining, however the CGI caused the film to lose a lot of it's creepiness. There are actually quite a few scenes that had me giggling a bit due to the goofy effects.I liked "The Tag Along", overall it was a pretty fun ghost story that was clever at times and didn't rely too much on the normal Ghost Movie clichés (even though there are quite a few present here). Without the CGI I feel like this could have been a lot better, but even with it the film is still entertaining and worth checking out.6/10

'The Tag-Along' takes a well-known urban legend in Taiwan and turns it into a bone-chilling mystery built around themes of loss, regret and familial love. Depending on your knowledge of Taiwanese folklore, you may or may not have heard of the 'little girl in red', who was infamously captured by a group of climbers on home video making their way along a mountain trail. That video was broadcast on television way back in 1988, and since then, others have reported similar sightings of a little girl in a red dress just before they had met with some form of calamity. Legend has it that the girl is a mountain demon known as 'mo-sien' (or 魔神仔 in Chinese), which preys on fear and guilt and is particularly drawn to children and the elderly.So it is that the first to disappear in the film is an elderly woman who happens to be good friends with our lead male protagonist's grandma (Liu Yin–shang), a curmudgeonly lady confronted with the same fate one typical morning after making breakfast for her grandson Wei (River Huang). It will be a couple of days before Wei realises that she has gone missing – despite being his caretaker from young, Wei's busy work schedule as a real estate agent have kept the two apart in recent times, leaving his grandmother in constant lament about how little he sleeps every night and how little time he spends at home with her. Their estrangement is also in part due to Wei's relationship with his girlfriend Yi-chun (Hsu Wei Ning), who harbours no plans to get married, settle down or have kids even after five years, much to Wei's grandmother's dismay.As you can expect, there is a lesson here on taking the ones who love us for granted – and as we learn through a series of flashbacks, Wei had made a promise to his grandmother when he was a kid that he would have dinner with her every night, even scribbling it on the underside of their dinner table. But it isn't just Wei who has a lesson to be learnt; midway through the film, Wei's grandmother is found walking lost and disoriented along a stretch of highway, right after Wei himself vanishes. Just as Wei had been taking his grandmother for granted, so has Yi-chun been doing likewise of Wei, and the second half of the film is as much about Yi-chun digging deeper into the legend of the 'mo-sien' as it is about her learning the depths of Wei's love for her.If there is one thing that Jian Shi-geng's screenplay gets right, it is in establishing the relationships between Wei and his grandmother as well as between Wei and Yi-chun with careful attention and detail. Not only do we feel for Wei mourning the loss of his grandmother, we empathise with Yi-chun coping with the sudden departure of Wei, and within these two relationships, Jian makes keenly felt the regret we often face when the people who love us but whom we take for granted are abruptly taken away from us. The latter allows the climax set deep in a patch of dense forest to be both scary yet heartfelt, as Yi-chun resolves to save Wei from the clutches of the mountain demon that assumes the form of the 'little red girl'.On his part, Cheng Wei-hao, who makes his feature filmmaking debut here, largely succeeds in sustaining a tense and uneasy atmosphere throughout the film. There are a couple of nicely earned 'jump' scares here, but what lingers is the sense of dread that he builds with the creaking of a door, the rustle of the wind and the voice of a little girl. Cheng loves to play with his audience's sense of focus, and an oft-used but nonetheless effective technique is how he teases us with something that we should be seeing on the periphery of the frame just before it jumps in our face. Just as well, Cheng hits the emotional beats of Jian's script nicely – in particular, an early sequence that shows Wei's grandmother trying to wake Wei up for work when his alarm rings and then preparing his breakfast and lunch box for him pays off subsequently in unexpectedly emotional ways.No wonder then that 'The Tag-Along' has gone on to become the most successful horror movie in Taiwan in a decade – like the best of its genre, it isn't just a scattershot collection of scares but rather a poignant lesson on human nature that tugs on your heartstrings as much as it rattles your nerves. To be fair, it does owe its audience a couple of loose ends, and the CGI-heavy climax does border on overkill, but on the whole, Cheng's maiden entry to the horror genre is a spooky atmospheric affair that bears a foreboding omnipresence. At no point do you ever feel that its thrills are cheap or convenient, nor does it lose its emotional hook along the way, so if you're looking for a good scare, you'll find yourself in good company if you follow the little girl in red.