An absolute waste of money

While it doesn't offer any answers, it both thrills and makes you think.

The movie is wonderful and true, an act of love in all its contradictions and complexity

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

This version of "The Sign of Four" is the closest anyone has come to transferring the spirit and letter of Doyle's stories to film. And it stars what might be the best Holmes and Watson to ever appear onscreen, Jeremy Brett and Edward Hardwicke. "The Sign of Four" is a very close adaptation of Conan Doyle's novel, but that would count for nothing if it wasn't stylishly directed, sumptuously produced, and perfectly acted.It was also made at the right time, when the Granada Sherlock Holmes TV series had proven a success and received the go-ahead and financial backing to expand its format. "The Sign of Four" was filmed in 35mm with a lavish (for TV) budget and presents a convincing vision of Holmes's world, from the cluttered Victorian furnishings to a steam launch chase down the Thames. Jeremy Brett was at the peak of his powers, before manic depression and heart failure permanently wrecked his health. His mercurial Holmes lives only for detection--without a case he's twitchy and irritable; on the trail he suave and scintillating. Hardwicke's Watson is grizzled paragon of common sense and decency. The other players (Jenny Seagrove, John Thaw, Ronald Lacey) are a perfectly cast assortment of eccentrics.Director Peter Hammond is over-fond of compositions involving mirrors, but he keeps the eye (and the actors) occupied. At its best the film is a catalogue of quintessential Sherlockiana: London fog, hidden treasure, the Baker Street Irregulars, and Holmes's outlandish disguises, violin playing, and elaborate deductions. The plot is classically Holmesian, involving Imperial misdeeds coming home to haunt their perpetrators. Some have criticized the film for the lengthy flashback near the end, but this is the emotional heart of the film, the why-done-it that comes after the criminal's apprehension and gives a tragic coloring to his crimes. It gives the literal Sign of Four an ethical resonance.Like all of the Granada Holmes productions, "The Sign of Four" has been remastered and released on Blu-Ray. It looks great but whoever handled the color correction eliminated the day-for-night effects so many scenes are brighter then they should be.

Conan-Doyle wrote four novellas that featured Holmes and Watson. The most familiar, and by far the most often filmed, is "The Hound of the Baskervilles," and for good reasons. (1) It's long enough to be a feature film without being padded, (2) Holmes is a fully blown character, and (3) the story isn't just an intellectual challenge or adventure -- it's positively eerie, with hints of the demonic.Of the others -- "A Study in Scarlet" and "The Valley of Fear" -- it can be said of the first that when we're introduced, little by little, to the young Holmes, he's really an oddball and has mental and behavioral habits that never appear elsewhere in the canon, as Watson himself does. For instance, Holmes learns for the first time that the planets revolve around the sun and immediately tries to forget it because he doesn't want his storage capacity challenged. Watson keeps a bull pup, which is never mentioned again."The Valley of Fear", to my knowledge, hasn't ever provided the framework for a popular feature film. It appears late, and Conan-Doyle seemed to be grinding out the stories to make a living. Holmes has no quirks, no affinity for dope, shows no penetrating insight or feats of deduction, and some of his inferences are plain silly. The hero is dull.In "The Sign of Four", Holmes is fully blown, is driven by boredom to use his seven-percent solution, and rips off some apothegms from Edgar Allan Poe's August Dupin. The story is full of delightful characters too, including eccentrics from India and a murderous cannibal dwarf. The Baker Street Irregulars make a prominent appearance. The movie gets it all down, with monster hookahs being used, mounted tiger heads, and a shivery performance by Ronald Lacey as an anxiety neurotic and a frozen, smiling corpse. There's an exciting launch chase on the Thames near the end.The story has what I'd consider a weakness that it shares with "A Study in Scarlet" and "The Valley of Fear." There's a long, involved back story explaining the experiences of the villain that led to his criminal act. It's as if the author was just itching all over to put his most famous creation behind him and get on to more ambitious literary things but the poor guy was stuck with Holmes and Watson.Yet, in the long run, grinding out his detective fiction didn't do either Conan-Doyle or Holmes much good. Towards the end of the canon, in the Memoirs and the Case Book, the stories are becoming benumbed, as are the characters -- with some notable exceptions. I guess it's possible for an author to just plain write himself out.As a feature, this film is quite good. The heavy is played by John Thaw, "Inspector Morse," buried under a lot of make up and accompanied by a native of the Andaman Islands who is given a bad rap by Conan-Doyle. The Andamanese were an outlier of the British empire, flung off the Indian coast and seldom visited except by anthropologists and second-rate colonial officers. The islands were hit by the tsunami of 2004 but were so isolated that nobody knew or cared much about the damage. (The anthropologist's name was A. R. Radcliffe-Brown, if anyone wants to look it up.) I can chew over the villain's experiences in India because the rest of the story is so colorful and intrinsically interesting. It includes one of those "locked room murders" that so fascinate mystery writers.And it goes without saying that, whatever Conan-Doyle might have thought of Holmes and Watson, Jeremy Brett and Edward Hardwicke do justice to the characters.

Sherlock Holmes is a brilliant crime series, and has a brilliant star in the name of Jeremy Brett, who was without doubt the best Sherlock Holmes.What is excellent about this adaptation, is the closeness to the book, and of course the acting of Brett and Hardwicke. And the fine camera work and period detail. Jenny Seagrove and Ronald Lacey did very well in their roles.But for me, the highlight was the boat on the river chase, and the introduction of Jonathan Small(the flashback sequences were very interesting and beautifully played too), who was brilliantly played by the late John Thaw. He was the best actor in the adaptation, apart from Brett. It must be really uncomfortable with a wooden leg though. Great music too, very haunting at the beginning especially.This is really good, if a little creepy, Tonga was very scary. The Ian Richardson version is also good, but not as effective. 9/10 Bethany cox

Of all the Granada Sherlock Holmes presentations, I believe this to be the best. It has an intricate plot with an amazing story behind it. It is full of unforgettable characters. It has action. It has the Baker Street Irregulars. It has a dog named Toby. Mostly, it is full of life. Jeremy Brett is never better than in this presentation. The British imperialists in India must have been an interesting lot. There's that whole thing with entitlement through domination and power. The four men who become embroiled in the plot are dedicated to each other, even unto death. The two brothers, whose father turns out to be the fly in the ointment, are incredible, both physically and in terms of character. What is the revenge about? It's betrayal, but what is it based on? Where is the treasure? What is the treasure? Where did those strange footprints come from? It all unfolds with hardly a wasted moment in the almost two hour feature. There's also the romantic intentions of Watson who marries the young woman later, if you read the books. This is the young woman he leaves behind constantly as he and Holmes run off on their adventures. If you have an opportunity, see this.