Beautiful, moving film.

Bad Acting and worse Bad Screenplay

Admirable film.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Just watched this early Bob Hope picture made before his established movie personality of a cowardly hero was ingrained in the minds of the public. Here, he's a rich man who believes he's dying due to...well, just watch the picture. Anyway, Martha Raye is also in this. Both of them are engaged to a someone neither wants to marry so they decide to wed each other. Oh, and Andy Devine is also here as someone who really likes Ms. Raye. Let me just stop here and just say that I found the whole thing quite funny and the fact Preston Sturges was one of the writers may have had to do something with it. There's also a game supporting cast involved. So on that note, I highly recommend Never Say Die.

Wealthy hypochondriac Bob Hope is visiting a European spa called Bad Gaswasser, taking the waters and hiding out from gold digging widow Gale Sondergaard. Meanwhile, Martha Raye has been dragged to the same locale by her nouveau riche Texan dad, who wants her to marry prince Alan Mowbray, who is broke and seeks a large dowry. Martha, however, has her heart set on hometown pal Andy Devine, who also shows up….The script and the cast are very funny in this fast-paced comedy that barely slows down for a couple of really sweet moments between Hope and Raye (who are both excellent). Among the best moments are an opening sequence showing a scientist in a water processing lab mixing and testing the "natural hot mineral springs" water that Bad Gaswasser promotes; poor Sig Ruman as the hotel manager who can't quite figure out what's going on with guests Hope, Raye and Devine; and Raye, blindfolded, mistaking a friendly bear for Andy Devine ("Why, Henry, how dare you take your shirt off!"). Monty Woolley is hilarious in a bit as a doctor who mistakenly receives a dog's test results instead of Hope's and thinks he's discovered a rare case that will make him famous: "With your acidity," he exclaims, "you can digest bones!" Sondergaard is also wildly funny as the former Olympic sharpshooting champion whose husbands tend to die suddenly. In fact, with this cast of crazies, it's fair (if odd) to say that Hope and Raye essentially play the straight roles in the picture—although both, of course, get in their share of funny moments, too. It's extremely light and it goes by very fast. Good fun.

This early Bob Hope feature is very funny, and quite charming in its own particular way to boot. Of Hope's more frequent leading ladies in film, I have always found his teamings with Martha Raye to be the most satisfying, possibly because Bob and she seem to feed off each other in a way his other regulars (Paulette Goddard/Lucy/Dottie) didn't. Perhaps it has something to do with their vaudeville background. Anyway, both Bob, and particularly Martha, are far more subdued in their roles here than usual, and Never Say Die benefits enormously as a result. (Perhaps in the case of Hope this is due to the fact that this film comes so early in his screen career, before his on-screen persona of the egocentric and cowardly would-be ladies man was so firmly established). Their characters of John Kidley and Mickey Hawkins here somehow have a human dimension which is usually lacking in the usual Hope or Raye portrayal (no matter how enjoyable), and the warmth of the romantic scenes between the two in this picture is something which in my opinion is unique, never repeated by either of them in any of their other film work again.There are other aspects of Never Say Die which have always made it one of my favourite Hope pictures...Gale Sondergard as a man hungry widow, Monty Woolley in a small role as an ambitious medico, Andy Devine as Martha's intended, and especially Sig Rumann as Poppa Ingleborg in some hilarious scenes at the hotel. Also Preston Sturges involvement in the script does show. And has already been noted elsewhere, fans of Danny Kaye may be interested in viewing this picture if only to see an earlier (and one must admit less successful) incarnation of the "flagon with the dragon" routine from The Court Jester.

This supposedly light-hearted romp through Switzerland seems more like spending the weekend at Berchtesgaden with Adolf and Eva.This is quite a surprise when you consider that the script was co-authored by Preston Sturges, and that the cast includes Bob Hope and Andy Devine. I only have to imagine Andy saying "Wild Bill" in that puberty-stricken voice of his, and I laugh. Unfortunately, this is not the old Wild Bill Hickok show.The next Preston Sturges project to misfire as badly as this one would probably be The Beautiful Blonde from Bashful Bend in 1949, with all of those masterpieces still to come lying in between.The film has one interesting sequence, the duel scene, which contains this dialogue: "There's a cross on the muzzle of the pistol with the bullet and a nick on the handle of the pistol with the blank." When you hear this in the movie, said with the proper rhythm, you will recognize it immediately as the "chalice from the palace has the brew that is true" bit in "The Court Jester" with Danny Kaye from 1956. I suppose Melvin Frank and Norman Panama knew a good idea when they heard one and helped themselves. Or do both scenes derive from an even older vaudeville routine?