Who payed the critics

brilliant actors, brilliant editing

Pretty good movie overall. First half was nothing special but it got better as it went along.

This is a gorgeous movie made by a gorgeous spirit.

Much in the style of the later released The Cat and the Canary this movie is not as atmospheric or visual stunning but it isn't any less exciting. I would say "The Bat" is more action packed and the characters show some more depth. All of them get a proper introduction. I especially liked Louise Fazenda as the nervous maid Lizzie and Emily Fitzroy as the aunt who the previous opposite remaining calm under any circumstances never letting go her embroidery. Not to forget Eddie Gribbon as detective Anderson who finds himself pretty smart but should really get a lesson in bravery. And than there is of course the presence of the spooky bat figure. The bat logo which was shown to creep out and scare away the house guests was cleverly done and might have been the inspiration for the Batman character from the comics. The only negative thing is there is maybe too many characters which makes it hard to follow.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.This film amazing visuals, very much in a "German expressionism" style, with sets that call to mind other great silent films, including "Cabinet of Dr. Caligari" and "Metropolis". Director Roland West was a silent film master, and this may be the finest production he was ever involved with.Just as "The Man Who Laughs" inspired the Joker, one cannot help but assume this was the inspiration for Batman. A man in a bat suit who comes out at night and glides along the rooftops? There are a great many differences, of course, but the similarities are just too strong to ignore.This film is a must-see. Although remade with sound as "The Bat Whispers" (1930) and later remade again with Vincent Price, this original is well worth tracking down. (If nowhere else, it is free from the Internet Archive.)

Years ago, there used to be a toy football game, which featured little figurines of players, and a vibrating field. The vibrations of the field would cause the figures to move about, like little men running; except that, well, they were like little men running randomly, into each other or into corners or perhaps in useless circles.Unfortunately, after an extremely good start, The Bat begins to remind one of that dreadful vibrating toy. The characters to some extent move purposefully, but much of their behavior just amounts to moving about as if randomly.The film should certainly be judged in context, and the fact is that this film is very much a product of its time. Attacking it for the story that it tells and the way in which it tells it is somewhat like attacking it for being silent and in greyscale; but, after all, it would indeed also be unfair to let a potential viewer think that this movie were a treat for the ears and in glorious color.Those particularly interested the Old Dark House genre should definitely watch this film, as it is either the first of the genre or the immediate precursor. And those interested in the influences that led to the character of the Batman should also watch this film, as the Bat of the title wears a bat costume and swings about the sides of buildings with the aid of ropes, and as there is a sort-of bat-signal.Spoiler: .stiderc eht ni eil a si erehT (And IMDb's spell-checker is okay with ".stiderc"! Go figure!)

She might not have been a critic's darling, but the reading public loved author Mary Roberts Rinehart (1876-1957.) Her 1907 novel THE CIRCULAR STAIRCASE was among her most popular works, and in 1917 Rinehart joined forces with playwright Avery Hopwood to adapt it to the stage. After three years of work and much revision, THE BAT's combination of eccentric characters, spooky effects, slapstick humor and mystery took the New York stage by storm. And in 1926 it became one of the most popular films of the late silent era.The plot was clichéd even in 1920, and considerably more so by 1926--but this is actually part of the film's charm. New York is beset by a vicious killer and brilliant thief called "The Bat," whose crime spree has left police baffled. Cornelia Van Gorder (Emily Fitzroy) and her niece Dale (Jewel Carmen) have leased a mansion in the countryside, but it soon transpires that their choice has been unfortunate: the owner has died, his bank has been robbed, the money is concealed in the house... and The Bat wants it! Before you can say "It's the BAT!" there are secret passages, suspicious characters, screaming maids, and shots in the dark. According to film lore, THE BAT was actually filmed at night, the better to emphasize the gloomy atmosphere; if so, director Roland West (husband of actress Jewel Carmen) made a good decision here, for the film is memorable for its shadowy look. The miniatures of the opening scenes have been widely praised and the sets are elaborate and extremely well photographed (Cedric Gibbons, no less, was the art director of note); the costume for the elusive Bat is lots of 1920s fun; and the cast is quite good besides.The cast is particularly noteworthy for its inclusion of Jack Pickford, the wild and scandal plagued brother of silent star Mary Pickford. The combination of sound, drugs, alcohol, and sex would destroy his career before the decade ended, and although Mary Pickford certainly promoted his career he shows that his talents warranted her support. He's quite good. Most memorable, however, is actress Louise Fazenda, who chews scenery as the comically hysterical maid Lizzie--but indeed the entire cast is very fine and you find little of the broad acting style that troubles many silent films.For many years THE BAT was considered a "lost" film, but not only did a single copy survive, it proves in extremely good condition as well, and the transfer on the Alpha Video DVD release is quite good. What isn't good is the original score, credited to Paul David Bergel. Not only is it utter atrocious in terms of music, it actually works against the film, making the action feel a great deal slower than it really is. Even so, this is the long-thought-lost THE BAT, it's quite good, and you can always turn the sound off! While it isn't quite as stylish as the slight later THE CAT AND THE CANARY, to which it is often compared, THE BAT was quite an influential film in its own right and will likely charm fans of silent film. It also had a long life: not only would receive at least one major remake, author Mary Roberts Rinehart would actually rewrite the play into yet another novel--and no less than Agatha Christie would borrow a bit of the plot for the legendary play THE MOUSETRAP. Thoroughly enjoyable for fans of silent cinema.Gary F. Taylor, aka GFT, Amazon Reviewer