Too many fans seem to be blown away

brilliant actors, brilliant editing

Beautiful, moving film.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Few movies ever measure up to the books they're based on, and sometimes the only safe way to judge a literary adaptation is on its own terms, as if the source material never existed. Which makes the screen version of Richard Wright's celebrated novel — faithfully set in 1940 Chicago — a curiously dated social artifact. It demands a little mental arithmetic to update the story, about an angry young ghetto black who, in a moment of fear and desperation, accidentally suffocates the daughter of the wealthy, white family for whom he works as a servant. The issues of black and white are rightfully shown to be shaded with gray, but the production may be too slick for its own good. The film might have worked better had it been more harsh and controversial, more willing to disturb the complacency of self-satisfied viewers who, like Elizabeth McGovern's character, seek to prove their open-minded color blindness by their condescending ignorance of the wide gulf separating the two races. A talented, high profile cast is enough reason to recommend the film.

Hey look, deal with it, there are much better portrayals of the hardship of black America than this. Although I think this story is weak, my criticism is focused on the poor execution of the story, which I have mentioned, blows.This was made in the mid-80's and is horrible in the music/score department. It's funny to see Oprah as a latter-day crack-whore type.The scene where Bigger stuffs Elizabeth McGovern into the incinerator. Pure classic cinema. First off, I don't care how drunk you are, you will react to 1200F degree flame (no matter how bad your acting). But they really milked that scene...it was comical. I'll tell you what though, I had great satisfaction in seeing Elizabeth McGovern burn in a faux death; she annoys me.

Bigger is a teenager who is so poor he and his mother must share a bedroom in an apartment that appears to be falling apart, and they don't have enough money to eat well. When they get out of bed, two other hidden children pop up from under the covers--Bigger's sister sleeps with her mother, and his brother sleeps with him, and the males must turn around while the females get dressed. To improve their situation, Bigger's mother knows of a great opportunity for him and hopes he will finally get a job he can hold on to. If he doesn't, things could be even worse (at least they HAVE a home now).Bigger goes to be with his friends when he should be interviewing for the job. He lets them know he will NOT work for the white man. Yet he does finally show up at the home of a rich family, and immediately turns into what his friends would likely call an Uncle Tom--not Stepin Fetchit, but respectful and polite.Everything appears to be going well for a while, but then something quite terrible changes the situation drastically.Oprah Winfrey came across quite convincingly as a poor black mother. This was in the days before she became a superstar talk show host. I won't say it's too bad she was successful in her best-known career, because she did so much good, but she could have been quite a fine actress. Victor Love was good as Bigger, primarily because Bigger had to be so convincing in order to keep his job. A great performance came from John Karlen as a defense lawyer (yes, someone needed a lawyer).This was an African Heritage Network Monthly Movie Classic. It wasn't as good as some movies selected for this honor, but it was pretty good.

Synopsis: A young black man from the poor streets of Chicago, gets the opportunity of a lifetime working as a chauffer for a wealthy family. But in an effort not to jeopardize his first day on the job, something goes horribly wrong leaving him responsible for a murder.The Review: Richard Wright's novel is an intense depiction of one man, trying to protect and better himself, whose own self is unwillfully brought into something he just gets into deeper. The book itself is five hundred pages and broken down into three separate novellas. One chunk of the book is exclusively devoted to a lawyer's speech about racism, that was completely excised from the film. The film, in a manner of speaking, is relatively different because it's compressed all the information. The film lacks the spark the book had as well as the impact. Not much sympathy can be said for any of the characters because their development just isn't strong enough. It's a distorted film that doesn't have any strengths to it, and the climax at the end, is really broken down to nothing more than just a series of edited scenes and voiceovers. If you love the novel, and want to see the film, just stick with the novel, because they simply aren't the same. Grade: C-