Shaft's Big Score!
Shaft's Big Score!
R | 08 June 1972 (USA)
Shaft's Big Score! Trailers

John Shaft is back as the lady-loved black detective cop on the search for the murderer of a client.

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Reviews
Contentar

Best movie of this year hands down!

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Spoonixel

Amateur movie with Big budget

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Huievest

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

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Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Falconeer

Richard Roundtree reprises his role as John Shaft, in this very respectable sequel to one of the greatest urban crime thrillers ever. The story is actually nothing new or spectacular; it's a standard 'cops go up against the mafia' story. But the script isn't really the draw here. It's the 70's; the clothes, the cars, the music, the incomparable "coolness" that made the first film so great. This one succeeds largely because they didn't stray from the formula that made the original a success. We have the same director, the same writers, and the same actors reprising their memorable roles. Director Gordon Parks makes full use of the super-wide lens; 1970's New York City looks absolutely magnificent in the 2:35 aspect ratio, as do the action packed, and blood drenched shoot-outs, and especially in the big finale. Featuring a classic shootout in a cemetery, followed by a manic car chase on the Cross Bronx Expressway, complete with pursuit by helicopter!. There's nothing more awesome than a 70's car chase sequence , and the action here is handled superbly. In fact this is one polished, sleek production, and it's pretty obvious that it had a larger budget than the first one. Sometimes that actually hurts a sequel, when it's more flashy than it's predecessor, but this one doesn't suffer that fate. Obviously a lot of the budget went towards the action effects. Those bloody gun shot wounds were among the most realistic I have ever seen. "Shaft's Big Score" is a must-see for fans of the original, and of 70's crime films in general. John Shaft is a truly iconic movie character, and it's a pleasure to see him on screen again, kicking bad guy ass and cleaning up the streets of New York. After seeing this one I'm really looking forward to "Shaft In Africa."

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utgard14

Shaft (Richard Roundtree) investigates the murder of an old friend and finds himself in a war between mobsters and pimps. OK blaxploitation sequel isn't as good as the first film but is still entertaining. The plot seems like something taken from some old private detective movie from the '40s and updated to the gritty '70s. Director Gordon Parks also does the music for this one. It's not bad but not as good as Isaac Hayes. My favorite scene is the one that goes back & forth between the sexy dancers in body paint and Shaft getting his butt kicked in slow motion backstage. Overall, not bad but not particularly memorable. Shaft is still cool and there are several sexy ladies and lots of colorful dialogue. It will keep you entertained throughout.

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raysond

"SHAFT'S BIG SCORE"-(MGM,1972)-Reunited the same team that had put together the box-office smash,Oscar winner for Issac Hayes-Best Musical Score,"Shaft",worked on this sequel which came during the summer of 1972 and the results were another power packed installment that delivered on the first one,this time around with a lot more action-packed scenes and again the presence of its star,Richard Roundtree,together with the direction of Gordon Parks,the script by Ernest Tidyman,based on his novel,and Produced by Sterling Silliphant and Roger Lewis. The only thing that was lacklustering and kinda of disappointing with the musical score that was missing from the great Issac Hayes,who composed a few of the songs from this film. With some of the performances that are completely contrived,this is still a well-paced,fast action thriller and finely tuner actioner that involves our hero John Shaft going up against the mob--again and this time the story involves a missing loot,and a friend of Shaft's turning up dead leading to Shaft to go after the missing loot and taking on the mob which features a chase through not only the streets of Brooklyn and Harlem but through Brooklyn Harbor involving cars,boats,and helicopters. Look out for Gangster Moses Gunn,who was in the first installment is also around to give our hero some difficulty and add chaos to the problems. Rated R. Running Time of 107 minutes. ***1/2 stars."SHAFT IN AFRICA"-(MGM,1973)-Would be the final installment in the SHAFT series-just before Richard Roundtree would move on toward television land as the star of a short-lived series that premiered on television that same year. This time around Sterling Silliphant would penned the script based on characters created by Ernest Tidyman,and produced by Roger Lewis,and this time around,Gordon Parks takes leave of the SHAFT series and it is under the direction of John Guillerman(who would strike gold the next year along with Sterling Silliphant for the Irwin Allen disaster epic "The Towering Inferno")with music provided by Johnny Pate and songs by Motown legends The Four Tops. This one lack badly due to the absence of Parks,and Tidyman behind the wheel. The heart of this project was a disappointment from the start of this film since some of the scenes are very sluggish and there nothing more than flashy entertainment that runs a length time of 112 minutes. The story has detective John Shaft leaves the ghetto to uncover a slave smuggling ring in Africa. From there he discovers that men and women of the Ivory Coast are being carried-off to France as cheap and illegal labor. Of course,Shaft smashes the slave ring and even ends up with a beautiful maiden(Vonetta McGee)and takes out the main villain(Frank Finlay)behind the organization. Very tiredsome film throughout since this was filmed in locations throughout parts of the Ivory Coast and Ghana in West Africa and France. Rated R. Running Time of 126 minutes. ** and 1/2 stars

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Agent10

Man, did this film stink! It's obvious this film helped spurn Hollywood's need to churn out tired sequels to appeal to the masses. First of all, it came out too quickly, and second of all, it just didn't have the same hipness which made the original film so successful. No new ground was broken, and it turned into a rather mundane effort.

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