It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Story: It's very simple but honestly that is fine.

Rosalind Russell got her first trip to the Oscars via her performance as the sensible Ruth Sherwood who wants a career as a writer, but has to worry about looking after that other sibling of her's who moved with her to New York from Columbus, Ohio, My Sister Eileen.Imagine if you will a story where the heroine's wise and wisecracking best friend is the lead character and you've got My Sister Eileen. In most films Russell's character would be played by Eve Arden, but here what makes the film original is that the normal supporting role is the lead. As good a job as Russell does, I kind of wish Harry Cohn had thought of Arden for the lead.The Sherwood sisters move from Columbus to make their mark in the big city and in one respect New York hasn't changed. Housing is pretty tough to come by and the sisters have to settle for a basement apartment in Greenwich Village. The apartment is owned by George Tobias, part time artist, and full time lech. But with Janet Blair as Eileen, he's just one of many.Most of the action takes place in the Sherwood apartment where people just seem to come and go like it was Grand Central Station. Russell's wit and intelligence might scare off some people, she interests Brian Aherne however who works at a magazine she's trying to land a job with.As for Blair she wants to be an actress and her obvious charm and naive sex appeal have the men swarming around her. This part was Janet Blair's first big break on screen and made her career.Rosalind Russell in getting a nomination for Best Actress got the only Oscar recognition the film received. Roz was up against one tough field. Her's was the only comedy performance in a field that included such heavy dramas as Katharine Hepburn in Keeper Of The Flame, Bette Davis in Now Voyager, and Teresa Wright in Pride Of The Yankees. The winner due to the times as well as her acting was Greer Garson for Mrs. Miniver. Given the war, I don't think any of these other ladies had a chance.In her memoirs Rosalind Russell said that Ruth Sherwood was the first of her career woman roles, parts by the way she loved to play. I think she might have forgotten Hildy Johnson from His Girl Friday, but it's possible she thought of Hildy as an anti-career woman because what she wanted to do was leave the newspaper business and marry Ralph Bellamy. Ruth Sherwood on the other hand wants to get a career going.My Sister Eileen is a timeless classic, it could probably be remade today with few enough changes. Russell in fact did it on Broadway in the musical Wonderful Town. She may have failed an Oscar, but she got a Tony Award for the part.Can't you see Jessica Simpson as Eileen Sherwood? I wonder why no one's thought of it.

Ruth McKenney's series of autobiographical articles about siblings from Columbus, Ohio relocated to wacky Greenwich Village was initially turned into a play before this movie version (it later went back to the stage as the musical "Wonderful Town", winning a Tony award for Rosalind Russell), and in 1955 was filmed again as "My Sister Eileen" with the songs. Russell appears here as Ruth (the smart, savvy sister who longs to be a writer) and Janet Blair is sister Eileen (the pretty blonde with hopes of becoming an actress). They move into the noisiest hovel in New York, with a steady stream of foot-traffic and neighbors who barge in without knocking. Some of these characters are colorful, though the comic craziness is pitched a little high, and everyone overacts (cheerfully). Russell (who got an Oscar nomination for her dryly bemused performance) sports an awful potato-chip hairstyle which must have been all the rage in 1942; her double takes and facial exaggerations are often very funny, and she plays well off Blair (they take turns playing the jester and the straight-face). Is it ridiculous and over-the-top? Absolutely. But when the results are this friendly, it's useless to complain. **1/2 from ****

ROSALIND RUSSELL was always at her best in comedies and here she had a role that got her an Oscar nomination for Best Actress in 1942--and it's easy to see why. She's downright hilarious as the gal from Ohio with writing ambitions and a pretty blonde sister (JANET BLAIR) with a penchant for attracting men and trouble.All the wacky situations stem from their Greenwich Village basement apartment which seems to have more visitors than Grand Central Station. It's all exaggerated fluff, but it works, thanks to a fine cast and sterling performances.RICHARD QUINE and GORDON JONES do repeats of their Broadway roles, and DONALD MacBRIDE as a policeman who wants quiet on his route is hilarious. JUNE HAVOC makes a brief appearance as a medium who used to live in the girls' apartment. GEORGE TOBIAS, as the opportunistic landlord with the Greek accent, is at his funniest in a colorful supporting role.My favorite moment is the conga sequence with Russell and Blair trying to get rid of sailors who don't speak a word of English, creating a disturbance that lands Blair in jail. Janet Blair is pleasant as the blonde bombshell but it's Russell who milks the most out of her role and gets all the laughs. She's terrific.BRIAN AHERNE does what he can with the role of the talkative editor, but it's not much of a part. Still, he adds a certain debonair charm to the role.Summing up: Notable chiefly as a terrific vehicle for Russell's unique brand of comic talent.

I saw it this evening and just had to say something. Of course, this play must have been fun...and at times you realize that the use of very few settings is kind of familiar. And so it had been a play and some of the supporting characters were in the original Broadway play.But this is Rosalind's vehicle all the way. And she was rightfully nominated for an Oscar. It is the kind of performance that just sparkles. Her timing is positively impeccable. Everything she ever did had that unmistakable charm and flawless comedic timing that always makes you wonder if there is any other way to play a scene! There are many romps in this lively comedy and none is played to staleness. Not even the grand finale which I really shouldn't spoil because it came out of left field for me! I would have never ever expected it to end like this! Suffice it to say that I was literally jolted - as if something that didn't belong suddenly intruded into the movie. But it was a fitting if not slapstick ending that will bring a chuckle and a gasp to everyone.See it! It's fun!