In truth, there is barely enough story here to make a film.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Although just a decade ago, Anthony LaPaglia was a wild guy in movies, not the subdued leader of the hit TV program "Without A Trace." He usually played very profane guys, too. That's certainly the case here in this film which I've always seen labeled "Bulletproof Heart," (not "Killer").Actually, all four lead actors in this movie were interesting: assassin LaPaglia, love-sex- interest Mimi Rogers, comedians Matt Craven and Peter Boyle. The latter two play comedian-types, I should say. Craven is particularly funny in this movie. Rogers is here mainly to show off her huge breasts. She shows them off particularly in a bondage-type scene that is a bit sick. (This movie isn't exactly The Sound Of Music, morally-speaking. It's pretty sleazy.)The film has a good mixture of drama, humor, sex, violence and suspense. However, it also is a good example of Hollywood's depravity, pagan views and fatalistic viewpoints. Seeing more and more of that with my second and third viewing of this , my rating went lower and lower until I finally canned this from my collection. It's just too sordid.....but, for the first-time viewer, a real eye-opener which keeps your attention.

It has been a while since I've seen this movie. But I have some recollection of what goes on in it. Basically, a hit-man (Lapaglia) is given his next assignment, a woman(Rogers) who has stolen from the mob. But when they meet he finds that she is expecting him and prepared for the inevitable. She seduces him and he ends up falling for her and so finds it hard to complete the assignment. What follows is (what I think) a crisis of conscience for Lapaglia. Rogers is stunningly seductive in this and seems to relish the sexy role. This is a movie that made me stand up and take notice of Rogers and I would recommend you see it just for her performance. There are too other main carachters in this. The guy who gave the assignment and a bungling idiot of a "friend". But I do not want to give away too much as there is an interesting and major twist near the end involving one of these people. For what I would describe as a psychological drama, the acting is very understated and, considering the title, action seems to be kept to the minimum required. But it is a thinking person's film. For me it was more about a crisis of conscience, because even though he develops feelings for the woman he's supposed to take out, he is from an emotionally detached world and may never have known true love. But somehow she got inside his head. And there is an issue that she may want the inevitable to happen but he has developed a fondness for her. I enjoyed this film. It is thought provoking. My judgement: see it and make up your own mind.

Hitman Mick is approached by small time mobster George to do a rush job that night on a woman (Fiona) who has stolen a lot of money from various people. However when Mick arrives he finds that she is not only expecting him but is ready to be killed. Mick is enticed by her and starts to get to know her – falling under her mysterious spell and eventually finding what he feels is love in his otherwise dead world. However the time must come.This film is very stylish. It begins with a `hit' that is slow and quiet while `love is all around' plays in the background. This style stays with the whole film as it manages to feel both stagy but also be a cool and slick piece of film. The problem is that this style isn't fully carried into the plot or the characters. While the story of a hitman falling for his victim or finding love isn't new I still want something more than the usual.This is too straight forward and expects us to make huge leaps way too quickly in the film. The slick direction almost helps to conceal this – but not quite. The lack of character development in the two lead roles also weakens the film. LaPaglia can stare into the distance and act detached all he wants but his sudden fall into love is not easy to swallow at any point. He almost manages to hide this by `looking deep and lost' but not totally. Rogers swings from bubbly to scared to ready every 5 minutes and we never get to go beneath the surface with her. Boyle is OK if only because his performance brings the strengths out in his role without exposing the weaknesses.Overall a stylish directing job and several really nice touches do not a great film make. The weakness in plot and character are evident from 15 minutes in ans stay there for the rest of the film. It's a shame – a better developed script and characters would have made this a much better film. Good but flawed.

Lapaglia is tremendous as the icy hitman who not only thaws from the heat of passion, but burns to a cinder in the process! Mimi Rogers is good as the object of his obsession. This modern noir film should not be missed. Lapaglia stunning performance runs the gambit of emotion and melts the screen!Don't miss it!