Really Surprised!

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Adrift in New York City, a recent college graduate's life is upended by his father's mistress. The Only Living Boy in New York is Marc Webb's 2nd film this year after the amazing The Gifted Starring Chris Evans and unfortunately it's a disappointment from the acting to the characters themselves especially the romance between Beckinsale and Turner felt forced and not even realistic. The acting from everyone was also disappointing with the dialogue being the biggest problem and the main character was kinda uninteresting as well. Overall this was a big disappointment and with a cast like that i was expecting much but i didn't get either. (0/10)

it's an OK movie, old story, tiny twist in it, but same all same all. terrible acting by Kiersey Clemons, just terrible. OK acting from the others, and, i can't believe that i am writing this, very good acting by Pierce Brosnan. No way? way. Jeff Bridges is the same, no one can expect from him to act as a human. there is a feeling that the producers/director tried to create a strong and dramatic almost noir movie, they did not succeed, what you do get is a decent not too boring 90 minutes. the score is very suitable.

It's tough but true: the 1960s and The Graduate (1967) will never happen again. Although the title of The Only Living Boy in New York (2017) is a nod to the iconic romantic comedy that was immortalised in music by Simon and Garfunkel, this new film is more of a twisty Woody Allen-style coming-of-age story about growing up in contemporary America. Same theme, different tune.The film's key narrative device rests on a young man meeting a stranger who is writing a book based on the young man's life as it unfolds in real time. Twenty-something and nerdish, Thomas (Callum Turner) wants to be a writer and knows that he must experience the pain of living before he can write seriously. He has decided that beautiful Mimi (Kiersey Ciemons) is his one true love based on one night in bed but for her it was a bit of fun with a close friend. Thomas finds a stranger called W.F. (Jeff Bridges) sitting on his stairs who offers wise counsel despite efforts to avoid him. Soon W.F. is his muse and mentor and Thomas shares everything of his life and dreams. When Thomas discovers that his father Ethan (Pierce Brosnan) is having an affair, his worldview is shattered. He stalks the lover Johanna (Kate Beckinsale), confronts her, and ends up in her bed. It transpires that every relationship in Thomas' life is not what he thought it was. Welcome to adulthood.Calling the film Woody Allen-esque is shorthand for a storytelling style that depends on angst- laden whimsy. Thomas is a likable boy whose emotional fragility is a result of family wealth, middle-class breeding, and graduate education, so it's faintly pleasurable to witness his shocked awakening to how relationships work in the real world. What happens is nowhere near as significant to the film as how the characters react to unexpected change and the role of the mysterious W.F. Young Tom's loss of innocence is followed by a primitive masculine urge, just as his father's reaction to his infidelity being discovered is to exert brute force over others. While emotional worlds are cracking, W.F. listens and counsels, like an ancient omniscient narrator who also seems to shape the storyline as we watch. When his book is finished, so is the story except for a final twist that reveals who he is.Stylishly filmed and well-acted by a stellar ensemble, the film is also an exposé of privileged life in New York, with enough insider jokes and cultural references to make most audiences feel like they are outside looking in. No doubt the glasshouse effect is intended, as it is possible to stay interested but disconnected from its characters and their feelings. If you prefer action-based movies, there is not a lot happening here. But if you enjoy a nostalgic revisit to early adulthood accompanied by evocative music in an urban bohemian setting, there is enough to keep you engaged in the movie until its satisfyingly unexpected finale.

I can't understand why so many people rated it so low. The graduate was great when I saw it 50 years ago, and this is fascinating in today's world. As one character says people are different now. But they are not! Overactive desire in the young man and anger that he can not find an outlet and does not know what to do with his life is classic. People are human with the same passions and desires over the ages, and neurosis and alcoholism is nothing new. I was born in NYC and love to see the city and its vibrancy. 3 of my wives were from New York and I understand relationships, so I feasted upon how the story develops. Yes too slow for some and not enough nakedness for others, but real humanity is there. Acting good and New York far more interesting than Philadelphia. Film reviewers be damned. Bill in Singapore