Simply A Masterpiece

Don't Believe the Hype

Absolutely Fantastic

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

I both was and was not surprised to learn that this film was once scheduled to be helmed by John Carpenter in the 1990's, before he dropped out. While I didn't expect to hear that news, it made a lot of sense, since this seems like the sort of film that Carpenter could really sink his teeth into, and I'm actually quite sad that we never saw his version of the film.Regardless, Anthony Walker stepped in to fill Carpenter's empty director's chair, with a cast including Adrian Paul of "Highlander: The Series" fame, and Kate Nauta, known for roles in films like "Transporter 2" and "The Game Plan." And despite this being a very obvious and often-times heavily flawed B-movie, it's actually fairly well made for the most part. Though unfortunately its flaws are too great for it to elevate itself to anything beyond "average."Based loosely on the infamous "Well to Hell" hoax (a sort-of social experiment/prank in which heavily modified audio from 70's horror film "Baron Blood" was circulated with the claim that it was audio from deep underground of people being tortured in Hell), the story focuses on tormented Security Expert Thomas "Jack" Jackman (Paul), who is sent out to investigate a remote drilling facility in the Sahara. He discovers that the team working at the facility on a deep-drilling experiment have suffered many casualties, with only one member remaining- JC, portrayed by Nauta. After a series of grisly discoveries, including wording written in blood and a bizarre audio clip from deep underground that sounds eerily similar to the wailing of people being tortured, "Jack" begins to question his sanity, and whether or not the situation has a logical explanation... or if the situation is being controlled by the forces of Hell itself.The acting unfortunately is fairly underwhelming. As much as I liked Adrian Paul in his "Highlander" glory days, he's unfortunately just not a particularly skilled actor. But I will give him credit, because he is at very least clearly trying to give a good, compelling performance. And he is quite charming in the role. The same could be said for Nauta, who similarly is just not very good here, but is giving it a very decent shot. Bit parts by the likes of Amanda Douge and even director Anthony Walker are decently played, however.Walker's direction is the standout part of the film. While I have hated some of his earlier works ("An American Werewolf in Paris" being particularly noteworthy of being poor-quality), here, he gives us a very stylish, slick visual representation of the story, and I liked a lot of the touches and ideas he brought to the film. Although I will question some of his choices, including a bizarre and unintentionally funny detail during the opening sequence, in which "Jack" investigates the drilling facility, and every single one of the hanging lights is "wobbling" for creepiness-effect. It just seems forced and silly that every single light in every single shot is wobbling.The script by Walker and Everett De Roche is unfortunately the undoing of the film, and is the main factor in bringing it down a few points. Because, frankly, despite having a lot of cool ideas, it's very confused, contrived and convoluted. And it is so over-stuffed with double-crosses, tonal shifts, twists and turns to maintain a sense of ambiguity, that I ended up finding myself losing interest, since it was trying too darned hard and giving me a headache trying to follow the story in any capacity. I understand that Walker and De Roche want the film to be dripping with mystery, intrigue and have an ambiguous tone where the audience has to decide what is happening... but it's just so forced here. It feels very amateurish in how the story was constructed. Ambiguity can be accomplished with tact, class and deliberation in good films, but here, it's accomplished through poor writing and needless amounts of twists. And without spoiling anything, the final 20 minutes are a cluster of constant twists and shifts that are so overwhelming and needlessly confusing, it almost ruined the entire film for me. I also will admit that I found a recurring motif of suicide (as "Jack" lost his family when his wife killed herself and their children in a murder-suicide) to be very uncomfortable, off-putting and somewhat too exploitive for the film. (Though this could just be my gut reaction as someone who is dealing with the recent suicide of a friend.)And unfortunately, that script drags down what would have been an otherwise pretty good, decent film down to the score I am giving it- a very average and sadly underwhelming 5 out of 10. I would still say that horror fans should give it a shot, because the direction is very good, and there are things to like about it, but the sloppy script holds it back from achieving its full potential.

Well, well, a movie based on the infamous "Well to Hell" hoax of 1989. The title "Nine Miles Down" is based on the English depth of the hoax well (14.5 kilometers) down. Allegedly in the Hoax a Soviet geological expedition bored a hole through the earth's crust, lowered a microphone and recorded the screams of the damned in a literal Hell (the recordings to back the hoax were matched to the torture chamber scene of Mario Bava's Italian horror film "Baron Blood"). In real life, there was the Kola Superdeep Borehole that was abandoned at a depth of eight miles. Fahrenheit 360, the temperature at which Soviet scientists gave up boring at Kola.So here I am finishing this movie on Chiller channel out of -- boredom? expiation of my sins? nah, boredom. This movie reminds me of "Event Horizon" set in the Sahara. Excruciating at times, promising at others. Watching it with commercial interruptions detracts suspense so my opinion is guarded. I must admit I have seen much, much worse. The movie is basically a two character study, from the hallucinating (maybe possessed) mind of a security officer sent to investigate a remote rig and finds a single survivor, other crew dead in the freezer (a dead giveaway something's wrong), a well where screaming voices may / may not be heard, and growing suspicion of the survivor, a woman who reminds him of his wife who committed suicide. The actress does a good job of portraying different personalities -- distraught survivor, calculating succubus -- as the plot POV demands.I watched it, I have wasted time on worse, but I don't intend to save a copy.

This doesn't even live up to the promise of the picture on the DVD cover. There's nothing about "9 miles down", except some fumes coming out of the drill hole. There's practically nothing about Hell. There isn't even a drilling rig crew. Conveniently, they went missing in the desert, thus saving the cost of hiring actors. We mainly see only the same man and woman throughout most of the movie. We also see the desert. The man requested backup, and I was desperately hoping someone else would come to add a little variety. Unfortunately, nobody else came until the end of the movie. This is a "psychological thriller," only because both the man and woman are completely irrational. There's so little to this movie that I have no idea what they spent the millions of dollars on.

I'm tempted to give this a higher rating than I think it deserves simply because of some of the hate I'm seeing in the reviews. No, this isn't a blockbuster and it won't win any awards but as a B-movie it works well enough. The acting and story are decent and the theme is intriguing. Namely, is Hell a real place or something we create in our own minds?My main complaint is about the nudity. I lost count of how many times the male star's butt was on-screen, sometimes for several seconds. At least there was a very brief shot of the female star's behind as some recompense but it was too little too late.In short, this isn't an action or even a real horror film and it can be confusing, but in the end I liked it. Compared to a lot of junk I've had to pay to sit through at theaters, this was worth a viewing.