Expected more

It's entirely possible that sending the audience out feeling lousy was intentional

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A forgotten B western for a fly by night poverty row outfit Rebellion is only worth remembering for being a film that had a future movie legend in the female lead. Rita Cansino later Rita Hayworth is on a mission to President Zachary Taylor to get justice for her people, the former Mexican citizens who are being exploited by ruthless Americans come over into California. Hayworth's brother Duncan Renaldo the future Cisco Kid plays the brother and now 'outlaw' leader.Taylor is as good as his word, he sends a soldier, his personal military aide Tom Keene to investigate and settle the issues. I'd say Keene went way beyond his orders with what you see here. But he's a cowboy hero and gets the job done.It's a pretty shoddy B western that if not for Rita Hayworth would be obscure and forgotten.

Tom Keene is sent to California to bring law and order just as the territory becomes a state. It seems that the Americans are running off the Mexicans from their land unjustly. Keeane ends up helping the Mexicans when their leader is killed.Better than average western is helped a great deal by the dressing the plot is given.You may have seen it before but the window dressing is such it doesn't completely seem like it. It is also on interest because it stars Rita Hayworth in one of her first roles.Worth a look. 7 out of 10

Under her real name, Rita Cansino (later 'Hayworth') had just finished 12 movies as a bit player and a dancer. Here she now has a major co-starring part (with Western actor Tom Keene) as the female lead. This movie has also been released as 'Lady From 'Frisco,' which gives you a sense of the size and importance of her role in it.Taking place in 1850, the film's theme is the failure of the United States Government to observe the Guadalupe-Hidalgo treaty, allowing evil 'gringos' to steal the herds, lands and rancheros of the native California Mexicans. We see Paula Castillo (Rita) pleading with President Zachery Taylor to bring an end to the lawlessness, enforce the treaty and restore land to her people. The overly beaming soldier Captain John Carroll (Tom Keene), who looks like he's about to burst his buttons when he sees her, is then dispatched to California to clean it up.Rita gives several more stirring speeches (in a fake sounding Spanish accent), particularly towards the end when she encourages Mexicans and 'Americans' to unite in seeking Califonia's admission to the Union. Lest we get too carried away with the script and plot, it was written by John T. Neville who also gave us 'The Devil Bat' (1940) and 'The Flying Serpent' (1946), two more 'Poverty Row' classics (?). He is credited, however, as being one of the 'writers' on W. C. Field's amazing non-sequiter masterpiece 'Never Give a Sucker an Even Break' (1941). The plot weakness is that Carroll has no army, and deals with the rebellious take over of California in an almost preposterous way-- he strong arms the evil judge and bailiff; he simply orders the false landowners out of town, and uses the Ricardo Castillo (Duncan Renaldo) band of renegade Mexicanos to finally attack the stronghold of the evil villain Harris (William Royle). This, and Tom Keene's lack of cowboy athleticism weaken the film considerably.Meanwhile, we are fortunate to see Rita in a major role before she goes back to bit parts as a dancer and minor love interest in the Three Mesquiters' 'Hit the Saddle' (1937) and Tex Ritter's 'Trouble in Texas' (1937) among many others to come. We can really see her face here before the 'painful' electrolysis (the what? -- it means killing of the hair roots by electrical current) that changed her looks forever. You look at 'Gilda' (1946) and wonder what the fuss was all about-- it must have been her hair and the way she flipped, fluffed, tousled, swung, combed and flounced it during the movie. Her dancing in 'Gilda' is either the result of poor choreography or a demonstration of why she left a a dancing career for films: she was still doing the same turns from 'Trouble in Texas'. Check her out in 'The Strawbery Blonde' (1941), 'Gilda' (1946), Orson Welle's divorce love song to her 'The Lady From Shanghai' (1947), and her famous fifties films 'Miss Sadie Thompson' (1953), 'Pal Joey' (1957) and 'Seperate Tables' (1958).Tom Keene looks good and can be really strongly stern. Unfortunately, we don't get any of 'two-fisted' action, gun play, and stunts we expect from cowboy heroes. I guess we were too spoiled by John Wayne, Yakima Canutt (often also doubling for Gene Autry), Ken Maynard and Tex Ritter. Tom would probably be better in straight dramatic pictures, though he was in many Westerns. (Was 'Freighters of Destiny' (1931) his best film?) We can see him in the controversial 'Our Daily Bread' (1934), as Richard Powers in 'Dick Tracy Meets Gruesome' (1947) and 'Red Planet Mars' (1952), and in his ultimate role, Col. Tom Edwards in one of the two Ed Woods' masterworks, 'Plan Nine From Outer Space' (1959). (The other one, of course, is 'Glen or Glenda' (1953).)Besides Rita's leading role, another unusual aspect of the Western is Duncan Renaldo playing her brother, giving a lot of his dialog in Spanish. Too bad he gets killed during the movie. We also see a wide variety of sombreros, a charge of racism lodged against Harris and his gang, and when Paula is being held prisoner by Harris's men, one says, "You don't need to worry about us, lady, our weakness is liquor," and a final montage of famous western cities and ports including San Diego, Ogden, Tucson, Oakland, Los Angeles, San Francisco, which ends with a shot of the recently completed Boulder Dam. The non-realistic working out of the plot and the weak cowboy athleticism mean that despite Rita Hayworth's starring role, the film merits only a 4.

"Rebellion" is a routine series western starring Tom Keene for the Poverty Row company, Crescent Pictures. What sets this entry apart is the casting of a young Rita (Cansino) Hayworth in the lead female role.In the year 1850, after listening to a plea from Paula Castillo (Hayworth), Captain John Carroll (Keene) is dispatched by President Zachary Taylor (Allan Cavan) to California. He is to prevent a rebellion by beleaguered former Mexicans. It seems that they are being terrorized by some ruthless Americans, following the annexation of California by the U.S. in 1848.The bad guys are led by (Harris) William Royle and his henchman Hank (Jack Ingram) who have plans to take over the Mexicans lands for themselves and drive the Mexicans away. Opposing him are a group of Mexicans led by Paula's brother Ricardo (Duncan Renaldo).Harris has installed two of his flunkies, the dim-witted and whiskey guzzling Judge Moore (Robert McKenzie) and Honeycutt (Roger Gray) as Land Commissioner. After Ricardo is killed freeing Captain Carroll from jail, the Captain takes command of the Mexicans and soon takes down the bad guys.Rita Hayworth just starting out is clearly a cut above your average "B" western heroine. She clearly out acts everyone else in the cast. She would have to wait a few more years though, for her big break. Tom Keene was a poverty row cowboy through most of the 1930s. Around 1944, he changed his name to Richard Powers and took mostly character roles under that name for the rest of his career. Oddly enough, he's probably best remembered for his final film in the cult classic "Plan 9 From Outer Space" (1959) in which (as Keene) he played a military officer. Duncan Renaldo would be a fixture in many "B" oaters of the 30s and 40s before taking on the role of The Cisco Kid in 1943.