The Matador
The Matador
R | 12 May 2005 (USA)
The Matador Trailers

The life of Danny Wright, a salesman forever on the road, veers into dangerous and surreal territory when he wanders into a Mexican bar and meets a mysterious stranger, Julian, who's very likely a hit man. Their meeting sets off a chain of events that will change their lives forever, as Wright is suddenly thrust into a far-from-mundane existence that he takes to surprisingly well … once he gets acclimated to it.

Reviews
Holstra

Boring, long, and too preachy.

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Ceticultsot

Beautiful, moving film.

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Melanie Bouvet

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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Phillida

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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schuster_mark

With so many mindless movies coming out of Hollywood these days, what a refresh to see this film. An affirmation that movies are still being written and filmed by intelligent people. The dialog is superb. The acting is superb and the plot is genius.Pierce Brosnan is one of the most underrated actors of his time. It's easy to write this "pretty boy" off, but he just simply delivers time and time again. Greg Kinnear as well, but he does seem to be "hit or miss" in movies these days. This is definitely a hit! Speaking as a middle aged, white suburban male - it's all our dream to one day break from the mundane day to day life we hold and be pulled into something more exciting (with or without our consent). The kind of excitement we only fantasize about. As human beings we're meant to do so much more with our lives than just wake at 6am and go to an office each day. This movie plays out the "all too common" man losing a grip on his own life, and marriage, only to be resurrected by an odd and completely unexpected acquaintance. Pierce Brosnan nails the role of an eccentric and crazy man searching for meaning in his life. The relationship that develops between Brosnan and Kinnear is developed and written/acted to perfection. By the end of the movie you're wondering if these two completely polar opposite men are brothers.A really well written movie with excellent acting. Very much worth a view.

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dromasca

Should I feel a little bit guilty for having enjoyed this film? It's not the greatest action movie around, it lacks special effects and car chases. Credibility is not really the strong argument of the story. We are asked and we end by sympathizing with a couple of guys who do very bad things. And yet The Matador produced and acted by Pierce Brosnan worked for me better than I expected. Now I need to find why.Julian Noble is a hit-man and the most irregular guy on Earth. He kills people for money, has no home or even a fixed address, getting drunk and buying sex seem to be his only pass-times. Danny Wright is the most regular guy on Earth, a businessman from Denver, he does have a house and a beautiful and loving wife, but his professional and personal life seems to have entered in an unavoidable dead-end. Their getting together is an improbable event, the only less probable one being them becoming friends. Yet, this is exactly what happens in The Matador and their friendship takes a path that is unpredictable and hidden from the viewer or the viewer is sent to wrong tracks for much of the time.So why does the story written and directed by Richard Shepard work? One of the reasons is that each of the three characters has a lot to identify with. Of course, hard to resonate with the professional killer day job, but certainly easy to feel compassion for working permanently under pressure, getting tired of the accelerated (corporate!) rhythm, not getting a listening ear from your boss. With the other two characters (Danny and his wife) it's much easier, they are us, but here comes the second principal reason of my liking this film - acting. Both Greg Kinnear and Hope Davis not only give fine performances, but they are sincere and feel the roles. They are us, and make us understand that. Pierce Brosnan is nothing but perfect, this is the best role I saw him in, his switching acts from the cool killer to the lost kid in town, from cynicism to vulnerability are masterful and the comical register fits him as well as the James Bond jacket. Last reason, the film carries some problematic or bad ideas (friendship as a good excuse for killing for example) but also a great one - beware of what regular people can do when you push them with the back to the wall! Eventually the combination of these three arguments wins.

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fred-kolb

Only recently, I have purchased some of the DVD sets of the old TV shows from the 1980's, the great classics of entertainment and by today's standards as cheesy as they have ever been. Among them is the first season of "Remington Steele", about a detective named Laura Holt, who invents a male boss in order to attract more clients, until one day a strange con man takes over the imaginary part of Remington Steele and from that point on works with Laura solving cases of all sorts. That was the first big role of a young man named Pierce Brosnan, but when the show was taken off the air after six successful years, Brosnan's career kicked into really high gears. He played the famous British agent James Bond in four films, but after "Die another Day", almost a parody on the franchise, he was dismissed from the role and went on to star in other projects.Pierce Brosnan, who coincidentally got a hold of Richard Shepard's script, not only agreed to take over the leading role but also became one of the producers, causing the film's budget to rise significantly. It seems as if this movie was exactly what he was looking for and after being the action hero for so long, and the stylish British gentleman, he finally gets to play an unpleasant, rude and bad ass character, who completely goes against anything he has played before. The result is an entertaining mix of comedy and drama about an unusual friendship that takes a couple of unexpected twists and turns.Julian Noble is a professional hit man, who believes he has the greatest job in the world and travels all over the planet to take out his targets. He doesn't have a home, not a single friend and his romantic interests merely consist of one-night affairs with hookers. Danny Wright on the other hand is a regular businessman, who lost his only son in a school bus accident, is happily married with his high school sweetheart, and now travels to Mexico City to sign a contract that could save his career. The two men, that couldn't be any more different from each other, meet at the hotel bar one night and after a couple of rude remarks by Julian and immediate apologies the two begin to form somewhat of a friendship. Julian takes Danny to the bull fighting arena, where he reveals himself to be an assassin and even demonstrates how he would take out his target. But Danny is not appalled but merely fascinated by this strange man, and ultimately Julian even asks his new friend to help him with one of his jobs. As it turns out though, Julian begins to doubt himself and his unethical profession and after screwing up several of his contracts, his bosses put out a hit on him, causing him to seek the help of his only friend, Danny."The Matador" is a very interesting little film that made it lot out of its limited possibilities. Despite having Pierce Brosnan in the leading role, who is always a good candidate for a fast-paced action movie, there are very little action scenes in this film, and it is more of a buddy comedy and relationship drama. Although there are some funny scenes, mostly coming from the dialogs between Danny and Julian, especially when the latter makes one of his inappropriate comments, there are also some somber moments, especially involving Danny and his dead son. The film is R-rated, so you will find your typical use of several f-words, but I would be more concerned with the large number of sexual jokes. Richard Shepard, whose previous work mostly consists of B-movies wrote a dynamic script that mostly focuses on the strange relationship of Julian and Danny, two wonderfully constructed characters with their flaws and good sides to them. But he ultimately concentrates so much on them, that the characters and their dialogs completely dominate the film and the plot is somewhat neglected in the process. There is only a very fragile story attached to this 90 minute film, which causes it to run very slow for some time, especially once the setting shifts from Mexico City to Denver. The other issue with this film is the set design, which was very austere at times, and I had a hard time finding where the $10 Million of budget went.Pierce Brosnan is at his very best in this film and this might be his finest work ever. He is unbelievably funny, and completely contrary to his usual image, does stuff like walking through a hotel bar lobby in underwear, make a rude joke after hearing about Danny's dead son and, of course, instead of the obligatory "shaken, not stirred" Vodka Martini he now drinks Margaritas, four of five of them in a row even. Julian Noble is an obnoxious, but likable character, and without Pierce Brosnan this film certainly would have lost a lot of its freshness and charm. Greg Kinnear plays Danny, a regular guy, who stands in complete contrast to Julian Noble. While he doesn't get to shine as much as Brosnan, whose role is simply better written, he does a fantastic job both as the nerdy businessman, and later the cool assistant of Julian. There is also Hope Davis as Danny's cute wife Bean and Philipp Baker Hall as Julian's handler, who appears in maybe two scenes for a total screen time of less than five minutes.Without Pierce Brosnan, "The Matador" would have been a typical independent film without any stars, but a strong script that is shown on a couple of film festivals and then is never heard of again. But instead, this film has now turned into something bigger, changing the image of Pierce Brosnan's character repertoire forever, and providing its audience with a wonderful film about a friendship that is not always top-notch, but enjoyable nevertheless.

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kenjha

A chance encounter between a salesman and a hit-man changes both their lives. This is an odd film that works, an impressive effort for writer-director Shepard. In a daringly unglamorous role that is a far cry from James Bond, Brosnan is surprisingly effective as the lonely hit-man who starts to buckle under the stress of his job, but is unable to connect emotionally with anyone to help him cope. Kinnear is equally good as the salesman, a decent fellow with a void in his life. Davis is fine as Kinnear's flirtatious wife. Mainly a character study, the film is rewarding because it feels fresh and unpredictable, an extremely dark comedy.

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