Joe's So Mean to Josephine
Joe's So Mean to Josephine
| 18 January 1997 (USA)
Joe's So Mean to Josephine Trailers

Josephine has her eye on Joe, a hot-headed, petty criminal who taps phones for a living. When she finally worms her way into his heart she realises it's not a nice place to be. But is it too late?

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Reviews
GamerTab

That was an excellent one.

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Yash Wade

Close shines in drama with strong language, adult themes.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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rsaltzman

I did like this film overall, but I agree with those who say it ends too abruptly. I also liked the musical score by Ron Sures, including the ending song. Does anyone know if the soundtrack/score has been released? Just wondering.

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aaron-71

I can't think of a better written story about the problems, jealousies, insecurities that arise between couples in difficult, conflicting relationships that are based less on love than need. The dynamics between Joe and Josephine change halfway through and the pathetic behavior of Josephine suddenly changes as her career takes off the Joe's career criminal life takes a nose dive as he realizes that his life is going nowhere. The resolution is both maddening, dramatic and touching. The two lead performers are great.

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Bram-5

Love the title and loved the film; a tiny perfect movie. It felt like I was watching home video, carefully edited into a realistic story; Sarah Polley and Eric Thal were Josephine and Joe, perfectly recognizable as people I know. And, I agree with Sarah that I can hardly believe the screenplay was written by a man. Josephine fared much better as a character and the end was beautiful -- seemingly abrupt, left to the viewer, enough of a surprise but well foreshadowed by the rest of the movie. Surely this will strike a chord of recognition in everyone who sees it. If not, you haven't been paying attention.

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cuz

You feel sorry for the two leads in this film, and it has nothing to do with their respective characters. No, you sympathize with Sarah Polley ("The Sweet Hereafter") and Eric Thal because they both try so hard to make the most of poorly-written roles. Josephine is a college student and aspiring journalist. Joe is a wiretapper masquerading as a phone company technician. They meet in a bar. She's intrigued and pursues Joe, but Joe plays it cool. They finally get together, have a night of bland sex (bland to the viewer, anyway) and begin a complicated relationship. She finds out about his secret occupation, and continues to date him. He has no people skills whatsoever, and embarrasses Josephine in front of her friends. She continues to date him. It's not until much later in the film that she comes to her senses and realizes what a jerk Joe is. It's a variation of Roger Ebert's idiot plot. The story continues only because both characters are too stupid to realize they're hopelessly wrong for each other. "Joe's So Mean to Josephine" wastes the talents of Polley and Thal. On the bright side, it was nice to see the city of Toronto actually playing itself this time, instead of pretending to be New York or Chicago.

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