Let's be realistic.

Fantastic!

Clever, believable, and super fun to watch. It totally has replay value.

The first must-see film of the year.

The chronically ill mother of seven children dies, and they decide to bury her secretly in the garden so that they are not separated and adopted out to different families. I don't know, maybe they had watched "All Mine to Give" on the telly and have seen how this kind of thing can go, but above all they do not want to be separated. I found the first half to be painfully slow with all these very, very earnest child actors. Things pick up considerably at roughly the one hour point when charming but roguish Dirk Bogarde shows up and hams it up all over the place as the long absentee father. I thought if that one girl hadn't been so uptight about everything, the kids could have had a pretty kick-butt, bohemian life with Charlie. Car rides in the country. Trips to parks and zoos. Music to wiggle to, Playboys lying around, and very little parental supervision, plenty of free time to one's self while Dad was having his parties.But ... this didn't turn out to be a frothy comedy about the return of a long-absent, free-wheeling dad and the positive effect he had on his dour little children. Within five seconds of Bogarde appearing on screen, I was 99 per cent sure what his fate was going to be, and that eventually he would have to be outed as a total louse to make what happens to him more palatable for the audience. So, the film was pretty predictable in that regard.Otherwise, there were a few highlights to recommend here and there: the scenes where the one girl may or may not have been channeling her mother's spirit were effectively creepy. One high-ick factor scene with disturbing incestuous implications (or maybe not, if what Bogarde reveals late in the movie was true). An unexpected moment of joy when the kids realize they can access their mother's savings accounts and their lives aren't going to have to be Dickensian after all.This is a good psychological and atmospheric film, and I'd recommend it.

Seven children continue in "Our Mother's House" after she dies in this 1967 film starring Dirk Bogarde, Pamela Franklin, and Mark Lester, and directed by Jack Clayton. A very ill, religious woman, the mother of seven, dies suddenly at home. Her children, afraid of being separated, bury her in the garden and continue to live as if nothing had happened, forging her monthly annuity check. One day, their long-absent father (Bogarde) reappears.Based on a novel by Julian Gloag, Haya Harareet (Heston's Ben Hur co-star) and Jeremy Brooks fashioned an excellent screenplay, beautifully directed by Jack Clayton, a true master (The Innocents, The Pumpkin Eater). With a dark, spooky atmosphere inside a big old house, he creates the world in which the children live, one where they care for one another, pray, and communicate nightly with their mother. When Charlie Hook, their father arrives, that all changes, and the world comes rushing in. At first, Charlie is what is needed - his presence means they're safe from the outside world, but gradually, even his supporters among the children begin to see that he's a danger.Clayton manages to bring in an incestuous undertone without overtly showing any incest - in the days when directors needed to adhere to certain codes, they called upon their imaginations. It made film more subtle and definitely more interesting to watch.The acting is superb. Bogarde is in top form as the at first lovable Charlie, who, as he does in "The Servant," gradually becomes more sinister. Pamela Franklin is marvelous as Diana, one of the older children; all of the children are excellent - Clayton was no stranger to directing children, and his deft hand is shown here.Perhaps not a well-known film in the U.S., "Our Mother's House" will make a lasting impression.

Having only seen the last fifteen minutes on a rare TCM broadcast, the film is unmistakably the work of a master, Jack Clayton. He'd already directed the classic The Innocents (1961) with Deborah Kerr. Later he'd direct the cult favorite, Something Wicked This Way Comes (1983). He only directed ten films, but his deft touch is recognizable. The impending suspense and doom as the child question their father isn't relieved by the climax ... one has no idea what will happen but it will be a shock. The great films maintain such suspense and the greatest films pay off without seeming cheap. One day, we can only hope, one day this will be shared in a DVD release.

I was actually an extra in this film, as the school scenes were filmed at my junior school, St Leonards Church of England School in Chelsham, Surrey. I remember having to wear my best school uniform and do as I was told. I was 8 years old, I suppose, and it was all very exciting with the lights and the trailers and all the people buzzing around. I don't remember whether we were allowed to meet the stars; I somehow doubt it!This is a great film, very atmospheric, very spooky, and totally believable - kids in the 1960s were obviously very resourceful (and full of very odd ideas). Needless to say, I wasn't allowed to watch the film until I was much older than when I was in it.