recommended

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

It is both painfully honest and laugh-out-loud funny at the same time.

The best films of this genre always show a path and provide a takeaway for being a better person.

This film comes much earlier than Out of the Past but both show keen detailing for their times' social, political and gender realities. Excellent depiction and good camera-work of industrial security and espionage of the day. After the opening action sequences, during which Walter Pigeon's Nick Carter establishes himself with the audience, we're treated to a series of well executed short scenes of 1939 high-tech. Technology shown as integral to the future/the coming war. Transitional image of women--on the one hand Rita Johnson's character flies an airplane in an emergency and we see the looks of pleasure on her face as she experiences her own competency. But when she lands the plane, "of course," she's overwhelmed and faints (we don't see this, we're just told). A few years before Rosie the Riveter.A B film--these films were the television of the day--but just like T.V. today, up to 20% of them were well worth watching. And not always because of their plots, paranoid fantasies full of plot holes that they are. Some are actually interesting cultural windows onto the recent past. This is one.

Based on the popular Nick Carter pulp stories, this detective B movie should have been a real winner with Walter Pidgeon as Carter and a host of excellent character actors. But instead it's only average. The movie takes place a couple of years before America entered WWII and involves a plot to steal blueprints for a new aircraft design by foreign spies from an unnamed country (duh, maybe Germany?). There is an attempt to bring humor to the film with the role of Mr. Bartholomew, the master beekeeper played by Donald Meek. While the character is occasionally amusing, he is just as often irritating. What was nice was the Rita Johnson role of the stewardess/nurse who actually helps Carter in his investigation. While this is good enough that it makes one want to see the other two entries in the Nick Carter series, it is not in the top tier of B detective movie series entries.

Tourneur's first feature was basically a B-movie, albeit made for slick-but-superficial MGM; at a mere 60 minutes, it is eminently watchable and, given the film's modest reputation, it proves surprisingly enjoyable. Watched after the same director's CIRCLE OF DANGER (1951) and the somewhat similar ROUGH SHOOT (1953), this provides yet another connection to Fritz Lang's MAN HUNT (1941) in leading man Walter Pidgeon.The central figure was a popular crime-fighter in print, debuting in 1886 and reportedly involved in over a 1,000 cases before transferring to a 12-year stint on the radio between 1943-55. However, only 3 films were ever made and, bafflingly, they all turned out to be based on original scripts (since such characters' exploits were, in any case, being updated to the prevalent wartime aura – for instance, the contemporaneous Sherlock Holmes series); incidentally, I just found out that the second one, PHANTOM RAIDERS (1940), was also directed by Tourneur! Anyway, the narrative here involves secret aviation plans being leaked to the enemy that climaxes in a far-fetched chase sequence involving a plane and a speeding boat.Apart from leading lady Rita Johnson, the rather-too-jovial star is ably supported here by the likes of Henry Hull (already playing eccentric old types!), Stanley Ridges (type-cast as a villain), Martin Kosleck (ditto) and Donald Meek. The latter's hilarious characterization, of an improbably zany private eye, seems to have dropped in from another movie altogether: keeping bees as a hobby but constantly getting into the hero's hair, he even ends up deposited in the trash-can!

The radio version of Nick Carter Master Detective was part of the Sunday afternoon line-up of shows on old time radio. Lon Clark, as Nick, was not the hard boiled private detective that radio audiences were used to hearing. With the help of his assistant-secretary-girlfriend Patsy, he solved the cases much like Sherlock Holmes, relying more on deductive reasons than physical action. The program's long time sponsor was Old Dutch Cleanser. Airing in the early afternoon, it wet the appetites of mystery lovers who were waiting to hear the adventures of Sam Spade, the Shadow, Official Detective or Martin Kane, Private Eye, which preceded Nick Carter on another network.