the audience applauded

Better Late Then Never

In truth, there is barely enough story here to make a film.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Overwrought exercise in culture-clash, though worth-seeing for Chris Menges' distinguished, sometimes showoff-y cinematography and for Barbara Hershey's gritty portrayal of a backwoods matriarch living with her clan in the bayous of Louisiana. New York journalist Jill Clayburgh, researching her family origins, takes hell-raising daughter Martha Plimpton with her down South, meeting cousins they never knew about--and a way of life far removed from their own. Co-written by Gérard Brach, Marjorie David, and director Andrei Konchalovsky, the film has bravura individual moments, bits and pieces which fail to parlay into a strong, cohesive whole. Nevertheless, an interesting shot at something different, although the usually-strong Clayburgh never gets her chance at a good scene. ** from ****

Barbara Hershey won Best Actress at the Cannes Film Festival for her performance in Andrei Konchalovsky's "Shy People". The movie portrays a magazine writer (Jill Clayburgh) and her daughter (Martha Plimpton) taking a trip to the Louisiana boondocks to meet a distant relative (Hershey). As the movie progresses, we learn not only about the relative's various kinds of superstitions, but also about the secrets that the great uncle held, and how they relate to some current rifts in the family.Probably the movie's best aspect is how it dignifies country people. While making it clear that these folks have some backwards notions about things - namely that the deceased man is still watching - Konchalovsky never makes them look stupid. Also, we get to see rural Louisiana (although it may have changed in the past twenty years, especially after Hurricane Katrina).If anything mildly disappointed me about the movie, it's that I didn't get to hear more about Cajun culture. But then again, it's probably best that the movie didn't lose its main focus. I would suspect that the one boy was right when he accused the oil companies.All in all, worth seeing.

This is standard hokum that pits a couple of city folk vs. some backwoods bayou dwellers.This film reminded me alot of "American Gothic",except this isn't supposed to be a horror film.Mare Winningham and Pruitt Taylor Vince have alot of fun portraying a couple of the hillbillies,and are the best part of the film.Jill Clayburgh turns in another in a string of lousy performances.Every performance she gives just seems to have a "TV movie" aura to it.There's also some great cinematography,which makes the film more interesting to watch than it deserves.

This film seems at first pretentious and then very thoughtful.It begins as a shallow magazine photographer and her daughter travel deep into the Bayou to research their family history. As they meet and establish relationships with their cousins, the story evolves into a truly haunting display of modern life vs. isolation, and the ways in which people relate to each other. Barbara Hershey is especially excellent as a tough but deeply loving widow.