Simply A Masterpiece

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The first must-see film of the year.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Is there a connection between these shorts? Do they take place in the same universe? No. Do they share a theme? No. Are they all sci-fi? Well, two are, but the first one isn't. The first two take place at night, but the last mostly during the day. Nothing on the surface is shared, although they each have a similar style and sense of imagination.There's not much to say about this short movie. The stories are quite simple, although one is silent and vague. They're just quick glimpses into other worlds. But I liked each one of them. They're interesting, mysterious, and well-animated. There are better anthology films, but this is perfectly fine for a watch. If it interests you, give it a shot. There aren't too many movies like it.

Neo Tokyo is an interesting, often surreal work of anime. It covers two rather dark science fiction pieces through the framework of a young girl's imaginings. Each piece was made by a different filmmaker, making for very different animation styles and narrative approaches.The first piece "Labyrinth-Labyrinthos" is frankly surreal, and follows the daydreams of a young girl and her cat as they look into a mirror. The short is very imaginative, with borderline psychedelic imagery. Overall, it's a good piece, though the animation is at times headache inducing.The second short, "The Running Man," has a much more obvious narrative structure, although very little dialogue. Following the story of a futuristic race car driver with some interesting abilities, it represents a 180 degree turn from Labyrinth. The animation is excellent, with very realistic and at times disturbing renderings of car accidents. However, the lack of dialogue in this short makes it somewhat difficult to follow, a matter compounded by the fact that parts of the film are dream sequences.The third, and best, piece is "Order to Cancel Construction," which follows the attempt of an executive to shut down a robotic construction site. The robots, which have been programmed to follow a rigid schedule, defy the executive. What makes this piece good is the subtle irony that the executive ultimately becomes as single-minded in his task as the robots are in theirs.Ultimately, this film is good, although not great, and worth a rent.

So here's what you wanna do: get about ten people together and rent Heavy Metal and this. now your friends will have already seen Heavy Metal, but it's a safe bet they haven't seen Neo Tokyo. watch Heavy Metal first, it'll get them in the mood, and the right frame of mind for the second course. pop in Neo Tokyo and just watch as their jaws drop! it's a one-two punch that they'll not soon forget!one friend I did this double feature with hadn't seen either. needless to say, he's been catatonic since ;)

Before X, before Vampire Hunter D: Bloodlust, before Akira, there was Neo Tokyo, a fine blend of high-end animation and artistic expression, as well as experimentation. This is far from the typical "big eyes, small mouth" anime with big guns, big robots, and girls with big, um, "talents". In other words, this is not your younger siblings' anime.The first selection, "Labyrinth" by Rin Taro, is a child's imagination run wild. If Cirque de Soleil was animated, it would be this. A little girl and her faithful cat cross over into a bizarre world via a mirror and are entertained by a mime-like clown, a traveling circus, and a surreal world of high walls and mindboggling imagery. Much like the imagination of a child, this is not a short to be analyzed, picked over, and dissected. "Labyrinth" is meant to be simply enjoyed. Other than the basic storyline, the short bounces around at a moment's notice from one scene to another and doesn't seem to fit together at all, but in the end it does. This piece is what I like to call "moving artwork". Several of the scenes could be plucked from the screen and hung on a wall.The second short was a favourite of MTV's "Liquid Television" in the early 90's. Yoshiaki Kawajiri's "The Running Man" tells the story of a driver who has been surviving death-defying form of racing for ten years. It's a brilliant accomplishment and unfortunately, one that's been wearing on him, since other drivers are dead in a year. A reporter begins covering the driver's unstoppable career and accidently discovers why this man always wins. Finally, the stress of tempting death night after night breaks him and in an instant, all hell breaks loose. The design of the characters is very realistic, atypical for early to mid-80's anime. The speed and look of the racing vehicles is fluid and the piece is never boring, even sticking around with you after the very end. Despite the morbid nature of this short, I honestly believe that "The Running Man" should be part of Speedvision's Lost Drive-In collection.The finale could easily be subtitled "The Akira Experiment Project". Three years before he would reshape the world of anime forever, Katsuhiro Otomo wrote and directed "The Order To Stop Construction", the tale of a hapless Japanese executive sent to shut down an overblown project in a tropical rainforest powered by robots and void of humans. Unfortunately, what stands between him and his orders is a foreman robot on a strict work schedule that it is hellbent on keeping, so much that the last human sent to supervise the place has disappeared without a trace. Despite the fact that the worker robots and the machines they operate keep exploding day in and day out, the foreman is convinced that if the others work just a little bit harder, it can meet the ever important deadline and nothing is going to stop that, including the human sent out to do so. Every element of "Akira" can be seen here, from character and vehicle designs to pipe movements and mud bubbles. It's like watching a mini-version of "Akira" without any psychic goings-on. Also like "Akira", "The Order To Stop Construction" is also a bit of social satire, making fun of the important and somewhat overbearing work ethic of the Japanese. My only complaint is the dubbing. The original Japanese language with subtitles would have added a bit more to this instead of the weak English voice-acting. This short would have been a fun addition to the "Akira" special addition recently released, as well as an important one.This fine, yet brief, collection of mid-80's animation from Japan is definitely worthy of DVD consideration and it's a shame that it hasn't received one as of yet.