Excellent, Without a doubt!!

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

One of the most extraordinary films you will see this year. Take that as you want.

I love Neil Simon's work; George Burns- one of the funniest straight-man of all time; Walter Matthau among my favorites- How could this all-star lineup finish in last place?The opening scene of the pigeon standing on George M. Cohan's statue is the best part of the movie.The rest is worse than crash and burn, it's burn the whole way down before crashing into nothingness.

Modern day viewers probably won't catch much of a buzz watching this film today. I was a fan of the principals during their heyday and George Burns is one of my all time favorites for his understated style and whimsical humor. He was the perfect foil for Gracie Allen's zany temperament.However I had a bit of a problem with this picture because of Walter Matthau's characterization of Willy Clark. It just seemed too heavy handed for me since Willy and Al Lewis (George Burns) worked together for forty three years, and you'd expect that they would have developed a more amiable rivalry in their relationship. Say along the lines of Matthau and Jack Lemmon in "The Odd Couple". I was expecting at some point a genuine show of affection between Willy and Al but it just didn't materialize until the heart attack, and even then it seemed pretty one sided with Burns' character.Through it all, there was some good material buried under the dialog that would have seemed more clever with an upbeat delivery. I never thought about individual letters of the alphabet being funny or not. In it's way, the business about the letter 'K' was rather inspired, and the apparent random shuffling of the chairs in Willy's apartment looked like the ex-vaudevillians were improvising; I wouldn't be surprised if they were. If only the film makers had lightened things up a bit, I'd offer an extra dollar on the toll bridge to watch it again.

Willy Clark (Walter Matthau) and Al Lewis (George Burns) used to be a famous vaudeville comedy duo. Agent Ben Clark (Richard Benjamin) struggles to help his grumpy absent-minded uncle Willy. ABC wants to do a variety show of comedy history and they want both Lewis and Clark. They can't stand each other and haven't seen each other in 11 years. Al has been living the quiet life with his daughter in New Jersey. Ben needs to convince them both to reunite for just one night.I find Willy Clark more sad than funny. He is super grumpy and his bitterness doesn't make it easy to like him. He needs more loveability. It takes away from some of the comedy early on. George Burns is funnier. He's so deadpan. I love the Ah-stick. When the two of them get together, they are hilarious. Matthau's grumpy old man and Burns' biting remarks fit perfectly. The duo is a comedy master class. Their rehearsal together is comedy insanity. The movie with them apart isn't quite as funny.

A film where senility actually becomes a riot to view. Walter Matthau and George Burns played vaudeville stars of the past asked to reunite in a television sketch despite the fact that they can't stand one another.Ably assisted by Richard Benjamin, who plays Matthau's nephew and manager, there is non-stop hilarity as both aged men show their senile ways, but with perfect comic timing.Another reason why the film was so good was because reality sets in at the end when Matthau falls ill.George Burns was rewarded with a supporting Oscar for the role of Al Lewis, the part was to be played by Jack Benny, before he fell ill in real life.This is certainly an ode to a bygone era.