Very well executed

Easily the biggest piece of Right wing non sense propaganda I ever saw.

It’s sentimental, ridiculously long and only occasionally funny

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Joey Winner (Stefaniuk) leads his band with bassist Jennifer (Jessica Paré), guitarist Tyler, drummer Sam and their roadie Hugo. Their manager Jeff (Dave Foley) is incompetent. Instead of sleeping in the hearse with the guys, Jennifer stays with weird looking Queeny who turns her into a vampire. The band leaves Montreal for Toronto without her. Joey asks money from his girlfriend Susan who is jealous of Jennifer. Jennifer shows up in Toronto with a different look. Eddie Van Helsing (Malcolm McDowell) is tracking down Queenie and follows the band. The band suddenly begins to get noticed.Written and directed by Rob Stefaniuk, this has some interesting ideas. However the filmmaking is not sharp enough. It has great actors in this. I don't know how they got McDowell but I'm sure the music legends have something to do with it. I can see what this movie is trying to do. It seems obvious that this needs a music video director's touch to energize the pace. The humor isn't really that good either. The movie is just not sharp enough in any way.

Suck is a funny, unique, charmingly quirky creation from the incredibly talented Rob Stefaniuk. Character development and plot are quite exception in this semi-musical vampire rock sensitisation, a real piece of film gold. You'll want to buy the soundtrack afterwards, and possibly marry Stefaniuk. American rock band Burning Brides also added excellence to the soundtrack with their single "Flesh and Bone", Dimitri Coats's performance of this was mesmerising as was his character, he was clearly born to play a singing vampire. Malcolm McDowell was a really pleasant addition to an already perfectly combined cast, and added an equal amount of tension and hilarity. If any film is deserving of cult status then this is it; it's like The Might Boosh meets Fright Night with a dash of Rock of Ages. Do yourself a favour and watch this film!

I'll skip the review of the regular stuff and jump right to what makes this movie unique. First off, we get a parade of cameos from legendary alt-rockers We have Alice Cooper as the headmaster vampire (not far from his real life persona), Iggy Pop as a hopelessly old school studio engineer, Henry Rollins as a hilarious loud mouthed DJ, Alex Lifeson (guitarist extraordinaire for Rush) as a creepy border crossing guard, Carole Pope (80s punk icon) as a club bouncer, Moby as an arrogant rival band singer, and who knows, probably a few more I missed."Suck" relies on these cameos to give the audience a little wink. So if you're unfamiliar with these people, you might miss out. It's never too late to look them up on youtube though. There are other little inside jokes too; for example, there are a number of visual homages to famous album covers (if nothing else, you'll recognize Abbey Road). Digging deeper, there are funny ironies such as Moby playing a character named "Beef" whose gimmick is to play with raw meat on stage. In real life, Moby is a strict vegan... and it's hilariously obvious that the "raw meat" is nothing more than some strips of rubber with red food dye.A lot of this stuff comes at you fast, and even the most hardcore fans will probably miss a few gags. So don't worry if you have to watch the movie multiple times.OK, all that aside, the story itself is pretty basic but with an interesting metaphorical spin to it. As other reviewers have pointed out, it's not a movie about vampires as much as it's about the vices of success... whether we're talking about drugs, glamour, or "selling out". How far will a struggling musician go to win fame? And at what cost? That's basically the only serious part of the film, and the rest is totally tongue-in-cheek. Don't expect realism. In its place expect absurdist humor (such as the fact that nobody gets caught for murdering people in the open, or live on national radio). Again, this may be a metaphor for the fact that many famous musicians never got caught for their extravagant drug habits even though they flaunted it in public. With that in mind, "Suck" becomes a biting satire of not just the fame-seeking rock stars, but also of the mindless fans who will condone and glorify anything.I saved one of the best performances for last. Malcom McDowell plays an ominous character with a fetish for flashlights. He brings his usual larger-than-life presence to the screen but with a nice comedic air. Check out the outtakes on the DVD and you'll see that he had a great time playing the part.Even if you have no idea who some of these famous cult musicians are, you'll still find the movie entertaining, funny & interesting from start to finish. Similar films include the Australian flick "Garage Days" by Alex Proyas, "Thunderstruck" (about a bunch of AC/DC obsessed fans), and on the more serious side, "Sympathy for Delicious" which tells a great rock'n'roll metaphor.But like I said up front, this film's power lies in its ability to connect with "cult audiences" using cameo appearances to create quirky characters. In that respect I'd compare it to "Coffee and Cigarettes" by Jim Jarmusch (featuring Iggy Pop, Tom Waits, The White Stripes, etc). If you recognize at least 50% of the people I've mentioned, then don't hesitate to see this flick.

For those not into the Twilight genre of pretend vampire movies, this is an interesting film from Canada.The band sucks, and so does someone else. The second sucking will cure the first.Rock legends Alice Cooper, Moby, and Iggy Pop contribute to the fun, which also includes cartoon scenes interspersed throughout.And, what would be a vampire movie without Van Helsing. Malcolm McDowell fills that role splendidly. More yucks than gore. So, it is really a very soft R, almost a PG-13. Put drugs in a film and it overrides everything else.